First recorded and released by The Colts (R&B #11 1955).
Other hit version by The Drifters (R&B #1 1955).
From the wiki: “‘Adorable’ was written by Buck Ram, best known as the manager of, the producer and prolific songwriter for, and the guiding force behind the Platters (‘Only You‘, ‘The Great Pretender’). But, in 1955, the Colts had also caught the attention of Ram who then signed the group and got them a deal with an indie record label, Mambo Records. Ram used the group to do a recording session for a song he wrote called ‘Adorable’.
“Written by the brilliant Brill Building songwriting teams of Jerry Leiber & Mike Stoller (‘Hound Dog‘, 1953; ‘Stand By Me’, 1961; ‘On Broadway‘, 1963) and Barry Mann & Cynthia Weil (‘On Broadway’, 1963; ‘You’ve Lost That Lovin’ Feelin” 1964; ‘We Gotta Get Out of This Place‘, 1965; ‘Never Gonna Let You Go‘, 1982), ‘Only in America’ was first written for and recorded by The Drifters.
“It was written at a time before the Civil Rights Act of 1964 had become the law of the land, and the original lyrics when first submitted reflected the racism that existed at the time in the US:
First recorded by The Drifters (R&B #10 1956).
Other hit versions by Dion (US #2/R&B #5 1963), Billy “Crash” Craddock (US #33/MOR #23/C&W #1 1974).
Also recorded by The Beach Boys (1965, released 1993), Donald Fagen (1982).
From the wiki: “‘Ruby Baby’ was written by the hit songwriting team of Jerry Leiber and Mike Stoller (‘Hound Dog‘, ‘On Broadway‘). It was first recorded by the Drifters, who scored an R&B hit with the song in 1956. Dion covered ‘Ruby Baby’ in 1963, scoring a Top-5 hit. In 1974, Billy ‘Crash’ Craddock topped the US Country chart with his cover version.
“The Beach Boys recorded ‘Ruby Baby’ during sessions for their 1965 album Beach Boys’ Party!, but the recording remained unreleased until the band’s 1993 box set Good Vibrations: Thirty Years of The Beach Boys. Steely Dan’s Donald Fagen covered ‘Ruby Baby’ for his 1982 solo album, Nightfly.”
First recorded by The Drifters (US #16 1960).
Other hit version by Jay & The Americans (US #6 1968).
From the wiki: “‘This Magic Moment’ was composed by lyricist Doc Pomus and pianist Mort Shuman, one of their best-known songs, and was first recorded in 1960 by Ben E. King and The Drifters. In 1969, ‘This Magic Moment’ was covered by Jay and the Americans and reached the Top 10 on the Billboard Hot 100.”
First recorded (as a demo) by Little Eva (1962).
Hit versions by The Drifters (US #5/R&B #4 1963), Kenny Lynch (UK #10 1962), Julie Grant (UK #33 1963), The Cryan’ Shames (US #85 1968), Laura Nyro (US #92 1970), James Taylor (US #28 1980), Robson & Jerome (UK #1 1995).
Also recorded by Carole King (1970).
From the wiki: “‘Up on the Roof’ is a song written by Gerry Goffin and Carole King, first recorded as a demo in 1962 by Little Eva – their 14-year old babysitter whose singing career Goffin and King had helped launched with ‘The Loco-Motion’ and who the songwriting pair often used for demos. The song was then recorded and commercially released first by The Drifters in July 1962, becoming a major hit in early 1963, peaking at #5 the week of February 9 on the Billboard Hot 100 and #4 on the US R&B Singles chart.
“In the UK the Drifters’ version of ‘Up on the Roof’ failed to reach the Top 50, being trumped by two local cover versions, sung by, respectively, Julie Grant and Kenny Lynch (‘Mountain of Love‘).
“The Kenny Lynch version, which largely replicated the Drifters’ original, was the more successful, reaching #10 UK. The Julie Grant version, which reached #33 UK, was reinvented as a Merseybeat number. Its producer, Tony Hatch, would later be inspired to write Petula Clark’s iconic hit ‘Downtown’, which itself was originally envisioned as being in the style of the Drifters, with whom Hatch had hoped to place it.
Originally recorded by The Cookies (1962).
Also recorded (and released first) by The Crystals (1962).
Hit versions by The Drifters (US #9/R&B #7 1963) and George Benson (US #7/R&B #2 1978).
From the wiki: “Cynthia Weil and Barry Mann were based at Aldon Music, in NYC, and the song as written by Mann-Weil was originally recorded by The Cookies (although The Crystals’ version beat them to release) and featured an upbeat lyric in which the protagonist is still on her way to Broadway and sings ‘I got to get there soon, or I’ll just die.’
“For the Crystals’ recording, Phil Spector created his soon-to-be trademark cocktail of pizzicato strings, mandolins and castanets. His ‘Wall of Sound’ was inspired by, and reflects, the ‘neon lights of Broadway’, and might not even exist without Spector’s ‘On Broadway’ arrangement.
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