First recorded by Jerry Butler (1969).
Hit version by Dusty Springfield (US #24/MOR #3 1970).
From the wiki: “Written by Kenny Gamble, Leon Huff and Jerry Butler, ‘A Brand New Me’ was first recorded by Butler in 1969. Dusty Springfield would cover the song later that year, adding it as the title track to her album A Brand New Me. It is Springfield’s only album on which every song was produced by the same production team: Kenny Gamble and Leon Huff. Gamble also co-wrote every track on the album, and the Gamble-Huff duo would go on to have success with many groups and singers in the 1970s, including Harold Melvin & the Blue Notes, The O’Jays, MFSB and The Three Degrees. The single, ‘A Brand New Me’, would be Springfield’s last Top 40 chart success until her 1987 collaborations with Pet Shop Boys (‘What Have I Done to Deserve This?’) and Richard Carpenter (‘Something in Your Eyes’).”
First performed (in Casino Royale) by Dusty Springfield (1967).
First single release by Nina Simone (1967).
Hit versions by Dusty Springfield (US #22/CAN #26 1967), Sergio Mendes & Brazil ’66 (US #4 1968).
Also recorded by Isaac Hayes (1970).
From the wiki: “‘The Look of Love’ was written by Burt Bacharach, and was originally intended to be an instrumental for the James Bond spook, Casino Royale but, later, Hal David added the lyrics. The song was first recorded by Springfield originally for the Casino Royale soundtrack by Phil Ramone, the soundtrack’s engineer, who recorded the song separately from the rest of the film tracks with Springfield accompanied by only piano, saxophone and percussion.
“Springfield re-recorded the song in London the same year with a more full arrangement, releasing the track as the B-side of ‘Give Me Time’. That version charted in the US and Canada. But, prior to the release of Springfield’s single, Nina Simone recorded and released her own version of ‘The Look of Love’ in 1967 for her album Silk & Soul. Simone’s single had no chart impact.
First recorded as “Let’s Get Together Soon” by Dusty Springfield (1970).
Hit version by Sharon Paige with Harold Melvin & The Blue Notes (US #42/R&B #1 1975).
From the wiki: “‘Hope That We Can Be Together Soon’ was written by Kenneth Gamble and Leon Huff and first recorded by Dusty Springfield (as ‘Let’s Get Together Soon’) for her 1970 album A Brand New Me (which was also produced by Gamble and Huff). The composition scored a hit when it was released by Sharon Paige and Harold Melvin & the Blue Notes in 1975.”
First recorded by Wanda Jackson (B-side 1956).
Hit versions by The Springfields (US #20/C&W #16 1962), Linda Ronstadt (US #68/C&W #20 1974).
From the wiki: “‘Silver Threads and Golden Needles’ was written by Jack Rhodes and Dick Reynolds and first recorded by Wanda Jackson in 1956, her first single. The Springfields released ‘Silver Threads’ as their third UK single but it flopped. Released as their first US single in 1962, it became a Stateside hit; their only appearance in the US Top 40, and the first UK single to crack the US Top 20. Linda Ronstadt recorded and released two versions of the song: the first, on her 1969 solo debut album Hand Sown … Home Grown; the second, a Country-Pop crossover version for her 1973 Don’t Cry Now album.”
Co-written by Carole King and first recorded (as “That Old Sweet Roll”) by City (1969).
Hit version by Blood, Sweat & Tears (US #14 1970).
Also recorded by Dusty Springfield (1969), Carole King (1980).
From the wiki: “‘Hi De Ho’, originally titled ‘That Old Sweet Roll (Hi De Ho)’, was co-written by Carole King (with Gerry Goffin) and first recorded by the band City, Carole King’s late-1960s band with Danny Kortchmar and Charles Larkey. It appeared on the only album recorded by City, Now That Everything’s Been Said. Dusty Springfield recorded ‘That Old Sweet Roll’ during the same In Memphis sessions that produced her hit single, ‘Son of a Preacher Man’, and the Springfield version was released in 1969 as the B-side to the single ‘Willie & Laura Mae Jones’. It’s now included as a bonus track on the CD version of In Memphis. Blood, Sweat & Tear’s 1970 recording of the song, now titled ‘Hi De Ho’, would chart into the US Top 20.”
First recorded by Dionne Warwick (FRA #39 1963).
Also recorded by The (UK) Eagles (1964).
Hit versions by The Merseybeats (UK #13 1964), Dusty Springfield (US #6 1964).
From the wiki: “Wishin’ and Hopin” was written by Hal David and Burt Bacharach, and was first recorded by Dionne Warwick as the B-side of her 1963 single ‘This Empty Place’ and for her debut album, Presenting Dionne Warwick. The single charted only in France, peaking at #39, but it was the recording Dusty Springfield heard and which prompted her to complete her own version in 1964. The track was included on Springfield’s solo album debuts in the UK (A Girl Called Dusty) and the US (Stay Awhile/I Only Want to Be with You). It was Bacharach himself who encouraged Dusty, who was ambivalent, to release her recording as a single.
First recorded by Dusty Springfield (US #12/UK #4 1964).
Other hit versions by Bay City Rollers (US #12/UK #4 1976), The Tourists (US #83/UK #4 1979), Samantha Fox (US #31/UK #16 1989).
From the wiki: “‘I Only Want to Be with You’ was written by Mike Hawker and Ivor Raymonde, and was the first solo single released by British singer Dusty Springfield. Although she recorded the song while still a member of The Springfields, it was released in November 1963 – three weeks after The Springfields’ final concert. Bay City Rollers released a version in December 1976 that reached #12 in the US. The song was also a #4 hit in the UK for The Tourists, who were the group Annie Lennox and Dave Stewart were in before they formed Eurythmics. A 1989 cover version of this was the last hit for British singer Samantha Fox.”
First recorded (as “They Long to Be Close to You”) by Richard Chamberlain (1963).
Also recorded by Dionne Warwick (B-side 1964), Dusty Springfield (1964, released 1967), Herb Alpert & The Tijuana Brass (1968, released 2005).
Hit version by The Carpenters (US #1/UK #6/CAN #1 1970).
From the wiki: “‘(They Long to Be) Close to You’ is a popular song written by Burt Bacharach and Hal David. It was first recorded by Richard Chamberlain and released as a single in 1963 as ‘They Long to Be Close to You’ (without parentheses). However, it was the single’s flip side, ‘Blue Guitar’, that became a hit.
First performances (as “Io Che Non Vivo (Senza Te)”) by Pino Donaggio (ITA #1 1965) and Jody Miller (1965).
First (English-language) recording by Willeke Alberti (1965).
Hit versions by Dusty Springfield (US #4/UK #1 1966), Elvis Presley (US #11/UK #9 1970), Guys & Dolls (UK #5 1976), The Floaters (US #28 1977).
From the wiki: “‘Io Che Non Vivo (Senza Te)’ was introduced at the 1965 Sanremo Festival by Pino Donaggio – who’d co-written the song with Vito Pallavicini – and his team partner Jody Miller (‘He’s So Fine‘, ‘Never Let Her Go‘): the song took seventh place at San Remo and, as recorded by Donaggio, reached #1 in Italy in March 1965.
“Willeke Alberti was a Dutch singer and actress, starting her career at the early age of eleven in the musical Duel om Barbara, recording her first single in 1958 together with her entertainer father, Willy Alberti. Willeke and her father had a television show between 1965 and 1969. Her singing career from 1970 onwards was less active. In 1994, she returned to the state to representd the Netherlands in the Eurovision Song Contest with the song ‘Waar is de zon?’ (‘Where is the sun?’).
First recorded by Dee Dee Warwick (US #88/R&B #13 1966).
Also recorded by Jerry Butler (1967), Jay & the Techniques (1968).
Hit versions by Madeline Bell (US #26/R&B #32 1968), Diana Ross & The Supremes with The Temptations (US #2/R&B #2/UK #3 1968).
From the wiki: “Written by Philly Soul songwriters Kenneth Gamble and Leon Huff (‘If You Don’t Know Me By Now’, ‘Love Train’, ‘Now That We Found Love‘), and producer Jerry Ross (‘Apples, Peaches, Pumpkin Pie‘, ‘Sunny‘), ‘I’m Gonna Make You Love Me’ was originally a Top-20 R&B hit for Dee Dee Warwick in 1966. It was released as the follow-up single to her Top-10 hit ‘I Want To Be With You’. Co-writer Ross produced the track while Nickolas Ashford and Valerie Simpson provided background vocals. Warwick’s recording reached #13 R&B and crossed over to the Billboard Top 100 in December 1966.
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.