Songs with Earlier Histories Than the Hit Version

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Tagged: Perry Como

Deep in the Heart of Texas

First recorded by Alvino Rey & His Orchestra (US #1 Feb 1942).
Also performed by Gene Autry (1942).
Other hit versions by Ted Weems & His Orchestra with Perry Como (US #23 Feb 1942), Bing Crosby with Woody Herman & His Woodchoppers (US #3 March 1942), Horace Heidt & His Musical Knights (US #7 March 1942), The Merry Macs (US #11 March 1942), Duane Eddy (US #78/UK #19 1962).
Also recorded by Gene Autry (1944), Bob Wills (1955), Ray Charles (1960).

From the wiki: “‘Deep in the Heart of Texas’ was written by June Hershey with music by Don Swander, with a title taken from a movie Western of the same name starring Tex Ritter. (The song was not performed in that particular movie, but would make an appearance in the Western movie Heart of the Rio Grande in 1942, sung by movie cowboy Gene Autry.) The first recording was by Alvino Rey on November 21, 1941 that first charted in early 1942. It spent five weeks at #1 on the Hit Parade. The song was covered by Ted Weems & His Orchestra (with Perry Como on vocals) on December 9, 1941 for Decca Records, also released in early 1942 as the flip-side to ‘Ollie Ollie Out’s in Free’.

“Other charting covers in 1942 were recorded by Bing Crosby with Woody Herman’s ‘Woodchoppers’ (#3 in the US but uncharted in the UK because it was banned by the BBC during factory hours to prevent workers being detracted by its infectious handclapping rhythm that would’ve disrupted the war effort), Horace Heidt & His Musical Knights (#7), and The Merry Macs (#11).

“Texas Swing stars, Bob Wills & His Texas Playboys, covered ‘Deep in the Heart of Texas’ in 1955. Ray Charles included the song on his album The Genius Hits the Road (1960). Rock ‘n roll guitarist Duane Eddy charted in the UK with his 1962 instrumental recording of ‘Deep in the Heart of Texas’.”

They Say It’s Wonderful

First recorded by Bing Crosby (US #12 1946).
Other popular versions by Ethel Merman & Ray Middleton (1946), Frank Sinatra (US# 2 1946), Perry Como (US #4 1946)

From the wiki: “‘They Say It’s Wonderful’ was written by Irving Berlin for the musical Annie Get Your Gun (1946), where it was introduced on Broadway by Ethel Merman and Ray Middleton. The song was first recorded and released on a 78 rpm by Bing Crosby in 1946, a version that say modest chart success. Merman and Middleton released a recorded ‘cast’ version later in 1946. Frank Sinatra and Perry Como both charted in 1946 with covers of ‘They Say It’s Wonderful’.

“In 1979, Merman recorded a ‘camp’ version for The Ethel Merman Disco Album but it was not released until issued as a bonus track on the CD reissue in 2002.”

Santa Claus is Coming to Town

First performed by Eddie Cantor (1934).
First recorded by Harry Reser (1934).
Popular versions by Bing Crosby & The Andrews Sisters (1943), Perry Como (1951), The Four Seasons (US #23 1963), Bruce Springsteen (1975).

From the wiki: “‘Santa Claus is Coming to Town’ was written in 1934 by John Frederick Coots and Haven Gillespie, and first performed on Eddie Cantor’s radio show in November 1934. The earliest-known recorded version of the song was by banjoist Harry Reser and his band. It became an instant hit with orders for 100,000 copies of sheet music and more than 30,000 records sold within 24 hours. The 1951 version by Perry Como was the first measurable hit, and in 1963 the Four Seasons version charted at #23 on Billboard. Bruce Springsteen & The E Street Band recorded a live version in 1975 that was bootlegged to Rock radio stations until it saw its first release in 1982 as part of the Sesame Street compilation album In Harmony 2.”

And I Love You So

Written and first recorded by Don McLean (1970).
Hit versions by Bobby Goldsboro (MOR #8/C&W #48 1971), Perry Como (US #29/MOR #1/UK #3 1973).

From the wiki: “‘And I Love You So’ is a popular song written by Don McLean and released on his 1970 debut album, Tapestry. In 1973, the song was an international hit for singer Perry Como on his album of the same name, And I Love You So. Como’s version of the song reached #29 on the Billboard Hot 100 chart, the last of his many popular recordings to reach the Top 40. In Britain, the record reached #3 on the UK Singles Chart.”

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