First recorded by The Percy Faith Orchestra (US #63 1957).
Other hit versions by Roger Williams (US #22 1957), Tony Bennett (UK #38 1961), The Angels (US #14 1961), The Vogues (US #27 1969), Tom Jones (UK #2 1971).
From the wiki: “Since there are many songs with ‘Till’ in the title, let it be clear that this is the one that starts: ‘Till the moon deserts the sky’, with music by Charles Danvers and English lyrics by Carl Sigman, and adapted from the French song ‘Prière Sans Espoir’ recorded in 1956. The Percy Faith Orchestra (with chorus) charted first, in April 1957. Later the same year, Roger Williams released a similarly mostly-instrumental recording that reached into the US Top 40. In 1961, Shirley Bassey and Tony Bennett each recorded all-vocal covers of ‘Till’, with Bennett’s version reaching #38 on the UK Single chart. Girl-group The Angels originated in New Jersey as The Starlets. After a failed attempt at record deal, producer Gerry Granahan (‘Ne-Ne Na-Na Na-Na Nu-Nu‘) heard some hit potential with a song The Starlets had performed for him in their audition, ‘Till’. ‘Till’ became the group’s first single under their new name, The Angels, and also their first hit (US #14) released by Granahan’s Caprice label in 1961.
First recorded by Sonny Land Trio (1957).
Hit versions by Bobby Helms (US #7/C&W #1/R&B #8/UK 22 1957), Malcolm Vaughn (UK #3 1957), The Vogues (US #7 1968).
From the wiki: “‘My Special Angel’ was written by Jimmy Duncan, published in 1957. (Duncan would, in the late 1960s, operate a nightclub in Houston, Texas, called ‘The Living Eye’. Nationally-known groups such as the Electric Prunes and ? and the Mysterians played there.) ‘My Special Angel’ became a crossover hit in 1957 for Bobby Helms, charting on the Billboard Hot 100, and the Country and R&B singles charts.
First recorded by Glen Campbell (US #62 1961).
Also recorded by The Bee Gees (1964).
Hit versions by The Letterman (US #105 1962), The Vogues (US #7 1968).
From the wiki: “‘Turn Around, Look at Me’ was written by Jerry Capehart. In 1961, Glen Campbell was the first to release the song, and it would become his first song to chart in the United States. The Letterman recorded a version in 1962 that ‘bubbled’ under the Billboard Hot 100. In 1964, while Bee Gees were still in Australia, they released a version of the song which did not chart. In 1968, The Vogues released their cover version, by far the most successful recording of the song, reaching #7 on the Billboard Hot 100 and #3 on the Adult Contemporary chart.”
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