First performed and released by Brook Benton (US #75/MOR #13/R&B #6 1964).
Other hit versions by Dionne Warwick (US #71/R&B #10/CAN #37 1964), Luther Vandross (1981).
Also recorded by Burt Bacharach (1965), Aretha Franklin (2005).
From the wiki: “‘A House Is Not a Home’ was a 1964 ballad written by the team of Burt Bacharach and Hal David for the 1964 film of the same name, starring Shelley Winters and Robert Taylor (and Raquel Welch’s film debut in a small role as a call girl), and was sung in the film by Brook Benton (‘A Rainy Night in Georgia‘, 1970). A promotional single by Benton was released, debuting two weeks before the release of Dionne Warwick’s cover (as the B-side of ‘You’ll Never Get to Heaven (If You Break My Heart)’). But, with two recordings of the same song charting concurrently, radio airplay and sales was split airplay. Benton’s version peaked at #75 on the Billboard Hot 100; Warwick’s B-side recording peaked at #71 (the A-side peaked at #34 on the Hot 100; #10 R&B).
“Warwick’s single of ‘A House is Not a Home’ fared a bit better in Canada, where it peaked at #37.
First recorded by Lou Johnson (US #74 1963).
Other hit versions by Dionne Warwick (US #20/R&B #1 1964), Olivia Newton-John (MOR #32/AUS #153 1989).
From the wiki: “‘Reach Out for Me’, written by Burt Bacharach and Hal David, was first recorded in 1963 by Lou Johnson.
“Johnson came from a musical family, and started singing in gospel choirs in his teens. In 1962, Johnson signed as a solo singer with Bigtop Records, run by the Hill & Range music publishing company in the famed Brill Building. There, he met the songwriting team of Burt Bacharach and Hal David, who took a liking to the singer and wrote Johnson’s first single, ‘If I Never Get to Love You’. Neither that song nor his second record, ‘You Better Let Him Go’ (written by Joy Byers), were hits. But, his third single, ‘Reach Out for Me’, another Bacharach-David composition and this time produced by Bacharach, reached #74 on the Billboard Hot 100 in late 1963. However, as it rose up the charts, the Bigtop Records collapsed, limiting the record’s success.
First performed by Herb Alpert (1968).
First released (as “That Guy’s in Love”) by Danny Williams (1968).
Hit versions by Herb Alpert (US #1/MOR #1/CAN #1/UK #3/AUS #1 1968), Dionne Warwick (as “This Girl’s in Love with You” US #7/MOR #2/R&B #7/CAN #7 1969).
From the wiki:”‘This Guy’s in Love with You’ was by Burt Bacharach and Hal David. [T]he original performance originated when Herb Alpert, while visiting at Bacharach’s office, asked, ‘Say, Burt, do you happen to have any old compositions lying around that you and Hal never recorded; maybe one I might be able to use?’ Alpert said he made it his practice to ask songwriters that particular question: often a ‘lost pearl’ was revealed. As it happened, Bacharach recalled one, found the lyrics and score sheet in his office filing cabinet, and offered it to Alpert: ‘Here, Herb … you might like this one.’
“Alpert originally sang ‘This Guy’s in Love with You’ on his April 1968 television special, The Beat of the Brass. In response to numerous viewer telephone calls to the network following the broadcast, Alpert decided that the song should be used as the promotional single for the subsequent May 1968 release of the TV special’s soundtrack. But, the first release of ‘This Guy’s in Love with You’, titled ‘That Guy’s in Love’, was in the UK by South African-born singer Danny Williams in late April 1968, for his self-titled album. Williams’ recording, however, was not released as a single.
Written and first recorded by Burt Bacharach (UK #4 1965).
Other hit versions by Billy J. Kramer & the Dakotas (US #47/MOR #10/UK #12 1965), Dionne Warwick (US #22 1966).
From the wiki: “‘Trains and Boats and Planes’ was written by Burt Bacharach and Hal David, and first recorded in 1965. Hit versions were recorded by Bacharach himself in 1965, by Billy J. Kramer & The Dakotas (also in 1965), and by Dionne Warwick in 1966. Bacharach and David wrote the song at a time when they had achieved great popular success, and Bacharach in particular was traveling widely to record and promote his songs. The pair intended the song to be recorded by Gene Pitney, who had had several hits with earlier Bacharach and David songs including ‘Only Love Can Break a Heart’. However, Pitney declined to record it, telling Bacharach ‘It’s not one of your better ones.’ Bacharach then recorded it himself, in London, with an orchestra, chorus, and uncredited vocals by female session singers The Breakaways. His version was issued on the album Hit Maker! Burt Bacharach plays the Burt Bacharach Hits in 1965, and as a UK-only single.
First commercial release (as “Are You Lonely By Yourself”) by The Isley Brothers (1962).
Hit versions by Jerry Butler (US #20/R&B #18 1962), Walker Brothers (US #16/UK #1 1965), Dionne Warwick (US #37/MOR #2/R&B #26 1970).
From the wiki: “‘Make It Easy On Yourself’, written by Burt Bacharach and Hal David, was first recorded for commercial release by the Isley Brothers. Much to Bacharach’s chagrin, the Brothers messed with the lyrics (turning it into ‘Are You Lonely By Yourself’) and he objected to the release of their version. (The Isley recording remained unreleased until 2001.) Instead, to fill out the time remaining of their studio session, the Isley Brothers recorded ‘Twist and Shout‘.
“It was Jerry Butler (‘He Don’t Love You‘, ‘Moon River‘, ‘Gypsy Woman‘) who first made ‘Make It Easy On Yourself’ a chart hit – his third Top 20 hit since departing The Impressions for a solo career.
First recorded by Rod Stewart (1982).
Hit version by Dionne Warwick, Elton John, Stevie Wonder & Gladys Knight (US #1/R&B #1/UK #16/CAN #1/AUS #1 1985).
From the wiki: “‘That’s What Friends Are For’ was written by Burt Bacharach and Carole Bayer Sager (‘Everchanging Times‘) and was first recorded in 1982 by Rod Stewart for the soundtrack of the film Night Shift. The Dionne Warwick cover was a one-off collaboration featuring Warwick, Gladys Knight, Elton John and Stevie Wonder, which was released as a charity single in the US and UK to benefit the American Foundation for AIDS Research. Sales from the song raised over US$3 million for that cause.”
First recorded by Siedah Garrett (MOR #30/R&B #44 1987).
Other hit version by Aretha Franklin feat. Michael McDonald (MOR #11/R&B #19 1992).
From the wiki: “‘Everchanging Times’ was co-written by Burt Bacharach and Carole Bayer Sager (‘That’s What Friends Are For‘) and was first recorded by Siedah Garrett for the Baby Boom movie soundtrack. Released as a single, Garrett’s arrangement peaked at #44 on the R&B singles chart.
“In 1992, ‘Everchanging Times’ was covered by Aretha Franklin for her thirty-sixth studio album What You See Is What You Sweat with Michael McDonald having featured vocals. The song served as the fourth single from the album. Franklin’s single did not chart on the Billboard Hot 100 but did peaked at #11 on the Adult Contemporary singles chart and #19 on the Hot R&B chart.”
First recorded by Dionne Warwick (US #32/UK #20/CAN #15 1964).
Other hit version by The Stylistics (US #23/R&B #8 1973 |UK #24 1976).
From the wiki: “‘You’ll Never Get to Heaven’ was written by Burt Bacharach and Hal David, and was first recorded in 1964 by Dionne Warwick for the album Make Way for Dionne Warwick (also notable for including an early production of ‘(They Long to Be) Close to You‘). In 1973, The Stylistics covered the song, reaching the Billboard Top 30 and R&B Top 10 charts in the US and the UK Top 30.”
First released by The New World Singers (January 1963).
Also released by The Chad Mitchell Trio (March 1963), Bob Dylan (May 1963), Marlene Dietrich (1963).
Hit versions by Peter, Paul & Mary (US #2/UK #13 1963), Stan Getz (US #110 1964), Stevie Wonder (US #9/R&B #1 1966).
From The Originals: “The timeline of ‘first’ recordings and releases of ‘Blowin’ In The Wind’ can sure be a more than confusing. Some sources date the New World Singers’ recording to September 1963, four months after Dylan’s was released. That is patently wrong, however. The New World Singers’ version appeared on a compilation of ‘topical songs’ called Broadside Ballads Vol. 1 which apparently was released on 1 January 1963 on Broadside Records, the recording arm of the folk magazine (you guessed it) Broadside, which was founded by Pete Seeger and printed the lyrics of the song in May 1962. The Chad Mitchell Trio, sometimes credited with recording the song first, released the song on their In Action LP in March 1963.
First recorded by Keely Smith (1967).
Hit versions by Rosemary Clooney (MOR #28 1968), The 5th Dimension (US #2/MOR #1/R&B #4 1970).
From the wiki: “‘One Less Bell to Answer’ is a song written by Burt Bacharach and Hal David (“The Look of Love“, “I’ll Never Fall in Love Again“, “Alfie“), originally written for and recorded in 1967 by Keely Smith (‘I’m a Gigolo’, with Louis Prima). The song was rediscovered in late 1969 by Bones Howe, the producer for The 5th Dimension, and the song was included on the group’s 1970 debut album for Bell Records, Portrait. Rosemary Clooney had, a year earlier, in 1968, charted the song on Bilboard’s Easy Listening chart – one of the two last recordings she made before her nervous breakdown (after witnessing Robert Kennedy’s assassination).”
First recorded by The Shirelles (US #8/R&B #3 1961).
Other hit versions by Smith (US #5 1969), The Beatles (album 1963 |US #67/UK #7 1995).
Also recorded by The Carpenters (1970), Elvis Costello & Nick Lowe and His Cowboy Outfit (1984, released 1995).
From the wiki: “‘Baby It’s You’ was written by Burt Bacharach, Luther Dixon (credited as Barney Williams), and Mack David (elder brother of lyricist Hal David). The song was originally titled ‘I’ll Cherish You’, but was re-written at the request of Dixon who produced the track that the Shirelles released as a single in 1961. The group’s vocals were added directly to Bacharach’s demo recording.
“Dixon’s vocal arrangements for the Shirelles’ recording proved influential in subsequent versions, including that of The Beatles who performed ‘Baby It’s You’ as part of their stage act from 1961 until 1963 before recording it on February 11, 1963 for their first album, Please Please Me. Not released as a single in 1963, ‘Baby It’s You’ was re-released as both a CD single and a vinyl single in 1995 in the UK and the US, peaking at #7 in the UK and #67 in the US.
First recorded (as “Lover”) by Tommy Hunt (unreleased 1961).
Hit versions by (as “Any Day Now (My Wild Beautiful Bird)”) by Chuck Jackson (US #23/R&B #2 1962), Elvis Presley (B-side US #3 1969), Ronnie Milsap (US #14/C&W #1/CAN #1 1982), Luther Vandross (2001).
Also recorded by Alan Price Set (1965), Mitch Ryder & The Detroit Wheels (1966).
From the wiki: “‘Any Day Now’ was written by Burt Bacharach and Bob Hilliard in 1961. Co-writer Bacharach (‘Alfie‘,’Make It Easy On Yourself‘,’Message to Michael‘) had orchestrated and recorded the song’s backing track a year before presenting it to Chuck Jackson, formerly of the Del Vikings (‘Come Go With Me‘).
“In the interim, producer Luther Dixon made use of the same backing track to record the arrangement of the song with former Flamingos singer Tommy Hunt (‘I Only Have Eyes For You’, The Flamingos; ‘I Just Don’t Know What to Do with Myself‘), titled ‘Lover’, using a set of completely different, and uncredited, lyrics. Hunt’s 1961 recording, believed to have been recorded within days of his leaving the Flamingos, went unreleased by Stardust Records (backed with another unreleased track, Big Maybelle’s ‘How Do You Feel Now’).
“When it came time to record Jackson, parts of Hunt’s original singing were still audible at the end of Jackson’s hit version.
First released (as “They Long to Be Close to You”) by Richard Chamberlain (1963).
Also recorded by Dionne Warwick (1963 |B-side 1964), Dusty Springfield (1964, released 1967), Herb Alpert & The Tijuana Brass (1968, released 2005).
Hit version by the Carpenters (US #1/UK #6/CAN #1 1970).
From the wiki: “‘(They Long to Be) Close to You’ is a popular song written by Burt Bacharach and Hal David. It was first released by Richard Chamberlain and released as a single in 1963 as ‘They Long to Be Close to You’ (without parentheses). However, it was the single’s flip side, ‘Blue Guitar’, that became a hit.
“Dusty Springfield recorded an early version of ‘Close to You’ in 1964, which was originally scheduled to be released as the follow-up single to ‘I Just Don’t Know What To Do with Myself’. However, it wasn’t until 3 years later, in 1967, that her version was released – as an album track – on Where Am I Going? (in the UK) and The Look of Love (in the US).
“Dionne Warwick, Bacharach-David’s go-to vocalist, had been the first to record ‘(They Long to Be) Close to You’ – as a demo – in 1963. She re-recorded the song with a Bacharach arrangement for her 1964 album Make Way for Dionne Warwick, and Warwick’s version was released as the B-side of her 1965 single ‘Here I Am’.
First performed by Jill O’Hara & Jerry Orbach (1968).
First charted by Johnny Mathis (MOR #35 1969).
Other hit versions by Burt Bacharach (US #98/MOR #18 1969), Bobbie Gentry (UK #1/IRE #1/NOR #5 1969), Dionne Warwick (US #6/R&B #17/MOR #1 1969), Deacon Blue (IRE #2 1990).
From the wiki: “Originally written for the 1968 musical Promises, Promises, it soon became one of Burt Bacharach and Hal David’s most enduring songs. It was introduced in the musical by Jerry Orbach and Jill O’Hara, and was nominated for Song of the Year in the 1969 Grammy awards. (The soundtrack album did win the 1969 Grammy for Best Musical Theater Album.)
“The first recording of ‘I’ll Never Fall in Love Again’ to reach any of the charts in Billboard was by Johnny Mathis, whose cover debuted on the magazine’s Easy Listening chart in the issue dated May 17, 1969, and reached #35 over the course of three weeks there. Bacharach’s own version, which was sung by a female chorus, overtook the Mathis release after a May 31 debut on that same chart and got as high as number 18 during its nine-week stay. It also peaked at #93 on the Hot 100 during the two weeks it spent there in July.
“Bobbie Gentry entered the UK singles chart with the song the following month, on August 30, and enjoyed one of her 19 weeks there at #1. She also peaked at #1 in Ireland. The most successful version of the song to be released as a single, however, was by Bacharach-David protégée Dionne Warwick, whose recording made its first appearance on the Hot 100 in the issue dated December 27, 1969, to start an 11-week run that took it to #6 (Warwick’s her last Top-10 solo hit until 1979).”
Originally recorded (as “Message To Martha”) by Jerry Butler (1962).
Also recorded by Marlene Dietrich (1964), Lou Johnson (as “Kentucky Bluebird” US #104 1964).
Hit versions by Adam Faith (UK #12 1964), Dionne Warwick (US #8/R&B #5/CAN #6 1966).
From the wiki: “The song was first recorded as ‘Message to Martha’ by Jerry Butler in the 1962 session in New York City which produced Butler’s hit ‘Make It Easy on Yourself’ (also written by Bacharach-David), but was not released until December 1963. Marlene Dietrich recorded a German version of the song in 1964, singing to the instrumental track of the Butler original (with augmentations); Dietrich’s version was entitled ‘Kleine Treue Nachtigall’ (‘faithful little nightingale’).
First recorded (as a demo) by Dionne Warwick (1963).
Hit versions by Lou Johnson (US #49 1964), Sandi Shaw (US #52/UK #1/CAN #1/AUS #16 1964), Dionne Warwick B-side re-recording (US #65 1968), R.B. Greaves (US #27/MOR #3 1971) and Naked Eyes (US #8/UK #59/CAN #9/AUS #7 1983).
From the wiki: “Originally recorded as a demo by Dionne Warwick in 1963, ‘(There’s) Always Something There to Remind Me’ first charted for Lou Johnson whose version (with backing vocals by Doris Troy, Dee Dee Warwick, and Cissy Houston) reached #49 on the Billboard Hot 100 in the summer of 1964. Johnson also recorded the original versions of several other Bacharach and David songs that later proved to be bigger hits for other musicians, including ‘Reach Out for Me’, and ‘Message to Michael (Kentucky Bluebird)‘.
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