First performed and recorded by Angela Lansbury (1991).
Hit version by Celine Dion & Peabo Bryson (US #9/MOR #3/UK #9 1991).
From the wiki: “‘Beauty and the Beast’ was written by lyricist Howard Ashman and composer Alan Menken for the Disney animated feature film Beauty and the Beast (1991). The film’s theme song, a Broadway-inspired ballad, was first recorded by British-American actress Angela Lansbury in her role as the voice of the character Mrs. Potts.
“‘Beauty and the Beast’ was subsequently recorded as a pop duet by Canadian singer Celine Dion and American singer Peabo Bryson, and was released as the only single from the film’s soundtrack in late 1991. Disney first recruited solely Dion to record a radio-friendly version of it in order to promote the film. However, the studio was concerned that the then-newcomer would not attract a large enough audience in the United States on her own, so they hired the more prominent Bryson to be her duet partner. (At first Dion was also hesitant to record ‘Beauty and the Beast’ because she had just recently been replaced from recording the theme song of the animated film An American Tail: Fievel Goes West, ‘Dreams to Dream’, that was at first offered to and rejected by Linda Ronstadt but would ultimately be recorded by Ronstadt after she changed her mind.)
First recorded by Brad Kane & Lea Salonga (1992).
Hit version by Peabo Bryson & Regina Belle (US #1/UK #12 1992).
From the wiki: “‘Whole New World (Alladin’s Theme)’ is from Disney’s 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. The original version was sung for the film by Brad Kane and Lea Salonga. They also performed the song in their characters at the 65th Academy Awards, where it won an Academy Award for Best Original Song.
“A single version of the song was released that year and was performed by American recording artists Peabo Bryson and Regina Belle. This version is played in the movie’s end credits and is referred on the soundtrack as ‘Aladdin’s Theme’. This version peaked at #1 on the U.S. Billboard Hot 100 chart on March 6, 1993. The track peaked at #12 in the UK Singles Chart in 1992. The song is the first and so far only song from a Disney animated film to top the US Billboard Hot 100, as well as being the first and so far only Disney song to win a Grammy Award for Song of the Year, at the 36th Annual Grammy Awards.”
Peabo Bryson & Regina Belle, “Whole New World (Alladin’s Theme)” (1992):
Written and first recorded by Nine Inch Nails (1994).
Hit version by Johnny Cash (C&W #56/ALT #33/UK #39 2002).
From the wiki: “‘Hurt’ was written by Nine Inch Nails leader Trent Reznor for the group’s second studio album, The Downward Spiral (1994). The song received a Grammy Award nomination for Best Rock Song in 1996, but ultimately lost to Alanis Morissette’s ‘You Oughta Know’.
“In 2002, ‘Hurt’ was covered by Johnny Cash to commercial and critical acclaim; it was one of Cash’s final hits released before his death, and the related music video was considered one of the greatest of all time by publications such as NME. Reznor praised Cash’s interpretation of the song for its ‘sincerity and meaning’, going as far as to say ‘that song isn’t mine anymore.’ The line ‘crown of shit’ was changed by Cash to ‘crown of thorns’, not only removing profanity from the lyrics, but also more directly referencing Christ and Cash’s devout Christianity.
First recorded (as a demo) by Lisa Loeb (1992).
Hit version by Lisa Loeb & Nine Stories (US #1/MOR #5/CAN #1/UK #6/AUS #6 1994).
From the wiki: “‘Stay (I Missed You)’ was written by singer-songwriter Lisa Loeb. It was released in May 1994 as the lead single from the original motion-picture soundtrack for Reality Bites. ‘Stay’ was originally conceived by Loeb in 1990. Loeb, who had attended Berklee School of Music in Boston for a summer session after graduating from Brown University, formed a full band called Nine Stories in 1990.
“The band, named after a book by J.D. Salinger, included Tim Bright on guitar, Jonathan Feinberg on drums, and Joe Quigley on bass. Loeb began working with producer Juan Patiño to make the cassette Purple Tape in 1992. It included the earliest recordings of later popular tracks such as ‘Do You Sleep?’, ‘Snow Day’, ‘Train Songs’, ‘It’s Over’ and ‘Stay (I Missed You)’. Loeb sold the violet-colored cassette to fans at gigs and used it as a sonic calling card to music industry gatekeepers.
First released by Billy Joel (US #50 1997).
Other hit versions by Garth Brooks (C&W #1/MOR #8/CAN #7 1998), Adele (UK #4/NETH #3/SCOT #4/IRE #5 2008).
Also recorded by Bob Dylan (1997), Bryan Ferry (2007).
From the wiki: “‘Make You Feel My Love’ was written by Bob Dylan that appeared on his 1997 album Time Out of Mind. It was first commercially released by Billy Joel, under the title ‘To Make You Feel My Love’, before Dylan’s version appeared later that year. It has since been covered by numerous performers and has proved to be a commercial success for recording artists such as Garth Brooks (from the movie Hope Floats), and Adele.
First released by Wynonna (Feb 1996).
Hit version by Eric Clapton (US #5/MOR #1/R&B #54/CAN #1/UK #18/AUS #8/NZ #3 July 1996 |JPN #7).
From the wiki: “’Change the World’ was written by Tommy Sims, Gordon Kennedy, and Wayne Kirkpatrick. Six months prior to the release of Eric Clapton’s hit version, the song was released by country superstar Wynonna Judd for her album Revelations, released in February 1996. Wynonna, however, did not release her version as a promotional single (‘To Be Loved By You’ was instead released) despite the popularity of Clapton’s subsequent recording when his recording was released to radio in July 1996.
First recorded (as “Don’t Tell My Heart”) by The Marcy Brothers (1991).
Hit version by Billy Ray Cyrus (1992).
From the wiki: “‘Achy Breaky Heart’ was written by Don Von Tress. Originally titled ‘Don’t Tell My Heart’ and performed by The Marcy Brothers in 1991, its name was later changed to ‘Achy Breaky Heart’ and performed by Billy Ray Cyrus on his 1992 album Some Gave All. Cyrus’ recording became a crossover hit on Pop and Country radio, peaking at #4 on the Billboard Hot 100 and topping the Hot Country Singles & Tracks chart, becoming the first Country single to be certified Platinum since Kenny Rogers and Dolly Parton’s ‘Islands in the Stream‘ in 1983. The song was initially to be recorded by The Oak Ridge Boys in the early 1990s but the group decided against recording it after lead singer Duane Allen said that he did not like the words ‘achy breaky’.”
First released by John Michael Montgomery (US #42/C&W #1 1993).
Hit version by All-4-One (US #1/R&B #13/UK #2/CAN #1/AUS #1/NETH #1 1994).
From the wiki: “‘I Swear’ was written by Gary Baker and Frank J. Myers, who also recorded a demo of it in 1989 at Fame Studios in Muscle Shoals, Alabama. They couldn’t convince anyone to record the song at the time but, in 1992, they recorded a new demo of ‘I Swear’ which attracted the attention of John Michael Montgomery. Montgomery would record the song in 1993 and release it as the first single from his 1994 album Kickin It Up.
First recorded by The Superiors (1987).
Hit version by New Kids on the Block (US #1/UK #2/CAN #1/1990).
From the wiki: “‘Step by Step’ was written by Maurice Starr, discoverer of The New Edition (1982) and New Kids on the Block (1984), and was originally recorded by one of Starr’s later group creations, The Superiors. ‘Step by Step’ was released as a Motown single in 1987 with no apparent chart impact.
First released (as “Brændt [Burnt]”) by Lis Sørensen (1993).
Also recorded by Ednaswap (1995 | 1997).
Hit version by Natalie Imbruglia (US #1/UK #2/CAN #1/BE #1/SWE #1 1997).
From the wiki: “‘Torn’ was written by Scott Cutler, Anne Preven, and Phil Thornalley during a demo session in 1993 before Ednaswap was formed. This song has been covered a surprising number of times, considering that it was written by a nearly unknown alternative rock band. The first recorded version of the song was, in 1993, a translation by Danish singer Lis Sørensen, ‘Brændt’ (which translates to ‘Burnt’ in English). Stylistically, Sørensen’s 1993 version is very close to Natalie Imbruglia’s 1997 version, most likely because (as co-writer Preven has said in an interview) the early Ednaswap demo [not available] was almost exactly like Imbruglia’s version.
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