Written and first recorded by Burt Bacharach (UK #4 1965).
Other hit versions by Billy J. Kramer & the Dakotas (US #47/MOR #10/UK #12 1965), Dionne Warwick (US #22 1966).
From the wiki: “‘Trains and Boats and Planes’ was written by Burt Bacharach and Hal David, and first recorded in 1965. Hit versions were recorded by Bacharach himself in 1965, by Billy J. Kramer & The Dakotas (also in 1965), and by Dionne Warwick in 1966. Bacharach and David wrote the song at a time when they had achieved great popular success, and Bacharach in particular was traveling widely to record and promote his songs. The pair intended the song to be recorded by Gene Pitney, who had had several hits with earlier Bacharach and David songs including ‘Only Love Can Break a Heart’. However, Pitney declined to record it, telling Bacharach ‘It’s not one of your better ones.’ Bacharach then recorded it himself, in London, with an orchestra, chorus, and uncredited vocals by female session singers The Breakaways. His version was issued on the album Hit Maker! Burt Bacharach plays the Burt Bacharach Hits in 1965, and as a UK-only single.
First recorded by Cilla Black (US #95/UK #9 January 1966).
Also recorded by Jerry Butler (May 1966, released December 1967), Dee Dee Warwick (May 1966, released 1967).
Other hit versions by Cher (US #32/CAN #36 June 1966), Dionne Warwick (US #15/R&B #5 December 1966).
From the wiki: “‘Alfie’ was written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Although Bacharach and David suggested ‘Alfie’ be recorded by Dionne Warwick, their most prolific interpreter, Paramount felt the film’s setting demanded the song be recorded by a UK singer. Accordingly, the initial invitation to record ‘Alfie’ was made to Sandie Shaw who had had a UK #1 hit with the Bacharach/David composition ‘(There’s) Always Something There to Remind Me’. When the invitation to Shaw was declined ‘Alfie’ was offered to Cilla Black, who had also had a previous UK #1 with a Bacharach/David song: ‘Anyone Who Had a Heart’.
First recorded by Kai Winding (1963).
Hit versions by Irma Thomas (US #52 1964), The Rolling Stones (US #6/AUS #4 1964).
From the wiki: “Kai Winding session arranger Garry Sherman contacted songwriter friend and colleague Jerry Ragovoy (‘Piece of My Heart‘) after Kai had expressed an interest in going in a more commercial and rhythmic direction. But Ragovoy had thought of no lyrics for the song other than ‘Time is on my side’. Produced by Creed Taylor and engineered by Phil Ramone, and including background vocals by Cissy Houston, Dionne Warwick and Dee Dee Warwick, ‘Time Is On My Side’ was released on the Verve Records label in October 1963.
First performed by Placido Domingo, Dionne Warwick & Gloria Estefan (1988).
Hit versions by Barbra Streisand & Don Johnson (US #25/UK #15 1988), Placido Domingo & Jennifer Rush (UK #24 1989).
From the wiki: “‘Till I Loved You’ was composed for the never-staged musical Goya: A Life in Song, based on the life of the Spanish artist Francisco Goya. The original recording was sung by tenor Plácido Domingo with American singers Dionne Warwick and Gloria Estefan. ‘Till I Loved You’ was subsequently released as a single by Domingo with another collaborator to the album, Jennifer Rush (‘The Power of Love‘).
First commercial release (as “Are You Lonely By Yourself”) by The Isley Brothers (1962).
Hit versions by Jerry Butler (US #20/R&B #18 1962), Walker Brothers (US #16/UK #1 1965), Dionne Warwick (US #37/MOR #2/R&B #26 1970).
From the wiki: “‘Make It Easy On Yourself’, written by Burt Bacharach and Hal David, was first recorded for commercial release by the Isley Brothers. Much to Bacharach’s chagrin, the Brothers messed with the lyrics (turning it into ‘Are You Lonely By Yourself’) and he objected to the release of their version. (The Isley recording remained unreleased until 2001.) Instead, to fill out the time remaining of their studio session, the Isley Brothers recorded ‘Twist and Shout‘.
First recorded by Dionne Warwick (FRA #39 1963).
Also recorded by The (UK) Eagles (1964).
Hit versions by The Merseybeats (UK #13 1964), Dusty Springfield (US #6 1964).
From the wiki: “Wishin’ and Hopin” was written by Hal David and Burt Bacharach, and was first recorded by Dionne Warwick as the B-side of her 1963 single ‘This Empty Place’ and for her debut album, Presenting Dionne Warwick. The single charted only in France, peaking at #39, but it was the recording Dusty Springfield heard and which prompted her to complete her own version in 1964. The track was included on Springfield’s solo album debuts in the UK (A Girl Called Dusty) and the US (Stay Awhile/I Only Want to Be with You). It was Bacharach himself who encouraged Dusty, who was ambivalent, to release her recording as a single.
First recorded by Rod Stewart (1982).
Hit version by Dionne Warwick, Elton John, Stevie Wonder & Gladys Knight (US #1/R&B #1/UK #16/CAN #1/AUS #1 1985).
From the wiki: “‘That’s What Friends Are For’ was written by Burt Bacharach and Carole Bayer Sager (‘Everchanging Times‘) and was first recorded in 1982 by Rod Stewart for the soundtrack of the film Night Shift. The Dionne Warwick cover was a one-off collaboration featuring Gladys Knight, Elton John and Stevie Wonder, released as a charity single in the US and UK to benefit the American Foundation for AIDS Research. Sales from the song raised over US$3 million for that cause.”
First recorded by Dionne Warwick (US #32/UK #20/CAN #15 1964).
Other hit version by The Stylistics (US #23/R&B #8 1973 |UK #24 1976).
From the wiki: “‘You’ll Never Get to Heaven’ was written by Burt Bacharach and Hal David, and was first recorded in 1964 by Dionne Warwick for the album Make Way for Dionne Warwick (also notable for including an early production of ‘(They Long to Be) Close to You‘). In 1973, The Stylistics covered the song, reaching the Billboard Top 30 and R&B Top 10 charts in the US and the UK Top 30.”
First recorded (as “I Know I’ll Never Love This Way Again”) by Richard Kerr (1978).
Also recorded by Cheryl Ladd (1978).
Hit version by Dionne Warwick (US #6/R&B #13/CAN #6 1979).
From the wiki: “‘I’ll Never Love This Way Again’ was composed by Richard Kerr (co-writer ‘Mandy‘, ‘Somewhere in the Night‘) and Will Jennings (co-writer ‘Valerie‘, ‘Tears in Heaven’, ‘Somewhere in the Night‘), and was first recorded by Kerr himself for his 1978 album Welcome To The Club. The song was soon covered by Cheryl Ladd for her 1978 eponymous debut album.
First recorded by Dionne Warwick (1982).
Also recorded by Stevie Woods (1982).
Hit version by Sergio Mendes (US #4/R&B #28 1983).
From the wiki: “Songwriters Cynthia Weil and Barry Mann (‘Don’t Know Much‘, ‘(You’re My) Soul & Inspiration’) composed the song and had originally submitted ‘Never Gonna Let You Go’ to Earth, Wind & Fire, but the group decided not to record the song. Instead, Dionne Warwick first recorded the song and it first appeared on her 1982 album Friends in Love.
First recorded (as “They Long to Be Close to You”) by Richard Chamberlain (1963).
Also recorded by Dionne Warwick (B-side 1964), Dusty Springfield (1964, released 1967), Herb Alpert & The Tijuana Brass (1968, released 2005).
Hit version by The Carpenters (US #1/UK #6/CAN #1 1970).
From the wiki: “‘(They Long to Be) Close to You’ is a popular song written by Burt Bacharach and Hal David. It was first recorded by Richard Chamberlain and released as a single in 1963 as ‘They Long to Be Close to You’ (without parentheses). However, it was the single’s flip side, ‘Blue Guitar’, that became a hit.
First recorded by Bobbie Gentry (UK #1 1969).
Other hit version by Dionne Warwick (US #6/MOR #1 1970).
From the wiki: “Originally written for the 1968 musical Promises, Promises, it soon became one of Burt Bacharach and Hal David’s most enduring songs. It was introduced in the musical by Jerry Orbach and Jill O’Hara, and was nominated for Song of the Year in the 1969 Grammy awards. A version with studio singers was released as a single under Burt Bacharach’s name in 1969, and achieved a low chart position.
Written and originally recorded (as a demo) by Barry Gibb (1982).
Hit version by Dionne Warwick (US #10/R&B #14/MOR #1/UK #2 1982).
From the wiki: “‘Heartbreaker’ was originally recorded by Barry Gibb for Dionne Warwick, for her album Heartbreaker released in 1982. This demo version was not released until 2006.
“This song blended the two Gibb brothers schools of songwriting: it has the clear verse and chorus structure favored by Robin and Maurice, yet also has the longer spun-out verses Barry now preferred, both well balanced, so that it has instant appeal but takes repeated listenings to fully appreciate. Maurice said later that he wished they had saved it for themselves.
“Warwick admitted in The Billboard Book of Number One Adult Contemporary Hits, by Wesley Hyatt, that she was not fond of ‘Heartbreaker’ (regarding the song’s international popularity, she quipped, ‘I cried all the way to the bank’), but recorded it because she trusted the Bee Gees’ judgment that it would be a hit. It turned out to be Dionne’s most successful solo hit of the 1980s.”
Originally recorded (as “Message To Martha”) by Jerry Butler (1962).
Also recorded by Marlene Dietrich (1964), Lou Johnson (as “Kentucky Bluebird” US #104 1964).
Hit versions by Adam Faith (UK #12 1964), Dionne Warwick (US #8/R&B #5/CAN #6 1966).
From the wiki: “The song was first recorded as ‘Message to Martha’ by Jerry Butler in the 1962 session in New York City which produced Butler’s hit ‘Make It Easy on Yourself’ (also written by Bacharach-David), but was not released until December 1963. Marlene Dietrich recorded a German version of the song in 1964, singing to the instrumental track of the Butler original (with augmentations); Dietrich’s version was entitled ‘Kleine Treue Nachtigall’ (‘faithful little nightingale’).
First recorded (as a demo) by Dionne Warwick (1963).
Hit versions by Lou Johnson (US #49, 1964), Sandi Shaw (US #52/UK #1, 1964), Dionne Warwick B-side re-recording (US #65 1968), R.B. Greaves (US #27/MOR #3 1971) and Naked Eyes (US #8 1983).
From the wiki: “Originally recorded as a demo by Dionne Warwick in 1963, ‘(There’s) Always Something There to Remind Me’ first charted for Lou Johnson whose version (with backing vocals by Doris Troy, Dee Dee Warwick, and Cissy Houston) reached #49 on the Billboard Hot 100 in the summer of 1964. Johnson also recorded the original versions of several other Bacharach and David songs that later proved to be bigger hits for other musicians, including ‘Reach Out for Me’, and ‘Message to Michael (Kentucky Bluebird)‘.
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