First recorded by Howlin’ Wolf (1960).
Based on “Spoonful Blues” by Charley Patton (1929).
Hit versions by Etta & Harvey (US #78/R&B #12 1961), Cream (1966).
Also recorded by The Blues Project (1966), Koko Taylor (1978).
From the wiki: “The blues song ‘Spoonful’ was written by Willie Dixon, and loosely based on ‘Spoonful Blues’, recorded in 1929 by Charley Patton. ‘Spoonful’ was first recorded in 1960 by Howlin’ Wolf. Backing Wolf on vocals are longtime accompanist Hubert Sumlin on guitar, relative newcomer Freddie Robinson on second guitar, and Chess recording veterans Otis Spann on piano, Fred Below on drums, and Dixon on double-bass. ‘Spoonful’ would go on to become one of Dixon’s best-known and most-interpreted songs.
“Etta James had a Pop and R&B record chart hit with ‘Spoonful’ in 1961, in duet with Harvey Farqua (who would go on to become head of A&R at Motown Records). ‘Spoonful’ would become more popularized in the late 1960s when recorded by the British rock group Cream who produced a cover of ‘Spoonful’ for their 1966 UK debut album, Fresh Cream.
First recorded and co-written (as “The Wallflower”) by Etta James (R&B #1 1955).
Other hit version by Georgia Gibbs (US #1 1955).
Also re-recorded by Etta James (1958).
From the wiki:”‘The Wallflower’ (also known as ‘Roll with Me, Henry’ and ‘Dance with Me, Henry’) was one of several answer songs to ‘Work with Me, Annie’, by Hank Ballard & the Midnighters. Written by Johnny Otis (‘Willie and the Hand Jive‘), Hank Ballard (‘The Twist‘) and Etta James, James recorded it for Modern Records, with uncredited vocal responses from Richard Berry (‘Louie, Louie‘), under the title ‘The Wallflower’ and it became a R&B hit, topping the U.S. R&B chart for 4 weeks. More popularly known as ‘Roll with Me Henry’, James’ original version was considered too risque to play on Pop radio stations. In 2008, James received a Grammy Hall of Fame Award for her original 1955 recording.
“In 1955, the song was covered for the Pop music market by Georgia Gibbs – with uncredited vocal responses from Thurl Ravenscroft (the booming voice behind Tony the Tiger’s ‘They’re grrreat!’ in Kellogg’s Frosted Flakes television commercials, and as the vocalist for the song ‘You’re a Mean One, Mr. Grinch’), under the title ‘Dance with Me Henry’.”
First recorded by Bob Crosby with Marion Mann (1940).
Hit versions by Tommy Dorsey & His Orchestra (US #17 1940), Tony Martin (US #16 1940), The Glenn Miller Orchestra (US #1 1940), Billy Eckstine (R&B #6 1949), Brook Benton (US #24/R&B #5 1960), Etta James (US #87 1962), Ricky Nelson (US #12/R&B #24/UK #12 1963).
From the wiki: “‘Fools Rush In’ was written in 1940 by lyricist Johnny Mercer with music by Rube Bloom. First recorded by the Bob Crosby orchestra with Marion Mann, major hits at the time of introduction were recorded by Tony Martin, Glenn Miller with Ray Eberle, and Tommy Dorsey with Frank Sinatra. It was also recorded by Billy Eckstine. In the 1960s, ‘Fools Rush In’ saw a resurgence of popularity, resulting in charted remakes in 1960-61 (Brook Benton), 1962 (Etta James), and 1963 (Ricky Nelson).”
First recorded by Fran Warren w. Claude Thornhill & His Orchestra (1946).
Hit versions by Jo Stafford (US #15 1947), Jan & Dean (US #95 1962), Lenny Welch (US #96/MOR #21 1972), Kenny Rankin (MOR #28 1976), Reba McEntire (C&W #5 1988).
Also recorded by Louis Prima (1947), The Harptones (1953), Etta James (1961).
From the wiki: “‘A Sunday Kind of Love’ was composed by Barbara Belle, Anita Leonard, Stan Rhodes, and Louis Prima, and first recorded in 1946 by Claude Thornhill & His Orchestra. It became the signature-song for his vocalist, Fran Warren. Jo Stafford had the first charted recording of ‘A Sunday Kind of Love’, in 1947.
“The Harptones (‘Since I Fell For You‘), a group never had a Top-40 pop hit, or even charted any of their 29 singles nationally on the Billboard R&B chart, covered ‘A Sunday Kind of Love’ in 1953 – a version that would have a strong influence on subsequent popular recordings of the song including covers by Etta James, Lenny Welch, and Kenny Rankin.”
First performed by Glenn Miller & His Orchestra (1941).
First commercial recording by Glenn Miller & His Orchestra (US #9 1942).
Other hit versions by Ray Anthony (US #2 1952), Etta James (US #47/R&B #2 1961), Celine Dion (US #16 2002).
From the wiki: “‘At Last’ was first recorded in 1941 by Glenn Miller for possible inclusion in the film Sun Valley Serenade. The song, sung by Pat Friday with actor John Payne, was going to be a major performance on the soundtrack. But, the song was mostly deleted from the release print.
“A subsequent recording, in 1942, was made and used extensively a follow-up movie, Orchestra Wives (1942), with vocals by Pat Friday (dubbing for actress Lynn Bari) and Ray Eberle. In 1942, a vocal version of ‘At Last,’ sung solo by Ray Eberle, was recorded for commercial release by Glenn Miller and His Orchestra in Chicago in May 1942 and first released as the B-side to ‘(I’ve Got a Gal In) Kalamazoo’.
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.