Songs with Earlier Histories Than the Hit Version

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Tagged: Tommy Dorsey

Dipsy Doodle

First recorded by Tommy Dorsey feat. Edythe Wright (#1 1937).
Other hit versions by Russ Morgan and His Orchestra (US #2 1937), Johnny Maddox & the Rhythmasters (US #15 1953).
Also recorded by Larry Clinton & His Orchestra feat. Bea Wain (1937), Ella Fitzgerald & the Chick Webb Orchestra (1937), Bill Haley & His Comets (1957).

“Larry Clinton was an arranger for the Dorsey Brothers big band at the he came up with ‘Dipsy Doodle’, hanging out at the Onyx Club, a jazz club on 52nd Street in New York City, where the back of the menus were printed with blank music scores. One evening Clinton wrote the melody on a menu. It wasn’t until baseball season rolled around that he came up with the lyrics.

“He was a baseball fanatic and Clinton got the idea [for lyrics] from New York Giants left-handed pitcher Carl Hubbell. Hubbell had a screwball pitch that had been dubbed ‘dipsy doo’ for the crazy way it dipped over the plate and befuddled the batters.

“Clinton originally wrote ‘Dipsy Doodle’ for Tommy Dorsey [whose 1937 recording featuring vocalist Edythe Wright topped the Hit Parade ahead of the Russ Moran Orchestra cover version]. Dorsey then made Clinton so well known that Clinton was able to start a band of his own with the financial backing of Dorsey. Then Clinton’s own band further popularized ‘Dipsy Doodle’ by using it as its theme song.

On the Sunny Side of the Street

First recorded by Roger Wolfe Kahn & His Orchestra with Harry Richman (US #13 1930).
Other popular versions by the Ted Lewis Orchestra (US #2 1930), Lionel Hampton (R&B #10 1938), Jo Stafford & the Pied Pipers (US #13 1944), Tommy Dorsey & the Sentimentalists (US #1 1945).
Also recorded by Fats Waller, Louis Armstrong & Jack Teagarden (1938).

From the wiki:”‘On the Sunny Side of the Street’ is to Jimmy McHugh, with lyrics by Dorothy Fields. But, some authors believe that Fats Waller was the composer, selling his rights for the money. (Fats Waller & His Rhythm would later perform the song live with Louis Armstrong and Jack Teagarden in a radio broadcast from Martin Block‚Äôs Make Believe Ballroom on WNEW radio in October 1938.)

“The song was first recorded in 1930, from the Broadway musical Lew Leslie’s International Revue starring Harry Richman and Gertrude Lawrence. Richman provided the vocals with Roger Wolfe Kahn & His Orchestra. Another recording, by the Ted Lewis Orchestra, released later the same year came close to topping the Hit Parade.

“Other hit versions were recorded by Lionel Hampton (1938), and Jo Stafford & the Pied Pipers (1944), with Tommy Dorsey & the Sentimentalists topping the Hit Parade in 1945 with their arrangement.”

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