Written and first recorded by Harold Dorman (US #21 1959).
Other hit versions by Kenny Lynch (UK #33 1960), Johnny Rivers (US #9/CAN #4/AUS #19 1964), Charlie Pride (C&W #1/CAN #1 1981).
From the wiki: “‘Mountain of Love’ was written by Harold Dorman who first recorded the song in 1959, releasing it as a single in 1960 that peaked in the Top 40 at #21.
“In 1960, UK singer Kenny Lynch covered ‘Mountain of Love’ for the UK market, becoming his first charting single on the UK Singles chart. (Trivia: Lynch was on the same bill as the Beatles for their first UK tour, with the top-billed Helen Shapiro, in early 1963, and made the acquaintance of John Lennon and Paul McCartney. Later that year, he would become the first singer to cover a Beatles song (‘Misery’). In 1973, Lynch would also be among the celebrities appearing on the album cover of Wings’ Band on the Run.)
“A Johnny Rivers 1964 cover recording went Top 10 in the US and Top 5 in Canada. Charlie Pride topped the US Country singles chart in 1981 with his cover of ‘Mountain of Love’, his 26th #1 country hit.”
First recorded by Little Eva (1962).
Hit versions by The Drifters (US #5/R&B #4 1963), Kenny Lynch (UK #10 1962), Julie Grant (UK #33 1963), Laura Nyro (US #92 1970), James Taylor (US #28 1980), Robson & Jerome (UK #1 1995).
Also recorded by Carole King (1970).
From the wiki: “‘Up on the Roof’ is a song written by Gerry Goffin and Carole King, first recorded in 1962 by Little Eva. The song was also recorded by The Drifters, becoming a major hit in early 1963, peaking at #5 on the Billboard Hot 100 and #4 on the US R&B Singles chart).
“In the UK the Drifters’ version of ‘Up on the Roof’ failed to reach the Top 50, being trumped by two local cover versions, sung by, respectively, Julie Grant and Kenny Lynch (‘Mountain of Love‘).
“The Kenny Lynch version, which largely replicated the Drifters’ original, was the more successful, reaching #10 UK. The Julie Grant version, which reached #33 UK, was reinvented as a Merseybeat number. Its producer, Tony Hatch, would later be inspired to write Petula Clark’s iconic hit ‘Downtown’, which itself was originally envisioned as being in the style of the Drifters, with whom Hatch had hoped to place it.
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