Songs with Earlier Histories Than the Hit Version

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Tagged: Bert Kaempfert

L-O-V-E

Co-written and first recorded by Bert Kaempfert (1964).
Hit version by Nat “King” Cole (US #89/MOR #17 1965).

From the wiki: “‘L-O-V-E’ was composed by Bert Kaempfert, and was first recorded as an instrumental track on Kaempfert’s album Blue Midnight (1964). Nat ‘King’ Cole followed in 1965 with his vocal recording for his album of the same name (1965), with lyrics by Milt Gabler. The trumpet solo on the Cole recording was performed by Bobby Bryant. For international versions of L-O-V-E album, Cole also recorded versions of ‘L-O-V-E’ in Japanese (mixed with English words), Italian, German, Spanish and French (as ‘Je Ne Repartirai Pas’).”

Strangers in the Night

First recorded (as “Beddy Bye”) by Bert Kaempfert (1965).
Possibly based on “Stranci u noći” by Ivo Robić (1966)
First English-language recording by Jack Jones (1966).
Also recorded (in German, as “Fremde in der Nacht”) by Ivo Robić (1966).
Hit version Frank Sinatra (US #1/MOR #1/UK #1 1966).

From the wiki: “‘Strangers in the Night’ is credited to Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder. It is sometimes claimed that the Croatian singer Ivo Robić was the original composer of ‘Strangers in the Night’ (performed as ‘Stranci u noći’), and that he sold the rights to Kaempfert after entering it without success in a song contest in Yugoslavia. These claims have not been substantiated.

“Robić, a pioneer of popular Yugoslav music from the early 1950s on, was the only artist from Yugoslavia whose records were available in the record shops of Europe and the rest of the world. He performed and collaborated with Kaempfert, Freddy Quinn, and Dean Martin. Robić would go on to record Yugoslav and German versions of ‘Strangers in the Night’, ‘Stranci u Noći’ with lyrics by Marija Renota and ‘Fremde in der Nacht’ with lyrics by Kurt Feltz.

“Kaempfert originally recorded the melody under the title ‘Beddy Bye’ as part of the instrumental score for the movie soundtrack to A Man Could Get Killed, which went on to win a Golden Globe Award in 1967 for Best Original Song in a Motion Picture.

Red Roses for a Blue Lady

First recorded by John Laurenz (1948).
Hit versions by Vaughn Monroe & The Moon Men (US #3 1949), Guy Lombardo & His Royal Canadians (US #8 1949), Bert Kaempert (US #11/MOR #2 1965), Wayne Newton (US #23/MOR #4 1965), Vic Dana (US #10/MOR #2 1965).

From the wiki: “‘Red Roses for a Blue Lady’ was written by Sid Tepper and Roy C. Bennett, and first recorded in 1948 by John Laurenz. The best-selling recording was produced in 1949 by Vaughn Monroe and His Orchestra Vocalists: Vaughn Monroe and The Moon Men. The song was revived three times in 1965: By vocalists Vic Dana and Wayne Newton, and by instrumentalist Bert Kaempfert. Dana’s version was the most successful of the three, peaking at #10 on the Billboard Hot 100 and #2 on the Easy Listening chart.”

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