First recorded by Big Joe Williams’ Washboard Blues Singers (1935).
Also recorded by Muddy Waters (1953), Mose Allison (1960), Georgia Fame (1963).
Hit versions by The Orioles (R&B #8 1952), Them (US #102/UK #10 1964).
From the wiki: “‘Baby, Please Don’t Go’ is a Blues song which has been called ‘one of the most played, most arranged, and most rearranged pieces in Blues history’ by music historian Gerard Herzhaft. Delta Blues musician Big Joe Williams popularized it with several versions beginning in 1935. The song’s roots have been traced back to nineteenth-century slave songs, dealing with themes of bondage and imprisonment. In 1952, a Doo-wop version by The Orioles reached the R&B Top 10 (an early 45 rpm issue available only on red vinyl); Muddy Waters’ 1953 recording recast the song as an electric Chicago Blues ensemble piece, influencing many subsequent renditions.
Inspired by “You Need Love” by Muddy Waters (1963)
and “You Need Loving” by Small Faces (1966).
Hit version by Led Zeppelin (US #4 1969).
From the wiki: “In 1962, Muddy Waters recorded ‘You Need Love’, written for him by peer Willie Dixon. In 1966 British mod band the Small Faces recorded the song as ‘You Need Loving’ for their 1966 debut album. Some of the lyrics of Led Zeppelin’s version were copied from the Willie Dixon song, a favorite of Plant’s. Plant’s phrasing is particularly similar to that of Steve Marriott’s in the Small Faces’ version. Similarities with ‘You Need Love’ would lead to a lawsuit against Led Zeppelin in 1985, settled out of court in favor of Dixon.
First performed and released by Ann Cole with The Suburbans and Orchestra (1957).
First recorded by Muddy Waters (1957).
Also recorded by Louis Jordan (1957), Muddy Waters (1960).
Hit version by Jimmy Smith (US #51/R&B #18/UK #48 1966).
From the wiki: “Late in 1956 Ann Cole went on a short tour through the Southern states with Muddy Waters, during which she regularly performed a new song written by Preston Foster, ‘Got My Mo-Jo Working’. The song impressed Muddy Waters, who recorded it in December 1956 when he returned to Chess Records, adding some of his own words and allocating himself the songwriting credit. Ann Cole recorded her version of ‘Mojo’ in January 1957, with The Suburbans and Orchestra, for Baton Records, as the follow-up to ‘Are You Satisfied’. Both versions of ‘Mojo’ were released in the same week in April 1957.
“The song has been the topic of copyright litigation. Dare Records, holder of songwriter Foster’s copyright, and Arc Records, holder of the McKinley Morganfield (a.k.a. Muddy Waters) copyright, settled out of court, with Arc deferring to Dare’s copyright. The two versions are still separately copyrighted. Nonetheless, MCA/Chess Records has credited the song to Foster in more recent years.
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