Written and first recorded by Dick Feller (1975).
Hit version by John Denver (US #36/C&W #6 1981).
From the wiki: “‘Some Days Are Diamonds (Some Days Are Stone)’ was written by singer-songwriter Dick Feller, and was quite different from the humorous and novelty songs he was best known for writing (e.g., ‘The Night Miss Nancy Ann’s Hotel for Single Girls Burned Down’, ‘Lord, Mr. Ford’, ‘Makin’ the Best of a Bad Situation’). Feller was first to record and release the song, in 1976, but his version failed to chart.
“‘Some Days are Diamonds …’ was later covered by John Denver, on his 1981 album Some Days Are Diamonds. Released in May 1981 as the album’s first promotional single, Denver’s version peaked at #6 on the Billboard Hot Country Singles chart and #36 on the Billboard Hot 100.”
First recorded by The Everly Brothers (US #8 1960).
Other hit versions by Johnny Young & Kompany (AUS #3 1967), Linda Ronstadt (US #2/C&W #1/CAN #1 1975).
Also recorded by John Denver (1966, released 2011), The Bunch (1972), Dave Edmunds & Keith Moon (1974), Tanya Tucker & Phil Everly (1975), Rockpile (1980), John Fogerty & Bruce Springsteen (2009).
From the wiki: “‘When Will I Be Loved’ was written by Phil Everly of the Everly Brothers, who had a US Top-10 hit with it in the summer of 1960. The track was recorded (with Chet Atkins also on guitar) while the duo were contracted to Cadence Records; by 1960 they had moved to Warner Brothers and recording songs in a more mainstream pop/rock style than previously. The belated release by Cadence of ‘When Will I Be Loved’ provided the Everly Brothers with a final rockabilly-style hit.
First released by The Four Preps (1967).
Also recorded by The Everly Brothers (1967), Waylon Jennings (1967), The Gosdin Brothers (1968), The Winstons (1969), John Denver (1969), John Hurley, co-writer (1970).
Hit versions by Nicky Thomas (UK #9 1970), Paul Young (US #45/UK #2/IRE #1/NETH #1 1983).
From the wiki: “‘Love of the Common People’ is a Folk ballad composed by John Hurley and Ronnie Wilkins, eventually released in 1970 on Hurley’s album John Hurley Sings about People, but which was first recorded in January 1967 by The Four Preps in a session arranged and conducted by Leon Russell.
“The song was covered by both the Everly Brothers and Country singer Waylon Jennings in 1967, The Gosdin Brothers (1968), Soul group The Winstons (1969), John Denver (on his 1969 Rhymes & Reason album), Reggae artist Nicky Thomas (1970), Stiff Little Fingers in 1982, and English pop singer Paul Young in 1982 (re-released in 1983).
First recorded (as “Babe, I Hate to Go”) by John Denver (1966).
First broadcast (as “Babe, I Hate to Go”) by John Denver on WAVA-FM’s Hootenanny at The Cellar Door (1966).
Hit version by Peter, Paul & Mary (recorded 1967/US #1 1969 single release).
Also recorded by The Mitchell Trio (1967), Spanky & Our Gang (1967), John Denver (1969 |1973).
From the wiki: “Chad Mitchell left his trio in 1965 to embark on a solo singing career. An audition process that followed, and which saw 300 musicians try-out, replaced Mitchell with the young (and unknown) singer-songwriter John Denver. The group retained the well-known ‘Mitchell Trio’ name – with Denver writing some of the group’s songs, including ‘Leaving On A Jet Plane’ (found on The Mitchell Trio’s 1967 album Alive!). The song was first recorded in 1966 by John Denver with the title ‘Babe, I Hate to Go’. He remembers composing the song in 1966 during a layover at Washington airport, ‘Not so much from feeling that way for someone, but from the longing of having someone to love.’
“A year earlier, in 1966, ‘Babe, I Hate to Go’ was among fifteen songs Denver recorded himself and, with his own money, had 250 copies pressed onto vinyl and distributed to friends and family. Later that year, while engaged to perform at The Cellar Door in Washington, D.C., Denver performed the song on a live radio broadcast on WAVA-FM, hosted by disc-jockey Dick Cerri for his program Hootenanny, where Denver was backed by fellow Trio guitarist, Bob Hefferan (and handled a heckler in the audience). It was John’s second time singing the song in public and the first radio broadcast of it. (In 1969, Denver would again record the song for his debut solo album, Rhymes & Reasons, and re-recorded it again in 1973 for John Denver’s Greatest Hits.)
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