Songs with Earlier Histories Than the Hit Version

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Category: Pop

1970s, Pop

When I Need You

Co-written and first recorded by Albert Hammond (1976).
Hit version by Leo Sayer (US #1/UK #1 1977).

From the wiki: “‘When I Need You’ is a popular song written by Albert Hammond (‘It Never Rains in Southern California’, ‘The Air That I Breathe‘) and Carole Bayer Sager (‘A Groovy Kind of Love‘, ‘That’s What Friends Are For’, ‘Theme to Arthur‘). Its first appearance was as the title track of Hammond’s 1976 album When I Need You. Leo Sayer’s version, produced by Richard Perry, was a massive hit worldwide, reaching #1 on the UK Singles Chart for three weeks in February 1977 after three of his earlier singles had stalled at #2. It also reached #1 on both the Billboard Hot 100 for a single week in May 1977 and the Hot Adult Contemporary Tracks.”

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1950s, Pop

When I Fall in Love

First recorded by The Victor Young Orchestra w. Jeri Southern (1952).
Hit versions by Doris Day (US #20 1952), Nat “King” Cole (UK #2 1957), Natalie Cole (US #6/R&B #31 1987), Rick Astley (UK #2 1987), Celine Dion & Clive Griffin (US #23/MOR #6 1993).

From the wiki: “Jeri Southern released the original version in April 1952 with the song’s composer, Victor Young, handling the arranging and conducting duties. The song has become a standard, with many artists recording it, though the first hit version was by Doris Day released in July 1952.”

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1960s, Pop

How Do You Do It

First recorded by The Beatles (1962).
Hit version by Gerry & The Pacemakers (US #9/UK #1 1963).

From the wiki: “The song was written by Mitch Murray. Adam Faith had been offered the song but turned it down and The Beatles recorded a version of it, which would not be released until it appeared on the group’s retrospective Anthology 1 album in 1995.

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1970s, Pop

Country Comfort

First released (as “Country Comforts”) by Rod Stewart (June 1970).
Also recorded by Orange Bicycle (Sept 1970), Kate Taylor w/ Linda Ronstadt (1971).
Hit album version by Elton John (NZ #15 Oct 1970).

“Written by Elton John, ‘Country Comfort’ would be first recorded and released by two other artists (as ‘Country Comforts’) in the months prior to John’s own release in October 1970: by Rod Stewart (on Gasoline Alley) in June 1970, and by Orange Bicycle in September 1970.

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1970s, Pop

I Just Fall in Love Again

First recorded by The Carpenters (1977).
Also recorded by Dusty Springfield (1978).
Hit version by Anne Murray (US #12/C&W #1/UK #58/CAN #1 1979).

From the wiki: “‘I Just Fall in Love Again’ was written by Larry Herbstritt, with co-writers Steve Dorff, Harry Lloyd, and Gloria Sklerov. It was first recorded by the Carpenters and later covered by Dusty Springfield, whose arrangement inspired Anne Murray to record her own cover.

“The Carpenters’ arrangement was included on the duo’s 1977 album Passage. On the Carpenters’ official web site, Richard Carpenter notes that he felt the song was perfect for his sister Karen’s voice and felt their version had hit-single potential. However, A&M Records decided not to release it as a promotional single because it was considered too long for Top 40 radio stations to play at the time and could not be abridged.

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1950s, Pop

See You in September

Originally recorded by The Tempos (US #23 1959).
Also recorded by The Quotations (1962), The Chiffons (1963), Teddy Robin & the Playboys (1967).
Other hit versions by The Symbols (UK #19 1966), The Happenings (US #3 1966), The Mike Curb Congregation (MOR #15 1972).

From the wiki: “‘See You in September’ was first recorded by the Pittsburgh vocal trio The Tempos (whose members included a pre-‘Rose Are Red’ Bobby Vinton). This first version peaked at #23 in the summer of 1959. The most popular version of ‘See You in September’ was the version by The Happenings in 1966, when it reached #3.

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1960s, Pop

I’m Into Something Good

First recorded by Earl-Jean (US #38 1964).
Hit version by Herman’s Hermits (US #13/UK #1 1964).

From the wiki: “‘I’m Into Something Good’ was originally recorded by The Cookies member Earl-Jean McCrea in 1964 and produced and arranged by the song’s composers, Gerry Goffin and Carole King (‘Oh No Not My Baby‘, ‘Up on the Roof‘, ‘(You Make Me Feel Like a) Natural Woman‘). The original recording reached #38 on the US pop singles chart.

“Soon thereafter, Herman’s Hermits recorded the song as their debut single, reaching #1 in the UK Singles Chart on 14 September 1964 and staying there for two weeks. The song peaked at #13 in the US later that year.

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1960s, Pop

Mrs. Brown You’ve Got a Lovely Daughter

First recorded by Tom Courtenay (1963).
Hit version by Herman’s Hermits (US #1/SWE #4 1965).

From the wiki: “‘Mrs. Brown’ was originally sung by actor Sir Tom Courtenay in The Lads, a British TV play of 1963 and released that year as a single by Decca Records.

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1960s, Pop

Up, Up and Away

First recorded by The Sunshine Company (1967).
Hit versions by The 5th Dimension (US #7/MOR #9/CAN #1/AUS #1 1967), Johnny Mann Singers (UK #6 1967).

From the liner notes to The Best of the Sunshine Company:

“The Sunshine Company’s very name summons the spirit of the mini-genre of 1960s pop-rock that, long after its heyday, was named Sunshine Pop. So does their music, with the requisite exquisite multi-part male-female harmonies, buoyant optimism, and luxuriant late-1960s L.A. studio production … a brief career that whisked them through the orbits of the Carpenters, the 5th Dimension, Jackson Browne, the Jefferson Airplane, Mary McCaslin, and John Davidson, ending at the even unlikelier destination of a pre-stardom Gregg Allman.

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1970s, Pop

Can’t Smile Without You

First recorded by David Martin (1975).
First released by The Carpenters (1976).
Also recorded by Engelbert Humperdinck (1976).
Hit version by Barry Manilow (US #3/MOR #1 1978).

From the wiki: “‘Can’t Smile Without You’ was written by David Martin, Christian Arnold and Geoff Morrow, and was first recorded by Martin in 1975. The Carpenters covered the song on their 1976 album A Kind of Hush, and it was featured as the B-side of their hit ‘Calling Occupants of Interplanetary Craft’ the following year. Engelbert Humperdinck also recorded the song in 1976, using the same lyrics as the original Carpenters version, on his After the Lovin’ album.

“‘Can’t Smile Without You’ was the first single to be released from Barry Manilow’s 1978 album Even Now, reaching the #1 spot on Billboard’s MOR chart and the #3 spot on the Billboard Hot 100.”

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1970s, Pop

Yellow River

First recorded by The Tremeloes (1970).
Hit versions by Christie, writer (US #23/UK #1/IRE #1/AUS #16/FIN #1/NOR #1/GER #3 1970), The Compton Brothers (C&W #49 1972).
Also recorded by Elton John (1970), R.E.M. (2003).
Also recorded (as “Tuulensuojaan”) by Danny (1970), (as “Fat Karlsson”) by Singing Guitars (1971), Mziuri Ensemble (1973).

From the wiki: “Written by Tremeloes band leader Jeff Christie, the song was first recorded by the group with the intention of releasing it as a single early in 1970. However, after the success of the Tremeloes then-most recent single, ‘Call Me Number One’, and after considering ‘Yellow River’ too pop-orientated for their future direction, the Tremeloes decided instead to follow-up with another of their own compositions, ‘By The Way’, which met only with very modest Top 40 success. Producer Mike Smith took the group vocals off the recording (leaving behind only the instrumental backing track) and added those of Christie, the songwriter, and releasing the song under the name ‘Christie’, his sole UK chart-topper as a solo artist.

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1980s, Pop

All I Ask of You

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Originally recorded by Sarah Brightman & Cliff Richard (UK #3 1986).
US hit version by Barbra Streisand (US #15 1988).

From the wiki: “‘All I Ask of You’ is a song from Andrew Lloyd Webber’s musical version of The Phantom of the Opera.

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1980s, Pop

Heartbreaker

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Written and first recorded (as a demo) by Barry Gibb (1982, released 2006).
Hit version by Dionne Warwick (US #10/R&B #14/MOR #1/UK #2/CAN #15/AUS #2 1982).

From the wiki: “‘Heartbreaker’ was written by Barry Gibb for Dionne Warwick, for her album Heartbreaker released in 1982. Gibb’s demo recording was not released until 2006.

“The song blended the two Gibb brothers schools of songwriting: it has the clear verse and chorus structure favored by Robin and Maurice, yet also has the longer spun-out verses Barry now preferred, both well balanced, so that it has instant appeal but takes repeated listenings to fully appreciate. Maurice said later that he wished they had saved it for themselves.

“Warwick admitted in The Billboard Book of Number One Adult Contemporary Hits, by Wesley Hyatt, that she was not fond of ‘Heartbreaker’ (regarding the song’s international popularity, she quipped, ‘I cried all the way to the bank’), but recorded it because she trusted the Bee Gees’ judgment that it would be a hit. It turned out to be Dionne’s most successful solo hit of the 1980s.”

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1960s, Pop

Peaceful

Written and first recorded by Kenny Rankin (1967).
Also recorded by Bobbie Gentry (1968), The Friends of Distinction (1969), Kenny Rankin (1972).
Hit versions by Georgie Fame (UK #16 1969), Helen Reddy (US #12/MOR #2 1973).

From the wiki: “Early in his career Rankin worked as a singer-songwriter, penning songs for pop-jazz artists like Carmen McRae (‘My Carousel’), Peggy Lee (‘In the Name of Love’), and Mel Tormé (‘Haven’t We Met’). He developed a considerable following during the 60’s & 70’s with a steady flow of his own albums, three of which broke into the Top 100 of the Billboard Album Chart. (Rankin also performed session work for other Columbia Records artists. Among other sessions, he played acoustic guitar on Bob Dylan’s breakthrough disc Bringing It All Back Home.)

“He appeared on The Tonight Show more than twenty times. Host Johnny Carson was so impressed by him that he wrote the liner notes to Rankin’s 1967 debut album Mind Dusters, which featured the single ‘Peaceful.’ Kenny’s friend Helen Reddy would reach #2 on the MOR chart and #12 Pop in 1973 with her cover recording.

“Earlier covers of ‘Peaceful’ were recorded by Bobby Gentry and The Friends of Distinction. Georgie Fame (‘Yeh Yeh’) was the first artist to chart with ‘Peaceful’, in the UK in 1969.”

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1970s, Pop

The Greatest Love of All

Originally recorded by George Benson (US #24/R&B #2/UK #27 1977).
Other hit version by Whitney Houston (US #1/R&B #3/UK #8/AUS #1 1985).

From the wiki: “‘The Greatest Love of All’ was written by Michael Masser (‘Touch Me in the Morning’, ‘Saving All My Love for You‘) and lyricist Linda Creed (‘You Are Everthing’, ‘Betcha By Golly, Wow‘). The song was written and recorded to be the main theme of the 1977 film The Greatest, a biopic of the boxer Muhammad Ali, and was first recorded by George Benson for the film.

“Creed wrote the lyrics in the midst of her struggle with breast cancer. The words describe her feelings about coping with great challenges that one must face in life, being strong during those challenges whether you succeed or fail, and passing that strength on to children to carry with them into their adult lives. Creed eventually succumbed to the disease in April 1986 at the age of 37; at the time her song was an international hit by Houston.

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1960s, Pop

Message to Michael

Originally recorded (as “Message To Martha”) by Jerry Butler (1962).
Also recorded by Marlene Dietrich (1964), Lou Johnson (as “Kentucky Bluebird” US #104 1964).
Hit versions by Adam Faith (UK #12 1964), Dionne Warwick (US #8/R&B #5/CAN #6 1966).

From the wiki: “The song was first recorded as ‘Message to Martha’ by Jerry Butler in the 1962 session in New York City which produced Butler’s hit ‘Make It Easy on Yourself’ (also written by Bacharach-David), but was not released until December 1963. Marlene Dietrich recorded a German version of the song in 1964, singing to the instrumental track of the Butler original (with augmentations); Dietrich’s version was entitled ‘Kleine Treue Nachtigall’ (‘faithful little nightingale’).

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1960s, Country, Pop

Jackson

First recorded by Billy Edd Wheeler (1963).
Also recorded bv The Kingston Trio (1963).
Hit versions by Johnny Cash & June Carter (C&W #2 1967), Nancy Sinatra & Lee Hazlewood (US #14 1967).

From the wiki: “‘Jackson’ is a song written in 1963 by Billy Edd Wheeler and Jerry Leiber, and was first recorded by Wheeler. It is best known from two 1967 releases: a pop hit single by Nancy Sinatra and Lee Hazlewood and a country hit single by Johnny Cash and June Carter, the latter duo for whom ‘Jackson’ became a signature-song.

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1960s, Pop

(There’s) Always Something There to Remind Me

First recorded (as a demo) by Dionne Warwick (1963).
Hit versions by Lou Johnson (US #49 1964), Sandi Shaw (US #52/UK #1/CAN #1/AUS #16 1964), Dionne Warwick B-side re-recording (US #65 1968), R.B. Greaves (US #27/MOR #3 1971) and Naked Eyes (US #8/UK #59/CAN #9/AUS #7 1983).

From the wiki: “Originally recorded as a demo by Dionne Warwick in 1963, ‘(There’s) Always Something There to Remind Me’ first charted for Lou Johnson whose version (with backing vocals by Doris Troy, Dee Dee Warwick, and Cissy Houston) reached #49 on the Billboard Hot 100 in the summer of 1964. Johnson also recorded the original versions of several other Bacharach and David songs that later proved to be bigger hits for other musicians, including ‘Reach Out for Me’, and ‘Message to Michael (Kentucky Bluebird)‘.

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1960s, Pop

Sunny

First released by Mieko Hirota (1965).
Also recorded by Dave Pike (1966), Chris Montez (1966), Marvin Gaye (1966).
Hit versions by Bobby Hebb (US #2/R&B #3/UK #12 1966), Boney M. (UK #3/NETH #1/GER #1 1976).

From the wiki: “Bobby Hebb’s breakthrough as a songwriter would be born of tragedy. In November 1963, already upset over the JFK assassination, Bobby then learned that his older brother, Harold, had been stabbed to death the same night in a fight outside a Nashville nightclub. Out of his depression, Hebb began to write. Using past hurts (‘Yesterday my life was filled with rain’) and inspired by the anonymous smile of a complete stranger (‘You smiled and it really, really eased the pain’), ‘Sunny’ came into being.

“The upbeat number was included in Hebb’s nightclub act at his gig at the New York club Brandy’s. The audiences responded positively as did record producer Jerry Ross (‘I’m Gonna Make You Love Me‘), who included the song on a publisher’s demo record that found its way to Japan.

“That was how ‘Sunny’ came about to be first recorded and commercially-released in Japan – not the US – by Mieko ‘Miko’ Hirota, the ‘Connie Francis of Japan’, where it was said to have done well on the charts.

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1980s, Pop

Read ‘Em and Weep

First recorded by Meat Loaf (1981).
Hit version by Barry Manilow (US #18/MOR #1 1983).

From the wiki: “‘Read ‘Em and Weep’ is a rock music song composed by Jim Steinman. Originally written for Meat Loaf and recorded for his 1981 album, Dead Ringer, it did not become a hit until late-1983, when a slightly rewritten cover version was recorded by Barry Manilow. The Manilow version reached #18 on the Billboard Hot 100 and #1 on the Adult Contemporary chart.”

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1970s, Pop

Let Me Be the One

First released by Nanette (released November 1970).
Also recorded by Cathy Carlson (released January 1971).
Hit album version by The Carpenters (released May 1971)
Hit single version by Jack Jones (MOR #18 1971).
Also recorded by Matthew Sweet (1994).

From the wiki: “The earliest evident recording of ‘Let Me Be the One’, written by Roger Nichols and Paul Williams, was made by Nanette Workman, one of five songs recorded with producer Tommy Cogbill in late June 1970 at American Sound Studio in Memphis, with her arrangement of ‘Let Me Be the One’ released as a UK single in November 1970 (credited to ‘Nanette’) with no apparent chart impact.

“The first recording to receive US distribution was recorded in December 1970 by Ontario, Oregon native Cathy Carlson, and released in January 1971 as the B-side to Carlson’s single, ‘God Bless the Child’. Carlson appeared regularly as a performer on ‘The Tonight Show’ in the late 1960s and early ‘70s, and on the annual Jerry Lewis Telethon for Muscular Dystrophy. Carlson and Lewis were such good friends, he became her daughter’s godfather.

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1960s, Pop

Bossa Nova Baby

First recorded by Tippie & the Clovers (1962).
Hit version by Elvis Presley (US #8/R&B #20/UK #13 1963).

From the wiki: “‘Bossa Nova Baby’ was written by Jerry Leiber and Mike Stoller (‘Kansas City’, ‘Hound Dog‘, ‘Ruby Baby‘, ‘Jailhouse Rock’). Even though the song would go on to become a huge promotional hit for the Elvis Presley movie, Fun in Acapulco, its origin had nothing to do with ‘fun’ or with ‘Acapulco’. It was initially given by Leiber-Stoller to The Clovers, who had had past success (‘Love Potion No. 9’) with the songwriters, to record.

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1960s, Pop

There’s a Kind of Hush

Originally recorded by The New Vaudeville Band (1966).
Also recorded by Gary & The Hornets (1966).
Hit versions by Herman’s Hermits (US #4/UK #7/CAN #2/AUS #5/SGP #2 1967), The Carpenters (US #12/MOR #1/UK #22/CAN #8/AUS #22 1976).

From the wiki: “The song was introduced on the 1966 album Winchester Cathedral by Geoff Stephens’ group, The New Vaudeville Band; like that group’s hit ‘Winchester Cathedral’, ‘There’s a Kind of Hush’ was conceived as a neo-British music hall number although it is a less overt proponent of that style.

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1970s, Pop

One Tin Soldier

First recorded by The Original Caste (CAN #6 1969 |US #34 1970).
Other hit versions by Coven (US #17 1971 |US #79 1973), Skeeter Davis (C&W #54/CAN #4 1972).

From the wiki: “‘One Tin Soldier’ is a 1960s counterculture era anti-war song written by Dennis Lambert and Brian Potter. Canadian pop group The Original Caste first recorded the song in 1969. The track went to #6 on the (Canadian) RPM Magazine charts, hit the #1 position on CHUM-AM in Toronto on 27 December 1969, and reached #34 on the American pop charts in early 1970.

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