Written and first recorded by The Bee Gees (1976).
Hit versions by Yvonne Elliman (US #20/UK #6/IRE #9/NZ #3 1976), Martine McCutcheon (UK #6 1999).
From the wiki: “‘Love Me’ was first recorded and released by the Bee Gees, released on the 1976 album Children of the World. It was written by Barry and Robin Gibb featuring Robin on lead with his falsetto (with Barry on the middle eight evidenced on the outro). This makes this song a curio among the group’s mid- to late-’70s tracks, as Barry sang most of the The Bee Gee’s lead vocals. Yvonne Elliman’s version was more successful than the Bee Gees’, reaching the Top-20 US chart, and Top-10 in the UK, Ireland and New Zealand. Martine McCutcheon remade ‘Love Me’ for her 1999 debut album You, Me & Us from which the track – serving as the BBC Children in Need single for 1999 – was issued as the third single.”
First recorded (as a demo) by The Bee Gees (1978).
Hit versions by Samantha Sang (US #3/R&B #42/UK #11 1978), Destiny’s Child (US#10/R&B #28/UK #3 2001).
From the wiki: “‘Emotion’ was written by Barry and Robin Gibb and was originally intended for the Saturday Night Fever soundtrack. During the planning for Australian singer Samantha Sang’s recording session another Bee Gees’ song, ‘Don’t Throw It All Away’, had been planned for Sang to sing but upon arriving in Miami, Barry instead offered her a new song: ‘Emotion’.”
First recorded by Glen Campbell (US #62 1961).
Also recorded by The Bee Gees (1964).
Hit versions by The Letterman (US #105 1962), The Vogues (US #7 1968).
From the wiki: “‘Turn Around, Look at Me’ was written by Jerry Capehart. In 1961, Glen Campbell was the first to release the song, and it would become his first song to chart in the United States. The Letterman recorded a version in 1962 that ‘bubbled’ under the Billboard Hot 100. In 1964, while Bee Gees were still in Australia, they released a version of the song which did not chart. In 1968, The Vogues released their cover version, by far the most successful recording of the song, reaching #7 on the Billboard Hot 100 and #3 on the Adult Contemporary chart.”
Written and originally recorded (as a demo) by Barry Gibb (1982).
Hit version by Dionne Warwick (US #10/R&B #14/MOR #1/UK #2 1982).
From the wiki: “‘Heartbreaker’ was originally recorded by Barry Gibb for Dionne Warwick, for her album Heartbreaker released in 1982. This demo version was not released until 2006.
“This song blended the two Gibb brothers schools of songwriting: it has the clear verse and chorus structure favored by Robin and Maurice, yet also has the longer spun-out verses Barry now preferred, both well balanced, so that it has instant appeal but takes repeated listenings to fully appreciate. Maurice said later that he wished they had saved it for themselves.
“Warwick admitted in The Billboard Book of Number One Adult Contemporary Hits, by Wesley Hyatt, that she was not fond of ‘Heartbreaker’ (regarding the song’s international popularity, she quipped, ‘I cried all the way to the bank’), but recorded it because she trusted the Bee Gees’ judgment that it would be a hit. It turned out to be Dionne’s most successful solo hit of the 1980s.”
Written and originally recorded by The Bee Gees (1977).
Hit version by Yvonne Elliman (US #1/UK #4/CAN #1 1977).
From the wiki: “According to Maurice Gibb, this track was the first song they recorded while producing the other songs for the film Saturday Night Fever. ‘If I Can’t Have You’ was originally intended to be sung for the film soundtrack by The Bee Gees while Elliman’s contribution would be another ballad written by the Gibb brothers, ‘How Deep Is Your Love’.
First recorded (as a demo) by The Bee Gees (1983).
Hit version by Dolly Parton & Kenny Rogers (US #1/C&W #1/UK #7/CAN #1/AUS #1/NZ #2 1983).
Sampled (as “Ghetto Supastar”) by Pras (1998).
From the wiki: “‘Islands in the Stream’ is a song written by the Bee Gees whose title is named after the Ernest Hemingway novel. The Gibbs originally wrote the song for Marvin Gaye in an R&B style, changing it later for the Kenny Rogers album, Eyes That See in the Dark.
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