First recorded (as “Lonesome Fiddle Blues”) by The Nitty Gritty Dirt Band (1972).
Hit version by The Charlie Daniels Band (US #3/C&W #1 1979).
Also recorded by Old and in the The Way (recorded 1973, released 1975), Vassar Clements (1975).
From the wiki: “‘The Devil Went Down to Georgia’ was written by the Charlie Daniels Band, and was based on a song Bluegrass fiddler Vassar Clements originally wrote, an octave lower, titled ‘Lonesome Fiddle Blues’ that Clements first recorded in 1972 with The Nitty Gritty Dirt Band for the album Will The Circle Be Unbroken.
“In 1973, Clements joined and toured with the Bluegrass supergroup Old and in the Way with Jerry Garcia, David Grisman, and Peter Rowan. The group recorded ‘Lonesome Fiddle Blues’ in 1973 but it would not be released until February 1975. Clements also recorded a version in 1975 for his self-titled solo album on which Charlie Daniels played guitar.”
Written and first recorded by King Radio (1937).
Hit version by Robert Palmer (US #63 1976).
Also recorded by Harry Belfonte (1956), Robert Mitchum (1957), The Carpenters (1977).
From the wiki: “The Calypso song ‘Man Smart (Woman Smarter)’ was written and first recorded by King Radio (Norman Span) in 1937. Variations of the song have been recorded by many artists including Harry Belafonte, Chubby Checker, Rosanne Cash, Robert Mitchum, and The Carpenters. Robert Palmer charted in the Billboard Hot 100 with his 1976 cover recording. ‘Man Smart (Woman Smarter)’ was also a staple of the live repertoire of the Grateful Dead from 1981 to 1995.”
Written and first recorded by Chuck Berry (US #41/R&B #16/UK #26 1965).
Other hit versions by Fred Weller (C&W #3 1971), Rockpile (AUS #5 1972), Elvis Presley (US #14/C&W #9/UK #9 1974).
Also recorded by The Grateful Dead (1976).
From the wiki: “‘Promised Land’ was written by Chuck Berry to the melody of ‘Wabash Cannonball’, an American Folk song. It was first recorded in this version by Chuck Berry in 1964 for his album St. Louis to Liverpool. Released in 1965, it was Berry’s first single issued following his prison term for a Mann Act conviction. In the lyrics, the singer (who refers to himself as ‘the poor boy’) tells of his journey from Norfolk, Virginia to the ‘Promised Land’, Los Angeles, California, mentioning various cities of the American Southeast that he encounters along his journey. Berry borrowed an atlas from the prison library to plot the song’s itinerary. Upon arriving in Los Angeles, ‘the poor boy’ calls Norfolk, Virginia (‘Tidewater four, ten-oh-nine’) to tell the folks back home he’s made it to the ‘promised land.’
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