Songs with Earlier Histories Than the Hit Version

Help support this site! Consider clicking an ad from time to time. Thanks!

 
« Go Back to Previous Page «  

Tagged: Bob Wills & His Texas Playboys

Right or Wrong

First recorded by Mike Markel and His Orchestra (1922).
Also recorded by The Original New Orleans Jazz Band (1925), Art “The Whispering Pianist” Gilham (1926), The Golden Gate Orchestra feat. Scrappy Lambert (1927), Emmett Miller and the Georgia Crackers (1929), Milton Brown & His Musical Brownies (1936), Bob Wills & His Texas Playboys (1937).
Hit version by George Strait (C&W #1/CAN #1 1984).

From the wiki: “‘Right or Wrong’ first came into being as a jazz ballad in 1921. Composed by Arthur Sizemore and Paul Biese, with words by Haven Gillespie, the song was described by the original sheet music as ‘a beautiful fox-trot ballad.’

“‘Right or Wrong’ was recorded by many early jazz and swing orchestras. The earliest known recording is by Mike Markel and His Orchestra the same year the song was published (1921). Other early, and varied, arrangements were recorded by the Original New Orleans Dixie Jazz Band (1925), Scrappy Lambert (1927), and Peggy English (1928). But the arrangement with the longest lasting influence was recorded by Emmett Miller and the Georgia Crackers in 1929. Miller was an American minstrel show performer (often performing in blackface, which accounts for his obscurity today) and recording artist known for his falsetto, yodel-like voice.

“Miller’s singing style – the odd nasal pitch tone, along with the breaking of lines and bars in a song into a high yodel-like yelp – has been imitated by scores of singers since he first began to record in 1924. Jimmie Rodgers, Gene Autry, Lefty Fritzell, Tommy Duncan, Woody Guthrie, Howlin’ Wolf, Leon Redbone, and Bob Dylan have all been influenced by Miller’s one-of-a-kind vocal abilities. Of equal importance was Miller’s visionary fusion of blues and jazz, country and swing, black and white, comedy and crooning. His Georgia Crackers band, too, served as something of an incubator. Members at the time Miller recorded ‘Right or Wrong’ included Tommy Dorsey, Jimmy Dorsey, Gene Krupa, and Eddie Lang.

Deep in the Heart of Texas

First recorded by Alvino Rey & His Orchestra (US #1 Feb 1942).
Also performed by Gene Autry (1942).
Other hit versions by Ted Weems & His Orchestra with Perry Como (US #23 Feb 1942), Bing Crosby with Woody Herman & His Woodchoppers (US #3 March 1942), Horace Heidt & His Musical Knights (US #7 March 1942), The Merry Macs (US #11 March 1942), Duane Eddy (US #78/UK #19 1962).
Also recorded by Gene Autry (1944), Bob Wills (1955), Ray Charles (1960).

From the wiki: “‘Deep in the Heart of Texas’ was written by June Hershey with music by Don Swander, with a title taken from a movie Western of the same name starring Tex Ritter. (The song was not performed in that particular movie, but would make an appearance in the Western movie Heart of the Rio Grande, released in 1942, sung by movie cowboy Gene Autry.)

“The first recording was by Alvino Rey and his orchestra, on November 21, 1941. It first charted in early 1942, eventually spending five weeks at #1 on the Hit Parade. The song was covered by Ted Weems & His Orchestra (with Perry Como on vocals) on December 9, 1941 for Decca Records, also released in early 1942 as the flip-side to ‘Ollie Ollie Out’s in Free’.

Sugar Blues

First recorded by Leona Williams & Her Dixie Band (1922).
Popular versions by Clyde McCoy (US #2 1931), Fats Waller (1935), Bob Wills & His Texas Playboys (1936), Ella Fitzgerald & the Chick Webb Orchestra (1940), Johnny Mercer (US #4 1947).

From the wiki: “‘Sugar Blues’ was written in 1920 by Clarence Williams and recorded for the first time by Leona Williams (no relation) and Her Dixie Band in 1922. The song was made popular by Clyde McCoy in 1931, featuring the sound of the growling wah-wah mute. McCoy recorded it no less than four times, and it became his trademark song.

“‘Sugar Blues’ would also be recorded by Fats Waller (1935), Bob Wills and his Texas Playboys (1936), and Ella Fitzgerald (1940), and chart again on the Hit Parade in 1947 with a vocal cover by noted songwriter-lyricist Johnny Mercer (‘Satin Doll’, ‘Fools Rush In‘, ‘Jeepers Creepers‘).”

Faded Love

Co-written and first recorded by Bob Wills & His Texas Playboys (1946).
Also recorded by The Maddox Brothers & Rose (1950).
Hit versions by Bob Wills & His Texas Playboys (C&W #8 1950), Leon McAuliffe (C&W #22 1962 |C&W #22 1971), Patsy Cline (US #97/C&W #7 1963).

From the wiki: “‘Faded Love’ is a Western swing song written by Bob Wills; his father, John Wills; and his brother, Billy Jack Wills. The tune is considered to be an exemplar of the Western swing fiddle component of American fiddle. The song was first recorded as an instrumental in April, 1946 by Bob Wills & His Texas Playboys for the Tiffany record label; a 1950 re-recording for MGM Records, with lyrics by Billy Jack, became a major hit for the group, reaching #8 on the Country charts in 1950, becoming one of the Playboys’ signature songs.

Corrina, Corrina

First recorded by Bo Carter (Chatmon) & Charlie McCoy (1929).
Hit versions by Bob Wills & His Texas Playboys (1940), Ray Peterson (US #9/UK #41 1960), The Rising Sons (1966).
Also recorded by Elston Gunn (Bob Dylan) (1962).

From the wiki: “‘Corrina, Corrina’ may have traditional roots; however, early versions are different musically and lyrically. One of the earliest is the commercial sheet music song ‘Has Anybody Seen My Corrine?’ published by Roger Graham in 1918. Just prior to World War II, Bob Wills adapted the song to a Western swing dance song. Following his recording with The Texas Playboys in April 1940, the song (recorded as “Corrine, Corrina”) entered the standard repertoire of all Western swing bands, influencing the adoption of ‘Corrina, Corrina’ by Cajun bands and later by individual country artists.

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Close