First recorded (as “Sentimental Reasons”) by Deek Watson & His Brown Dots (1945).
Hit versions by The King Cole Trio (US #1 1946), Eddy Howard & His Orchestra (US #6 1947), Dinah Shore (US #6 1947), Ella Fitzgerald & Delta Rhythm Boys (US #8 1947), Sam Cooke (US #17/R&B #5 1957), James Brown (R&B #70 1976).
Also recorded by Linda Ronstadt (1986), Rod Stewart (2004)
From the wiki: “‘(I Love You) for Sentimental Reasons’ was written in 1945 by Ivory ‘Deek’ Watson, founding member of the Ink Spots, and William ‘Pat’ Best, founding member of the Four Tunes. The song was first recorded by The Brown Dots, a group Watson had first formed as the ‘New Ink Spots’ after he left the original group in a dispute. The original Ink Spots then filed a lawsuit to force Watson from using its name, resulting in Watson changing his ‘Ink Spots’ name, just barely, to ‘The Brown Dots’.
“The Brown Dots’ original recording of ‘Sentimental Reasons’ was first recorded and released in 1945 as the B-side of their second single, ‘Let’s Give Love Another Chance’. In 1946, it was released again – as an A-side – but it did not chart nationally.
First recorded by Anthony Newley (1961).
Also recorded by Tony Bennett (1962), James Brown (1970).
Hit versions by Sammy Davis, Jr. (US #17/MOR #6 1962), Shirley Bassey (UK #47 1963).
From the wiki: “”What Kind of Fool Am I?” is a popular song written by Leslie Bricusse and Anthony Newley and published in 1962. It was introduced by Anthony Newley in the musical Stop The World – I Want To Get Off. Bricusse and Newley received the 1961 Ivor Novello award for Best Song Musically and Lyrically.
“This song was recorded while Newley was on the road with the touring company of ‘Stop the World …’ in the United States, after its hugely successful run in the United Kingdom. By the time the cast reached New York, Tony Bennett had re-recorded the song*. The song was a hit for Sammy Davis Jr. in the year of its publication, peaking at #17 on the Billboard Hot 100 chart and at #6 on the Billboard Easy Listening chart. It also won a Grammy Award for Song of the Year, with songwriters Bricusse and Newley becoming the first Britons to do so. In 1963 Shirley Bassey released the song as a Columbia Record single and her version reached #47 on the UK charts.
“James Brown covered ‘What Kind of Fool Am I?’ for his 1970 album, Soul on Top.
“The song was also the inspiration for a Gary Larson cartoon (see below).
* “Publisher Harold Richmond related an amusing story about Bennett and ‘What Kind of Food Am I?’:
‘When I was in England to see Oliver! and I heard ‘What Kind of Fool Am I?’, Tony was my first choice for the song. (Sammy Davis, Jr. found the song by himself.) Tony had had ‘San Francisco’ out for six or eight weeks and he said, ‘Howie, I’m going to stick with ‘San Francisco’ for a while. I like ‘What Kind of Fool’ but –.’ I said to him, ‘Tony! ‘San Francisco’ has been out a couple of months and nothing’s happening with it!’ Tony said, ‘Well, I’m still going to stick with it for a while.’ Well, we all know how that turned out.'”
First recorded by Louis Jordan & His Tympany Five (R&B #1 1945).
Other hit versions by Erskine Hawkins (US #12/R&B #2 1945), Woody Herman & His Orchestra (US #2 1945), James Brown (US #95 1964).
Also recorded by Champion Jack Dupree (1967), B.B. King (1971).
From the wiki: “‘Caldonia’ is a Jump Blues song, written by Louis Jordan (but crediting his then-wife, Fleecie Moore, for tax-evading purposes) and first recorded in 1945 by Louis Jordan & His Tympany Five. The lyrics may have been inspired by a real character: a tall Crescent City drag queen wearing oversized shoes.
“A cover version by Erskine Hawkins (‘Tuxedo Junction‘), also in 1945, was described by Billboard magazine as ‘rock and roll’, the first time that phrase was used in print to describe any style of music. Woody Herman and his orchestra also covered ‘Caldonia’ in 1945, arranged by the young Neal Hefti, with Herman singing the lead vocal. Jordan re-recorded the song in 1956, arranged by Quincy Jones and featuring torrid guitar work by Mickey Baker. Baker again recorded the song, in 1967, this time backing up Champion Jack Dupree.
First recorded (as “I Found You”) by Yvonne Fair & the James Brown Band (1962).
Also recorded by James Brown (1964).
Hit version by James Brown (US #3/R&B #1/UK #29 1965).
From the wiki: “‘I Got You (I Feel Good)’ was developed from an earlier Brown-penned song, ‘I Found You’, with a nearly identical melody and lyrics. ‘I Found You’ was recorded by Brown’s back-up singer, Yvonne Fair, and was released as a single in 1962 with little success.
“In 1964, Brown recorded an early version of ‘I Got You (I Feel Good)’ with a different arrangement, including a stuttering rhythm and prominent baritone sax line, under the title ‘I Got You’. This version appeared on the Smash Records album Out of Sight and was used in the 1965 film Ski Party, in which Brown lip-synched his performance. It was intended for a single release but was withdrawn due to a court order from King Records, with whom Brown was involved in a contract dispute.
“Re-recorded and released as a single in 1965 titled ‘I Got You (I Feel Good)’, the song would go to become Brown’s highest-charting song and is arguably his most widely-known recording.
First recorded by Nat Kendrick & the Swans (US #84/R&B #8 1960).
Also adapted (as “Mashed Potatoes (U.S.A.)”) by James Brown (1961).
Other hit version (as “The Pastrami”) by The Dartells (US#11/R&B #15 1963).
From the wiki: “‘(Do the) Mashed Potatoes’ was first released as a two-part single in 1960. For contractual reasons the recording was credited to ‘Nat Kendrick and the Swans’ but was, in fact, recorded by James Brown with his band in 1959. The recording arose out of James Brown’s success in using the Mashed Potato dance as part of his stage show. (The dance moves vaguely resemble that of the twist.) Brown wanted to record a ‘Mashed Potatoes’-themed instrumental with his band in order to capitalize on the dance’s popularity. However, King Records head Syd Nathan, a frequent critic of Brown’s proposals, would not allow it.
“Brown approached Henry Stone, a friend in the music business who ran the Dade Records label, about recording the piece with him. Stone, although nervous about crossing Nathan (with whom he did business), arranged for Brown to record at his Miami studio and agreed to produce the session.
“‘(Do the) Mashed Potatoes’ was recorded with Brown playing the piano and shouting the song’s title. To prevent Brown’s voice from being recognized, Stone overdubbed shouted vocals by Carlton ‘King’ Coleman, a local Miami radio disc-jockey, onto the recording, although Brown’s voice remains audible in the background. Leadership of the band was officially credited to Nat Kendrick, who was Brown’s drummer at the time, while the writing was credited to ‘Dessie Rozier’, another pseudonym for Brown.
First recorded by Jimmy Forrest & His All Star Combo (R&B #1 1951).
Inspired by Johnny Hodges “That’s the Blues, Old Man” (1940) & Duke Ellington “Happy Go Lucky Local” (1941).
Other hit versions by Buddy Morrow (US #27/UK #12 1952), Rusty Bryant (as “All Nite Long” 1952), James Brown & the Famous Flames (US #35/R&B #5 1962).
From the wiki: “‘Night Train’ was written by Jimmy Forrest but the song has a long and complicated history. The piece’s opening riff was first recorded in 1940 by a small group led by Duke Ellington sideman Johnny Hodges under the title ‘That’s the Blues, Old Man’. Ellington used the same riff as the opening and closing theme of a longer-form composition, “Happy-Go-Lucky Local”, that was itself one of four parts of his Deep South Suite.
“Forrest was part of Ellington’s band when it performed this composition, which has a long tenor saxophone break in the middle. After leaving Ellington, Forrest and his All Star Combo recorded ‘Night Train’ for United Records and, in 1951, had a major R&Bs hit. While ‘Night Train’ employs the same riff as the earlier recordings, it is used in a much earthier R&B setting.
Co-written and first recorded (as a demo) by Dan Hartman (1984).
Hit version by James Brown (US #4/R&B #10/UK #5 1985).
From the wiki: ‘Living in America’ was written and first recorded as a demo by Dan Hartman (‘I Can Dream About You‘) in 1984, and posthumously released in 1994 on the album Keep the Fire Burnin’. Hartman produced both his original demo and the James Brown cover that would be used in the movie and on the soundtrack album for Rocky IV. ‘Living in America’ would be the last of Brown’s forty-four hit recordings to appear in the Billboard Top 40. (Also, Stevie Ray Vaughn played guitar on both the cover and original recordings!)”
First recorded (as “K.C. Lovin’) by Little Willie Littlefield (1952, reissued 1959).
Hit versions by Little Richard (as “Kansas City/Hey, Hey, Hey” US #95/R&B #26 1959), Hank Ballard & the Midnighters (US #72/R&B #16 1959), Wilbert Harrison (US #1/R&B #1 1959), James Brown (US #55/R&B #21 1967).
Also recorded (as “Kansas City/Hey, Hey, Hey, Hey”) by The Beatles (1964).
From the wiki: “First recorded by Little Willie Littlefield the same year, ‘Kansas City’ later became a #1 hit when it was recorded by Wilbert Harrison (‘Let’s Work Together‘) in 1959 and, then, went on to become one of Jerry Leiber and Mike Stoller’s most recorded tunes, with more than three hundred versions, with several appearing on the R&B and pop record charts.
“Through a connection to producer Ralph Bass, Leiber and Stoller wrote ‘Kansas City’ specifically for West Coast blues/R&B artist Little Willie Littlefield. Littlefield recorded the song in Los Angeles in 1952, during his first recording session for Federal Records. Federal’s Ralph Bass changed the title to ‘K. C. Lovin”, saying he considered it ‘hipper’ than ‘Kansas City’. Littlefield’s record had some success in parts of the U.S., but it did not reach the national chart.
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