First performed (as “Funky Music (Is a Part of Me)”) by the Mike Garson Band feat. Luther Vandross (1974).
Hit album version (as “Fascination”) by David Bowie (1975).
Other hit version (as “Funky Music (Is a Part of Me)”) by Luther Vandross (R&B #34 1976).
From BowieSongs: “Luther Vandross had sung his ‘Funky Music (Is a Part of Me)’ during the opening set of Bowie’s Philly Dogs tour, as part of ‘The Mike Garson Band’ (basically, Bowie’s touring band minus Bowie).
“Bowie had first heard Vandross’ song during the Sigma sessions [in 1974 for Bowie’s Young Americans album], as Vandross sometimes ran his fellow backing singers through it during studio downtime. When Bowie asked Vandross his permission to record ‘Funky Music’, the latter was incredulous. ‘What do you mean, ‘let’ you record it. I’m living in the Bronx in a building with an elevator that barely works and you’re asking me to ‘let’ you record one of my songs?’
First performed and released by Brook Benton (US #75/MOR #13/R&B #6 1964).
Other hit versions by Dionne Warwick (B-side US #71/R&B #10/CAN #37 1964), Luther Vandross (1981).
Also recorded by Burt Bacharach (1965), Aretha Franklin (2005).
From the wiki: “‘A House Is Not a Home’ was a 1964 ballad written by the team of Burt Bacharach and Hal David for the 1964 film of the same name, starring Shelley Winters and Robert Taylor (and Raquel Welch’s film debut in a small role as a call girl), and was sung in the film by Brook Benton (‘A Rainy Night in Georgia‘, 1970).
“A promotional single by Benton was released, debuting two weeks before the release of Dionne Warwick’s cover (as the B-side of ‘You’ll Never Get to Heaven (If You Break My Heart)’). But, with two recordings of the same song charting concurrently, radio airplay and sales was split airplay. Benton’s version peaked at #75 on the Billboard Hot 100; Warwick’s B-side recording peaked at #71 (the A-side peaked at #34 on the Hot 100; #10 R&B).
“Warwick’s single of ‘A House is Not a Home’ fared a bit better in Canada, where it peaked at #37.
First recorded (as a demo) by Lionel Richie (1981, released 2003).
First performed by Shea Chambers (1981).
Hit versions by Diana Ross & Lionel Richie (US #1/MOR #1/R&B #1/UK #7 1981), Mariah Carey & Luther Vandross (US #2/R&B #7/CAN #6/UK #3/IRE #4/AUS #2 1994).
From the wiki: “‘Endless Love’ was written by Lionel Richie, and was first recorded by him as a demo in 1981. It would not be released until 2003, as a bonus track on the remastered CD version of his debut solo album, Lionel Richie.
“‘Endless Love’ was performed in the 1981 movie Endless Love by Shea Chambers (an uncredited lip-sync performance) but whose vocal did not appear on the subsequent motion picture soundtrack album release. An arrangement recorded as a duet by Diana Ross and Lionel Richie was instead used, which was subsequently released as the promotional single for the album. (Released while Richie still officially was a member of The Commodores. The success of the duet encouraged Richie to branch out into a full-fledged, and very successful, solo career.)
“The Ross/Richie duet became a #1 hit on the Billboard Hot 100, and nearly 30 years after its release it still remains the best-selling single of Ross’ career. The single stayed at #1 for no less than nine weeks from August 9 to October 10, 1981, making it the biggest-selling single of the year in the US. It also topped the Billboard R&B chart and the Adult Contemporary chart as well as becoming a Top ten hit single in the UK, peaking at #7.
Co-written and first recorded by Stevie Wonder (1967, released 1977).
Hit versions by Aretha Franklin (US #3/R&B #1 1973 |UK #24 1974), Luther Vandross (US #87/R&B #5 1984), Basia (US #33 1989), Miki Howard (R&B #3/UK #67 1990).
From the wiki: “‘Until You Come Back to Me (That’s What I’m Gonna Do)’ was written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but it was not released until appearing on the 1977 anthology album Looking Back.
“Wonder played Aretha Franklin the song in 1973, and she knew how to ‘take’ someone else’s song (as she had already done with Otis Redding’s ‘Respect‘). Produced by Franklin, Arif Mardin and Jerry Wexler, ‘Until You Come Back’ became Franklin’s second-highest charting Pop song of the ’70s. When her recording reached its highest position at #3, Franklin became the first artist to record singles that peaked at each of #s 1-10 on the Billboard Hot 100. (Marvin Gaye became the first male artist to achieve the ‘occupy-all-10’ when ‘Sexual Healing’ reached #3 in 1982.)
“Other popular recordings of ‘Until You Come Back to Me’ include the Luther Vandross charting medley of ‘Superstar/Until You Come Back to Me’ (1984), Basia’s 1989 recording for her second album, London Warsaw New York, that charted in the lower reaches of the Billboard Top 40, and Miki Howard’s cover in 1990 that charted in the U.K. and R&B in the U.S.”
First recorded (as “Lover”) by Tommy Hunt (unreleased 1961).
Hit versions by (as “Any Day Now (My Wild Beautiful Bird)”) by Chuck Jackson (US #23/R&B #2 1962), Elvis Presley (B-side US #3 1969), Ronnie Milsap (US #14/C&W #1/CAN #1 1982), Luther Vandross (2001).
Also recorded by Alan Price Set (1965), Mitch Ryder & The Detroit Wheels (1966).
From the wiki: “‘Any Day Now’ was written by Burt Bacharach and Bob Hilliard in 1961. Co-writer Bacharach (‘Alfie‘,’Make It Easy On Yourself‘,’Message to Michael‘) had orchestrated and recorded the song’s backing track a year before presenting it to Chuck Jackson, formerly of the Del Vikings (‘Come Go With Me‘).
“In the interim, producer Luther Dixon made use of the same backing track to record the arrangement of the song with former Flamingos singer Tommy Hunt (‘I Only Have Eyes For You’, The Flamingos; ‘I Just Don’t Know What to Do with Myself‘), titled ‘Lover’, using a set of completely different, and uncredited, lyrics. Hunt’s 1961 recording, believed to have been recorded within days of his leaving the Flamingos, went unreleased by Stardust Records (backed with another unreleased track, Big Maybelle’s ‘How Do You Feel Now’).
“When it came time to record Jackson, parts of Hunt’s original singing were still audible at the end of Jackson’s hit version.
Co-written and first recorded (as “Groupie (Superstar)”) by Delaney & Bonnie (1969).
Also recorded by Rita Coolidge (1970), Bette Midler (1970 |1972).
Hit versions by The Carpenters (US #2/CAN #3/JPN #7 1971), Luther Vandross (US #87/R&B #5 1983).
From the wiki: “Accounts of the song’s origin vary somewhat, but it grew out of the late 1969-early 1970 nexus of English and American musicians known as Delaney & Bonnie and Friends, involving Delaney and Bonnie Bramlett, Leon Russell, Eric Clapton, and various others. The song’s working title during portions of its development was ‘Groupie Song’. In its first recorded incarnation, the song was titled ‘Groupie (Superstar)’, and was recorded and released as a non-album B-side to the Delaney & Bonnie single ‘Comin’ Home’ (promoting the album On Tour with Eric Clapton) in December 1969. ‘Groupie’ would see an eventual album release in 1972, on D&B Together.
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