First popular recording by Tommy Dorsey & His Clambake 7 with Edythe Wright (1937).
Hit/popular versions by Sophie Tucker (US #19 1937), Frank Sinatra (1957), Ella Fitzgerald (1957), Tony Bennett & Lady Gaga (US #121/UK #188/BEL #21/JPN #33 2011).
Also recorded by Midge Williams & Her Jazz Jesters (1937), Carl Perkins (1960), Alice Cooper (1974).
Also recorded (as “Maureen is a Champ”) by Frank Sinatra (1968).
From the wiki: “‘The Lady is a Tramp’ was a show tune from the 1937 Richard Rodgers and Lorenzo Hart musical Babes in Arms in which it was introduced by former child star Mitzi Green. The song is a spoof of New York high society and its strict etiquette (the first line of the verse is ‘I get too hungry for dinner at eight…’). Early recordings from 1937 include one by Tommy Dorsey and His Orchestra (featuring Edythe Wright on vocals), Midge Williams and Her Jazz Jesters, and Sophie Tucker.
First recorded by Ethel Waters (US #1 1933).
Also recorded by Duke Ellington & His Famous Orchestra (1933), Frances Langford (1933).
Other popular versions by Leo Reisman & His Orchestra (US #1 1933), Guy Lombardo & His Royal Canadians (US #2 1933), Lena Horne (1941|US #21 1943), Kay Starr (1945), Billie Holiday (1952), Fats Comet (UK #17 1985).
From the wiki: “‘Stormy Weather’ was a 1933 song written by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 as part of The Cotton Club Parade of 1933 where, according to her autobiography, she ‘sang ‘Stormy Weather’ from the depths of the private hell in which I was being crushed and suffocated.’
“When I got out there in the middle of the Cotton Club floor, I was telling things I couldn’t frame in words. I was singing the story of my misery and confusion, of the misunderstandings in my life I couldn’t straighten out, the story of wrongs and outrages done to me by people I had loved and trusted.”
“Leo Reisman’s orchestra version had the biggest hit on records in 1933 (with co-author Arlen himself as vocalist); Waters’ recorded version was also a top-seller. And it was Waters’ recording that would be inducted into the Grammy Hall of Fame in 2003, with the Library of Congress additionally honoring the song by adding it in 2004 to the National Recording Registry.
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