Written and first recorded (as a demo) by Bruce Springsteen (1982)
Released as non-album B-side by Bruce Springsteen (US Rock #27 1984).
Other hit version by Natalie Cole (US #5/R&B #9/UK #5/NZ #4/GER #5/SUI #2 1988).
From the wiki: “Bruce Springsteen originally wrote ‘Pink Cadillac’ as ‘Love Is a Dangerous Thing’ in December 1981 with lyrics distinct from the eventual ‘Pink Cadillac’ and first recorded by Springsteen as a solo acoustic demo in early January 1982 during the sessions for the Nebraska album. The automobile imagery was inspired by Elvis Presley’s 1954 rendition of ‘Baby Let’s Play House’ in which Presley replaced the original lyric ‘You may get religion’ with ‘You may have a pink Cadillac’, a reference to the custom-painted Cadillac which was then Presley’s touring vehicle.
Written and first recorded by Tito Puente & His Orchestra (1963).
Inspired by “Chanchullo” by Israel “Cachao” Lopez (1937).
Hit version by Santana (US #13/MOR #11/R&B #32/CAN #7/MEX #9/AUS #13/GER #29 1971).
Also recorded by Natalie Cole (2013).
From the wiki: “‘Oye Como Va’ is a song written by Latin Jazz and Mambo musician Tito Puente in 1963. The fact that the phrase ‘Oye como va’ is the title of the song and is sung somewhat separately from the phrase ‘mi ritmo’ makes for its interpretation as ‘Hey, how’s it going?’ However, the first sentence is actually ‘Oye como va mi ritmo,’ meaning ‘Listen to how my rhythm goes.’ Israel ‘Cachao’ López’s 1937 recording, ‘Rareza de Melitón’ (later changed to ‘Chanchullo’), inspired Tito Puente’s signature tune. Puente had previously recorded ‘Chanchullo’ in 1959, for his album Mucho cha cha.
First recorded by The Victor Young Orchestra w. Jeri Southern (1952).
Hit versions by Doris Day (US #20 1952), Nat “King” Cole (UK #2 1957), Natalie Cole (US #6/R&B #31 1987), Rick Astley (UK #2 1987), Celine Dion & Clive Griffin (US #23/MOR #6 1993).
From the wiki: “Jeri Southern released the original version in April 1952 with the song’s composer, Victor Young, handling the arranging and conducting duties. The song has become a standard, with many artists recording it, though the first hit version was by Doris Day released in July 1952.”
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