First recorded by The Paramount Jubilee Singers (1923).
Hit versions by Louis Armstrong (US #10 1939), The Weavers (US #27 1951), Percy Faith & His Singers (US #29 1951), Bill Haley & His Comets (as “The Saints Rock ‘n Roll” US #18/UK #5 1956), Fats Domino (US #50 1959).
Also recorded by The Million Dollar Quartet (1956), Tony Sheridan & The Beat Brothers (1961).
From the wiki: “‘When the Saints Go Marching In’, often referred to as ‘The Saints’, is an American gospel hymn. According to jazz critic Al Rose this tune was first published as a Baptist hymn in 1916 and credited to Edward Boatner, the man behind religious-classic ‘He’s Got The Whole World In His Hands’. Though it originated as a Christian hymn, it is often played by jazz bands. This song was famously recorded on May 13, 1938 by Louis Armstrong and his Orchestra.
“The first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is ‘When All the Saints Come Marching In’, the group sings the modern lyrics beginning with “When the saints go marching in”. No author is shown on the label. The earliest versions were slow and stately, but as time passed the recordings became more rhythmic. Louis Armstrong was one of the first to make the tune into a nationally known Pop tune in the 1930s. (Armstrong wrote that his sister told him she thought the secular performance style of the traditional church tune was inappropriate and irreligious.)
First recorded by The Percy Faith Orchestra (US #63 1957).
Other hit versions by Roger Williams (US #22 1957), Tony Bennett (UK #38 1961), The Angels (US #14 1961), The Vogues (US #27/MOR #5 1968), Tom Jones (UK #2 1971).
From the wiki: “Since there are many songs with ‘Till’ in the title, let it be clear that this is the one that starts: ‘Till the moon deserts the sky’, with music by Charles Danvers and English lyrics by Carl Sigman, and adapted from the French song ‘Prière Sans Espoir’ recorded in 1956. The Percy Faith Orchestra (with chorus) charted first, in April 1957. Later the same year, Roger Williams released a similarly mostly-instrumental recording that reached into the US Top 40. In 1961, Shirley Bassey and Tony Bennett each recorded all-vocal covers of ‘Till’, with Bennett’s version reaching #38 on the UK Single chart. Girl-group The Angels originated in New Jersey as The Starlets. After a failed attempt at record deal, producer Gerry Granahan (‘Ne-Ne Na-Na Na-Na Nu-Nu‘) heard some hit potential with a song The Starlets had performed for him in their audition, ‘Till’. ‘Till’ became the group’s first single under their new name, The Angels, and also their first hit (US #14) released by Granahan’s Caprice label in 1961.
First recorded by Hugo Winterhalter (1959).
Hit versions by Billy Vaughn (R&B #2 1960), The Percy Faith Orchestra (US #1/UK #2 1960), Norrie Paramor & His Orchestra (UK #35 1960), Dick Roman (US #64/MOR #16 1962), The Lettermen (US #16 1965).
Also recorded (as “Illya Kuryakin”) by Ike B. & The Crystalites (1968).
From the wiki: “‘Theme from A Summer Place‘ was written by Max Steiner (music) and Mack Discant (lyrics) for the 1959 film A Summer Place. Originally known as the ‘Molly and Johnny Theme’ (for the two characters in the film portrayed by Sandra Dee and Troy Donahue), it was recorded for the film by Hugo Winterhalter. Percy Faith recorded the most popular version of the tune which spent an at-the-time record of nine consecutive weeks at #1 on the Billboard Hot 100 singles chart in early 1960. Faith’s recording still remains the longest-running #1 instrumental in the history of the chart.
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