First recorded by Sylvester & the Hot Band (1973).
Hit version by Three Dog Night (US #33 1974).
Also recorded by Frankie Miller (1974), Maria Muldaur (1974), B.J. Thomas (1974), Little Feat (1974, released 2000), Allen Toussaint (1976), Levon Helm (1978).
From the wiki: “‘Play Something Sweet (Brickyard Blues)’ was written by Allen Toussaint, and was first recorded in 1973 by Sylvester & the Hot Band for the album Bazaar. In 1974, Toussaint would also produced an album by Frankie Miller, High Life, that included ‘Play Something Sweet’ among six other Toussaint-penned songs featured.
“It was Miller’s version, one among several other productions recorded in 1974 (including covers by B.J. Thomas, and by Maria Muldaur), that attracted the immediate interest of Three Dog Night whose 1974 arrangement would became the only release of ‘Play Something Sweet’ to crack the US Top-40.
“Another recording produced in 1974 was by Little Feat, during the course of the Feats Don’t Fail Me Now recording sessions. This version, however, would not be released until 2000 when it was included in the retrospective compilation Hotcakes & Outtakes: 30 Years of Little Feat.
“Toussaint’s own version of his song made its first appeared on a compilation titled Live at the New Orleans Jazz and Heritage Festival 1976. Levon Helm would record ‘Play Something Sweet’ for his second album independent of The Band, Levon Helm, in 1978.”
First recorded by The Stokes (1964).
Hit version by Herb Alpert & the Tijuana Brass (US #68/MOR #13 1965).
From the wiki: “‘Whipped Cream’ was written by Allen Toussaint (‘Yes, We Can Can‘, ‘Java‘, ‘I Like It Like That‘). (Naomi Neville, the credited writer, was one of two pseudonyms used by Toussaint to honor his parents, Clarence and Naomi, who had always been supportive of his music.)
“In 1964, in the midst of a two-year stint in the military, Toussaint took his army band into the studio and, under the name of The Stokes, recorded ‘Whipped Cream’.
“A year later, Herb Alpert jumped on the melody for his Tijuana Brass, recording it note-for-note, creating a memorable album cover, a hit single (and 1965’s #1 hit album), and the original theme song for the TV sensation The Dating Game.”
First recorded by Art Neville (1962).
Also recorded by The Uniques (US #97 1966).
Hit version by Joe Stampley (C&W #1 1976).
From the wiki: “‘All These Things’ was written by Allen Toussaint (under the pseudonym of ‘Naomi Neville’) and first recorded by Art Neville in 1962. The most successful chart hit version was recorded by Joe Stampley in 1976, peaking at #1 on the US Country Singles chart. A decade earlier, in 1966, Stampley had recorded a version of the same song with his band, The Uniques, that barely cracked the Billboard Hot 100.”
First recorded by Benny Spellman (B-side 1962).
Also recorded by The Rolling Stones (1963).
Hit versions by The Rolling Stones (remixed AUS #5 1966), The Throb (AUS #5 1966).
From the wiki: “‘Fortune Teller’ was written by Allen Toussaint (under the pseudonym ‘Naomi Neville’) and was first recorded by Benny Spellman. It was released as the B-side of Spellman’s hit Lipstick Traces‘ (US #80/R&B #28) in 1962.
“A couple of different versions have been released by The Rolling Stones (‘Time Is On My Side‘, ‘As Tears Go By‘). On 19 August 1963, the band recorded ‘Poison Ivy’ and ‘Fortune Teller’ to be the two sides for their second single. A few hundred copies were pressed, but the single was withdrawn – replaced by ‘I Wanna Be Your Man‘. The studio recording would be eventually released in 1964 on the UK-only EP Saturday Club, a compilation of tracks from various artists who had appeared on the BBC Radio program Saturday Club, and again, for wider distribution, on the 1972 compilation album More Hot Rocks (Big Hits & Fazed Cookies)).
First recorded by Lee Dorsey (1970).
Hit album versions by Robert Palmer (1974), Ringo Starr (1977).
From the wiki: “‘Sneakin’ Sally Through the Alley’ was written by Allen Toussaint (‘Java‘, ‘Working in a Coal Mine’, ‘Lipstick Traces (on a Cigarette)‘) and first recorded by Lee Dorsey (‘Yes We Can Can‘) in 1970 for his album Yes, We Can. The song would later be covered by Robert Palmer (as the title track to his 1974 album Sneakin’ Sally Through the Alley), and Ringo Starr on his 1977 album Ringo the 4th.”
First recorded by Benny Spellman (R&B #28 1962).
Other hit versions by The O’Jays (US #48/R&B #28/CAN #19 1965), The Amazing Rhythm Aces (US #104/C&W #88 1979).
Also recorded by Ringo Starr (1978).
From the wiki: “‘Lipstick Traces (on a Cigarette)’ was first recorded by New Orleans singer Benny Spellman in 1962 (with backing vocals done by Imperial Records label mates Irma Thomas (‘Time Is On My Side‘) and Willie Harper). The song was written by Allen Toussaint under the pseudonym ‘Naomi Neville’.”
“In 1964, The Nashville Teens recorded the song as a B-side to their hit single ‘Tobacco Road‘. ‘I Like It Like That’ was later covered by The Dave Clark Five in 1965, who scored a US Top-10 hit and their seventh gold single.
“The Bobbettes (‘Mr. Lee’) recorded an answer-song in 1961 to Kenner’s recording, titling it ‘I Don’t Like It Like That’.”
First recorded (as “Yes We Can”) by Lee Dorsey (R&B #46 1970).
Hit version by The Pointer Sisters (US #11/R&B #12 1973).
Also recorded by Allen Toussaint (2005).
From the wiki: “‘Yes We Can Can’ was written by Allen Toussaint (‘Java‘, ‘I Like It Like That‘, ‘Whipped Cream‘) and was first recorded as ‘Yes We Can’ by Lee Dorsey on his 1970 album Yes We Can, co-produced by Toussaint.
Written and first recorded by Allen Toussaint (1958).
Hit version by Al Hirt (US #4/MOR #1 1963).
Also recorded by The Angels (1965). Performed by The Muppets (1977).
From the wiki: “‘Java’ is an instrumental adaptation from a 1958 LP of piano compositions, The Wild Sounds of New Orleans, by Tousan, also known as New Orleans producer-songwriter Allen Toussaint (‘Working in a Coal Mine’, ‘Southern Nights’). As was the case of the rest of Toussaint’s LP, ‘Java’ was composed at the studio, primarily by Toussaint.
“In 1963, trumpet player Al Hirt recorded the instrumental, and the track became the lead single from his album, Honey in the Horn. It was Hirt’s first and biggest hit on the US pop charts, reaching #4 on the Billboard Hot 100 and spending four weeks at #1 on the Easy Listening chart in early 1964. Hirt released a live version on his 1965 album, Live at Carnegie Hall. Hirt’s recording won the Grammy Award for Best Performance by an Orchestra or Instrumentalist with Orchestra in 1964.
First recorded by Eleventh Hour (1974).
Hit versions by LaBelle (US #1/R&B #1/UK #17/CAN #1/ITA #8/NETH #1 1974); All Saints (UK #1/SCOT #2 1998); Christina Aguilera, Lil’ Kim, Mya, & Pink (US #1/R&B #1/UK #1/CAN #17/AUS #1/NZ #1/GER #1 2001).
From the wiki: “‘Lady Marmalade’ is a song written by Bob Crewe (‘Silhouettes‘, ‘Silence is Golden‘, ‘The Sun Ain’t Gonna Shine Anymore‘, ‘Can’t Take My Eyes Off You’) and Kenny Nolan (‘My Eyes Adored You’, ‘I Like Dreamin”), inspired by Crewe’s first-hand observations of New Orleans and made famous for its sexually suggestive chorus of ‘Voulez-vous coucher avec moi (ce soir)?’ (‘Do you want to go to bed with me (tonight)?’).
“After it was first recorded as a demo by The Eleventh Hour, a group made up of studio musicians, fronted by co-writer Nolan on vocals, ‘Lady Marmalade’ was first released in 1974 as a track on the Eleventh Hour’s Greatest Hits LP which did not chart. Meanwhile, co-writer Crewe showed the song to Allen Toussaint in New Orleans; Toussaint then decided to record the song with Labelle, whose label (Epic Records) had hired him to produce their label debut, Nightbirds.
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