Songs with Earlier Histories Than the Hit Version

Help support this site! Consider clicking an ad from time to time. Thanks!

 
« Go Back to Previous Page «  

Tagged: Tony Sheridan

When the Saints Go Marching In

First recorded by The Paramount Jubilee Singers (1923).
Hit versions by Louis Armstrong (US #10 1939), The Weavers (US #27 1951), Percy Faith & His Singers (US #29 1951), Fats Domino (US #50 1959).
Also recorded (as “The Saints Rock ‘n Roll”) by Bill Haley & His Comets (US #18/UK #5 1956), The Million Dollar Quartet (1956), Tony Sheridan & The Beat Brothers (1961).

From the wiki: “‘When the Saints Go Marching In’, often referred to as ‘The Saints’, is an American gospel hymn. According to jazz critic Al Rose this tune was first published as a Baptist hymn in 1916 and credited to Edward Boatner, the man behind religious-classic ‘He’s Got The Whole World In His Hands’. Though it originated as a Christian hymn, it is often played by jazz bands. This song was famously recorded on May 13, 1938 by Louis Armstrong and his Orchestra.

“The first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is ‘When All the Saints Come Marching In’, the group sings the modern lyrics beginning with “When the saints go marching in”. No author is shown on the label. The earliest versions were slow and stately, but as time passed the recordings became more rhythmic. Louis Armstrong was one of the first to make the tune into a nationally known Pop tune in the 1930s. (Armstrong wrote that his sister told him she thought the secular performance style of the traditional church tune was inappropriate and irreligious.)

Nobody’s Child

First recorded by Hank Snow (1949).
Hit versions by Lonnie Donegan (1956), Tony Sheridan & the Beat Brothers (1961 |B-side US #19/UK #29 1964), Karen Young (UK #6 1969), Hank Williams Jr. (C&W #46 1969), The Traveling Wilburys (UK #44 1990).

From the wiki: “‘Nobody’s Child’ was written by Cy Coben and Mel Foree and was first recorded by Hank Snow in 1949, becoming one of his standards although it did not chart for him. The song lyrics are about an orphan whom no one wants to adopt because he is blind, and has been covered a number of times in the UK. It was on Lonnie Donegan’s first album in 1956 (which went to #2 as an album in the UK). It was covered by Tony Sheridan & the Beat Brothers (The Beatles) in 1961 in Hamburg and was used as the B-side to both the ‘Ain’t She Sweet’ and ‘Sweet Georgia Brown‘ singles when released in 1964 as part of Beatlemania. (Beatle George Harrison was also one of the Wilburys twenty-five years later.) In 1969, Karen Young again charted the song in the UK.

“In the US, Hank Williams Jr. recorded a version of ‘Nobody’s Child’ that made it to #46 on the US Country charts in 1969. The Traveling Wilburys’ cover recording made it to #44 on the UK charts as the lead promotional single from the benefit album Nobody’s Child: Romanian Angel Appeal released in July 1990.”

Bring Back My Bonnie to Me

First recorded by Hayden Quartet (1901).
Hit versions by Alma Gluck & the Orpheus Quartet (US #10 1919), Vipers Skiffle Group (1955), Duane Eddy (as “Bonnie Come Back”, US #23/UK #12 1960), Tony Sheridan & the Beat Brothers (as “My Bonnie”, GER #5 1961 |UK #48 1963 |US #26 1964), Bonnie Brooks (as “Bring Back My Beatles (to Me)”, 1964).

From the wiki: “In 1881, under the duo of pseudonyms H.J. Fuller and J.T. Wood, Charles E. Pratt published sheet music for ‘Bring Back My Bonnie to Me’. The first recording of the song was done in 1901 by the Hayden Quartet. Alma Gluck charted with her 1919 recording. In popular culture, the song is now best remembered for the 1961 recording by Tony Sheridan that brought The Beatles (recording as ‘The Beat Brothers’) to Brian Epstein’s attention in 1962, preceded by a Duane Eddy instrumental cover that had earlier charted in the UK and the US and an even earlier cover recorded by Vipers Skiffle Group (who also recorded ‘Maggie Mae‘ that The Beatles would cover on Abbey Road).

“Another Vipers-Beatles connection: Vipers Skiffle Group recordings were produced by George Martin who would go on to famously become the ‘fifth Beatle’ as the Beatle’s producer. ”

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

Close