First recorded (as “Now We’re Starting Over Again”) by Dionne Warwick (UK #76 1981).
Other hit version by Natalie Cole (MOR #5/CAN #12/UK #56 1990).
From the wiki: “‘Starting Over Again’ was composed by Michael Masser and Gerry Goffin as ‘Now We’re Starting Over Again’, and was first recorded in 1981 by Dionne Warwick to augment the live performance tracks released on her album Hot! Live and Otherwise. Produced by co-writer Masser, and not released in the US as a promotional single, ‘Now We’re Starting Over Again’ did see distribution as a single in other countries and did chart in the UK where it peaked at #76.
“Natalie Cole’s arrangement of ‘Starting Over Again’, also produced by Masser, was released in late 1989 in the UK and early 1990 in the US, the fifth of five promotional singles released from her 1989 album Good to Be Back. Although the single did not chart Hot 100 or R&B, it did peak at #5 on the Billboard Adult Contemporary chart, and also charted in Canada and the UK.”
First performed and released by Brook Benton (US #75/MOR #13/R&B #6 1964).
Other hit versions by Dionne Warwick (B-side US #71/R&B #10/CAN #37 1964), Luther Vandross (1981).
Also recorded by Burt Bacharach (1965), Aretha Franklin (2005).
From the wiki: “‘A House Is Not a Home’ was a 1964 ballad written by the team of Burt Bacharach and Hal David for the 1964 film of the same name, starring Shelley Winters and Robert Taylor (and Raquel Welch’s film debut in a small role as a call girl), and was sung in the film by Brook Benton (‘A Rainy Night in Georgia‘, 1970).
“A promotional single by Benton was released, debuting two weeks before the release of Dionne Warwick’s cover (as the B-side of ‘You’ll Never Get to Heaven (If You Break My Heart)’). But, with two recordings of the same song charting concurrently, radio airplay and sales was split airplay. Benton’s version peaked at #75 on the Billboard Hot 100; Warwick’s B-side recording peaked at #71 (the A-side peaked at #34 on the Hot 100; #10 R&B).
“Warwick’s single of ‘A House is Not a Home’ fared a bit better in Canada, where it peaked at #37.
First recorded by Lou Johnson (US #74 1963).
Other hit versions by Dionne Warwick (US #20/R&B #1 1964), Olivia Newton-John (MOR #32/AUS #153 1989).
From the wiki: “‘Reach Out for Me’, written by Burt Bacharach and Hal David, was first recorded in 1963 by Lou Johnson.
“Johnson came from a musical family, and started singing in gospel choirs in his teens. In 1962, Johnson signed as a solo singer with Bigtop Records, run by the Hill & Range music publishing company in the famed Brill Building. There, he met the songwriting team of Burt Bacharach and Hal David, who took a liking to the singer and wrote Johnson’s first single, ‘If I Never Get to Love You’. Neither that song nor his second record, ‘You Better Let Him Go’ (written by Joy Byers), were hits. But, his third single, ‘Reach Out for Me’, another Bacharach-David composition and this time produced by Bacharach, reached #74 on the Billboard Hot 100 in late 1963. However, as it rose up the charts, the Bigtop Records collapsed, limiting the record’s success.
First performed by Herb Alpert (1968).
First released (as “That Guy’s in Love”) by Danny Williams (1968).
Hit versions by Herb Alpert (US #1/MOR #1/CAN #1/UK #3/AUS #1 1968), Dionne Warwick (as “This Girl’s in Love with You” US #7/MOR #2/R&B #7/CAN #7 1969).
Also recorded by Burt Bacharach (1969)
From the wiki:”‘This Guy’s in Love with You’ was written by Burt Bacharach and Hal David. [T]he original performance originated when Herb Alpert, while visiting at Bacharach’s office, asked, ‘Say, Burt, do you happen to have any old compositions lying around that you and Hal never recorded; maybe one I might be able to use?’ Alpert said he made it his practice to ask songwriters that particular question: often a ‘lost pearl’ was revealed. As it happened, Bacharach recalled one, found the lyrics and score sheet in his office filing cabinet, and offered it to Alpert: ‘Here, Herb … you might like this one.’
“Alpert first sang ‘This Guy’s in Love with You’ on his April 1968 television special, The Beat of the Brass. In response to numerous viewer telephone calls to the network following the broadcast, Alpert decided that the song should be recorded and used as the promotional single for the subsequent May 1968 release of the TV special’s soundtrack. But, the first release of ‘This Guy’s in Love with You’, titled ‘That Guy’s in Love’, was in the UK by South African-born singer Danny Williams in late April 1968, for his self-titled album. Williams’ recording, however, was not released as a single.
First recorded by Chuck Jackson (1962, released 1984).
First released by Tommy Hunt (1962).
Hit versions by Dusty Springfield (UK #3/AUS #16/NETH #5 1964), Dionne Warwick (US #26/R&B #20 1966).
From the wiki: “‘I Just Don’t Know What to Do with Myself’ was written by Burt Bacharach and Hal David, and was first recorded by by Chuck Jackson (‘Any Day Now‘) in 1962 in a session produced by Jerry Leiber and Mike Stoller, with Burt Bacharach arranging and conducting. Jackson’s version was shelved and remained unreleased until it appeared on a 1984 compilation titled Mr. Emotion. The same backing track and Bacharach arrangement was then used later the same year when Tommy Hunt (‘Any Day Now‘) covered the song. Hunt’s version was released as single in May 1962, but it did not chart.
“Dusty Springfield recorded ‘I Just Don’t Know What to Do with Myself’ in 1964 following an overnight trip to New York City where she met up with Bacharach. (Springfield would record a number of Bacharach-David songs, including ‘Wishin’ and Hopin‘.) The third UK single release of Springfield’s solo career, ‘I Just Don’t Know What to Do with Myself’ was Springfield’s first UK single release to display her signature vocal style; rising to #3 in the summer of 1964. A concurrent US release of the song was preempted by the presence of Springfield’s ‘Wishin’ and Hopin” in the US Top-10 over the summer of 1964. Springfield’s ‘I Just Don’t Know…’ received a belated US release in October 1965 but did not chart in the US.
“Dionne Warwick recorded ‘I Just Don’t Know What to Do with Myself’ at Bell Sound Studios in August 1966 with Burt Bacharach producing, charting US Top-30 and R&B Top-20.”
Written and first recorded by Burt Bacharach (UK #4 1965).
Other hit versions by Billy J. Kramer & the Dakotas (US #47/MOR #10/UK #12 1965), Dionne Warwick (US #22 1966).
From the wiki: “‘Trains and Boats and Planes’ was written by Burt Bacharach and Hal David, and first recorded in 1965. Hit versions were recorded by Bacharach himself in 1965, by Billy J. Kramer & The Dakotas (also in 1965), and by Dionne Warwick in 1966. Bacharach and David wrote the song at a time when they had achieved great popular success, and Bacharach in particular was traveling widely to record and promote his songs. The pair intended the song to be recorded by Gene Pitney, who had had several hits with earlier Bacharach and David songs including ‘Only Love Can Break a Heart’. However, Pitney declined to record it, telling Bacharach ‘It’s not one of your better ones.’ Bacharach then recorded it himself, in London, with an orchestra, chorus, and uncredited vocals by female session singers The Breakaways. His version was issued on the album Hit Maker! Burt Bacharach plays the Burt Bacharach Hits in 1965, and as a UK-only single.
First recorded by Cilla Black (US #95/UK #9 January 1966).
Also recorded by Jerry Butler (May 1966, released December 1967), Dee Dee Warwick (May 1966, released 1967).
Other hit versions by Cher (US #32/CAN #36 June 1966), Dionne Warwick (US #15/R&B #5 December 1966).
From the wiki: “‘Alfie’ was written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Although Bacharach and David suggested ‘Alfie’ be recorded by Dionne Warwick, their most prolific interpreter, Paramount felt the film’s setting demanded the song be recorded by a UK singer. Accordingly, the initial invitation to record ‘Alfie’ was made to Sandie Shaw who had had a UK #1 hit with the Bacharach/David composition ‘(There’s) Always Something There to Remind Me’. When the invitation to Shaw was declined ‘Alfie’ was offered to Cilla Black, who had also had a previous UK #1 with a Bacharach/David song: ‘Anyone Who Had a Heart’.
First recorded by Kai Winding (1963).
Hit versions by Irma Thomas (B-side US #52 1964), The Rolling Stones (US #6/AUS #4 1964 |UK #64 1982).
From the wiki: “Session arranger Garry Sherman contacted songwriter friend and colleague Jerry Ragovoy (‘Piece of My Heart‘) after big band trombonist, bandleader, and former Benny Goodman, Stan Kenton and Miles Davis sideman Kai Winding had expressed an interest in going in a more commercial, contemporary and rhythmic direction at the onset of the British Invasion. Coming up with a melody was easy, but Ragovoy could think of no lyrics for the song other than ‘time is on my side’ and ‘you’ll be comin’ back to me’. Produced by Creed Taylor and engineered by Phil Ramone, ‘Time Is On My Side’ was also recorded using background vocals by Cissy Houston, Dionne Warwick and Dee Dee Warwick, ‘Time Is On My Side’ was released on the Verve Records label in October 1963. It did not chart.
First performed by Placido Domingo, Dionne Warwick & Gloria Estefan (1988).
Hit versions by Barbra Streisand & Don Johnson (US #25/UK #15 1988), Placido Domingo & Jennifer Rush (UK #24 1989).
Also recorded by Placido Domingo & Gloria Estefan (Spanish, 1989), Placido Domingo & Simone Bittencourt de Oliverira (Portuguese, 1989)
From the wiki: “‘Till I Loved You’ was composed for the never-staged musical Goya: A Life in Song, based on the life of the Spanish artist Francisco Goya. The original recording was sung by tenor Plácido Domingo with American singers Dionne Warwick and Gloria Estefan. The song was covered (although released first in the US) as a duet by Don Johnson and Barbra Streisand, and appeared on Streisand’s 1988 album of the same name and, later, on her 2002 compilation, Duets. As a single, the Streisand/Johnson recording reached #16 in the UK and #25 in the US.
“‘Till I Loved You’ was subsequently released, in 1989, also as a single by Domingo with another collaborator to the album, Jennifer Rush (‘The Power of Love‘), charting only in the UK.
“Domingo also recorded a Spanish-language single of the song with Gloria Estefan titled ‘Hasta amarte’, and a Portuguese version, ‘Apaixonou’, with Simone Bittencourt de Oliveira.”
First commercial release (as “Are You Lonely By Yourself”) by The Isley Brothers (1962).
Hit versions by Jerry Butler (US #20/R&B #18 1962), Walker Brothers (US #16/UK #1 1965), Dionne Warwick (US #37/MOR #2/R&B #26 1970).
From the wiki: “‘Make It Easy On Yourself’, written by Burt Bacharach and Hal David, was first recorded for commercial release by the Isley Brothers. Much to Bacharach’s chagrin, the Brothers messed with the lyrics (turning it into ‘Are You Lonely By Yourself’) and he objected to the release of their version. (The Isley recording remained unreleased until 2001.) Instead, to fill out the time remaining of their studio session, the Isley Brothers recorded ‘Twist and Shout‘.
“It was Jerry Butler (‘He Don’t Love You‘, ‘Moon River‘, ‘Gypsy Woman‘) who first made ‘Make It Easy On Yourself’ a chart hit – his third Top 20 hit since departing The Impressions for a solo career.
First recorded by Dionne Warwick (FRA #39 1963).
Also recorded by The (UK) Eagles (1964).
Hit versions by The Merseybeats (UK #13 1964), Dusty Springfield (US #6 1964).
From the wiki: “Wishin’ and Hopin” was written by Hal David and Burt Bacharach, and was first recorded by Dionne Warwick as the B-side of her 1963 single ‘This Empty Place’ and for her debut album, Presenting Dionne Warwick. The single charted only in France, peaking at #39, but it was the recording Dusty Springfield heard and which prompted her to complete her own version in 1964. The track was included on Springfield’s solo album debuts in the UK (A Girl Called Dusty) and the US (Stay Awhile/I Only Want to Be with You). It was Bacharach himself who encouraged Dusty, who was ambivalent, to release her recording as a single.
First recorded by Rod Stewart (1982).
Hit version by Dionne Warwick, Elton John, Stevie Wonder & Gladys Knight (US #1/R&B #1/UK #16/CAN #1/AUS #1 1985).
From the wiki: “‘That’s What Friends Are For’ was written by Burt Bacharach and Carole Bayer Sager (‘Everchanging Times‘) and was first recorded in 1982 by Rod Stewart for the soundtrack of the film Night Shift. The Dionne Warwick cover was a one-off collaboration featuring Warwick, Gladys Knight, Elton John and Stevie Wonder, which was released as a charity single in the US and UK to benefit the American Foundation for AIDS Research. Sales from the song raised over US$3 million for that cause.”
First recorded by Dionne Warwick (US #32/UK #20/CAN #15 1964).
Other hit version by The Stylistics (US #23/R&B #8 1973 |UK #24 1976).
From the wiki: “‘You’ll Never Get to Heaven’ was written by Burt Bacharach and Hal David, and was first recorded in 1964 by Dionne Warwick for the album Make Way for Dionne Warwick (also notable for including an early production of ‘(They Long to Be) Close to You‘). In 1973, The Stylistics covered the song, reaching the Billboard Top 30 and R&B Top 10 charts in the US and the UK Top 30.”
First recorded (as “I Know I’ll Never Love This Way Again”) by Richard Kerr (1978).
Also recorded by Cheryl Ladd (1978).
Hit version by Dionne Warwick (US #6/R&B #13/CAN #6 1979).
From the wiki: “‘I’ll Never Love This Way Again’ was composed by Richard Kerr (co-writer ‘Mandy‘, ‘Somewhere in the Night‘) and Will Jennings (co-writer ‘Valerie‘, ‘Tears in Heaven’, ‘Somewhere in the Night‘), and was first recorded by Kerr himself for his 1978 album Welcome To The Club. The song was soon covered by Cheryl Ladd for her 1978 eponymous debut album.
First recorded by Dionne Warwick (1982).
Also recorded by Stevie Woods (1982).
Hit version by Sergio Mendes (US #4/R&B #28 1983).
From the wiki: “Songwriters Cynthia Weil and Barry Mann (‘Don’t Know Much‘, ‘(You’re My) Soul & Inspiration’) composed the song and had originally submitted ‘Never Gonna Let You Go’ to Earth, Wind & Fire, but the group decided not to record the song. Instead, Dionne Warwick first recorded the song and it first appeared on her 1982 album Friends in Love but was not released as a promotional single.
First recorded by Dionne Warwick (1985).
Hit version by Anita Baker (US #44/MOR #9/R&B #5 1987).
From the wiki: “‘No One in the World’ was written by Marti Sharon and Ken Hirsch, and was first recorded by Dionne Warwick (and produced by Barry Manilow) for her 1985 album Finder of Lost Love and again on her 1987 album, Reservations for Two.”
“Anita Baker covered ‘No One in the World’ for her Rapture album, released in 1987. Released as the fourth promotional single from the album, ‘No One in the World’ would peak at #44 on the Billboard Hot 100 but chart Top-10 on the Adult Contemporary and R&B charts.”
First released (as “They Long to Be Close to You”) by Richard Chamberlain (1963).
Also recorded by Dionne Warwick (1963 |B-side 1964), Dusty Springfield (1964, released 1967), Herb Alpert & The Tijuana Brass (1968, released 2005).
Hit version by the Carpenters (US #1/UK #6/CAN #1 1970).
From the wiki: “‘(They Long to Be) Close to You’ is a popular song written by Burt Bacharach and Hal David. It was first released by Richard Chamberlain and released as a single in 1963 as ‘They Long to Be Close to You’ (without parentheses). However, it was the single’s flip side, ‘Blue Guitar’, that became a hit.
“Dusty Springfield recorded an early version of ‘Close to You’ in 1964, which was originally scheduled to be released as the follow-up single to ‘I Just Don’t Know What To Do with Myself’. However, it wasn’t until 3 years later, in 1967, that her version was released – as an album track – on Where Am I Going? (in the UK) and The Look of Love (in the US).
“Dionne Warwick, Bacharach-David’s go-to vocalist, had been the first to record ‘(They Long to Be) Close to You’ – as a demo – in 1963. She re-recorded the song with a Bacharach arrangement for her 1964 album Make Way for Dionne Warwick, and Warwick’s version was released as the B-side of her 1965 single ‘Here I Am’.
First performed by Jill O’Hara & Jerry Orbach (1968).
First charted by Johnny Mathis (MOR #35 1969).
Other hit versions by Burt Bacharach (US #98/MOR #18 1969), Bobbie Gentry (UK #1/IRE #1/NOR #5 1969), Dionne Warwick (US #6/R&B #17/MOR #1 1969), Deacon Blue (IRE #2 1990).
From the wiki: “Originally written for the 1968 musical Promises, Promises, it soon became one of Burt Bacharach and Hal David’s most enduring songs. It was introduced in the musical by Jerry Orbach and Jill O’Hara, and was nominated for Song of the Year in the 1969 Grammy awards. (The soundtrack album did win the 1969 Grammy for Best Musical Theater Album.)
“The first recording of ‘I’ll Never Fall in Love Again’ to reach any of the charts in Billboard was by Johnny Mathis, whose cover debuted on the magazine’s Easy Listening chart in the issue dated May 17, 1969, and reached #35 over the course of three weeks there. Bacharach’s own version, which was sung by a female chorus, overtook the Mathis release after a May 31 debut on that same chart and got as high as number 18 during its nine-week stay. It also peaked at #93 on the Hot 100 during the two weeks it spent there in July.
“Bobbie Gentry entered the UK singles chart with the song the following month, on August 30, and enjoyed one of her 19 weeks there at #1. She also peaked at #1 in Ireland. The most successful version of the song to be released as a single, however, was by Bacharach-David protégée Dionne Warwick, whose recording made its first appearance on the Hot 100 in the issue dated December 27, 1969, to start an 11-week run that took it to #6 (Warwick’s her last Top-10 solo hit until 1979).”
Written and first recorded (as a demo) by Barry Gibb (1982, released 2006).
Hit version by Dionne Warwick (US #10/R&B #14/MOR #1/UK #2/CAN #15/AUS #2 1982).
From the wiki: “‘Heartbreaker’ was written by Barry Gibb for Dionne Warwick, for her album Heartbreaker released in 1982. Gibb’s demo recording was not released until 2006.
“The song blended the two Gibb brothers schools of songwriting: it has the clear verse and chorus structure favored by Robin and Maurice, yet also has the longer spun-out verses Barry now preferred, both well balanced, so that it has instant appeal but takes repeated listenings to fully appreciate. Maurice said later that he wished they had saved it for themselves.
“Warwick admitted in The Billboard Book of Number One Adult Contemporary Hits, by Wesley Hyatt, that she was not fond of ‘Heartbreaker’ (regarding the song’s international popularity, she quipped, ‘I cried all the way to the bank’), but recorded it because she trusted the Bee Gees’ judgment that it would be a hit. It turned out to be Dionne’s most successful solo hit of the 1980s.”
Originally recorded (as “Message To Martha”) by Jerry Butler (1962).
Also recorded by Marlene Dietrich (1964), Lou Johnson (as “Kentucky Bluebird” US #104 1964).
Hit versions by Adam Faith (UK #12 1964), Dionne Warwick (US #8/R&B #5/CAN #6 1966).
From the wiki: “The song was first recorded as ‘Message to Martha’ by Jerry Butler in the 1962 session in New York City which produced Butler’s hit ‘Make It Easy on Yourself’ (also written by Bacharach-David), but was not released until December 1963. Marlene Dietrich recorded a German version of the song in 1964, singing to the instrumental track of the Butler original (with augmentations); Dietrich’s version was entitled ‘Kleine Treue Nachtigall’ (‘faithful little nightingale’).
First recorded (as a demo) by Dionne Warwick (1963).
Hit versions by Lou Johnson (US #49 1964), Sandi Shaw (US #52/UK #1/CAN #1/AUS #16 1964), Dionne Warwick B-side re-recording (US #65 1968), R.B. Greaves (US #27/MOR #3 1971) and Naked Eyes (US #8/UK #59/CAN #9/AUS #7 1983).
From the wiki: “Originally recorded as a demo by Dionne Warwick in 1963, ‘(There’s) Always Something There to Remind Me’ first charted for Lou Johnson whose version (with backing vocals by Doris Troy, Dee Dee Warwick, and Cissy Houston) reached #49 on the Billboard Hot 100 in the summer of 1964. Johnson also recorded the original versions of several other Bacharach and David songs that later proved to be bigger hits for other musicians, including ‘Reach Out for Me’, and ‘Message to Michael (Kentucky Bluebird)‘.
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