First recorded (as a demo) by Eddie Reeves & Alex Harvey (1971).
First released by Lonnie Mack (1971).
Hit versions by Cymarron (US #17/MOR #6/CAN #41/AUS #46 1971), Tompall & the Glaser Brothers (C&W #7 1972), Reuben Howell (US #86 1974), Lobo (US #43/CAN #30 1974), Twiggy (UK#35 1977).
Also recorded by Alex Harvey (co-writer 1972), Leo Kottke (1983).
From the wiki: “‘Rings’ was composed by Eddie Reeves, an executive at the West Coast office of United Artists Music, and Alex Harvey, who was contracted as a songwriter to United Artists, and was written for the wedding of a friend of Reeves named Bob Hamilton who – as the song’s lyrics indicate – had experienced an estrangement and reconciliation with his fiancée: the song concludes with the couple ‘hand in hand…upon the sand with the preacher man’ – a reference to Hamilton and his bride’s exchanging vows on the Venice beachfront. The lyric ‘Got James Taylor on the stereo’ was a reference to James Taylor’s ‘Fire and Rain‘ being the couple’s favorite song – while the ‘Tony and Mario’ mentioned in the song were the owners of a Hollywood restaurant the couple frequented.
First released by Samantha Sang (recorded 1977, released B-side 1978).
Hit version by Eric Carmen (US #19/MOR #6/CAN #14 1978).
From the wiki: “‘Change of Heart’ was written by Eric Carmen. It was first recorded in 1977 by Samantha Sang for her album, Emotion, and released as a single in April 1978 as the B-side to ‘You Keep Me Dancing’ (US #57), the follow-up single to her Top-10 international hit Emotion.
“Carmen released ‘Change of Heart’ in September 1978 as the lead single to Change of Heart, his third solo album (after leaving The Raspberries), with Sang on backing vocals.”
First recorded by Klaatu (US #62/CAN #45 1976).
Other hit version by The Carpenters (US #32/MOR #18/UK #9/CAN #9/IRE #1 1977).
From the wiki: “‘Calling Occupants of Interplanetary Craft’, written by Terry Draper, John Woloschuk, was first recorded by Canadian band Klaatu in 1976 for release on their debut album 3:47 EST. John Woloschuk, a member of Klaatu and one of the song’s composers, recalled:
‘The idea for this track was suggested by an actual event that is described in The Flying Saucer Reader, a book by Jay David published in 1967. In March 1953 an organization known as the ‘International Flying Saucer Bureau’ sent a bulletin to all its members urging them to participate in an experiment termed ‘World Contact Day’ whereby, at a predetermined date and time, they would attempt to collectively send out a telepathic message to visitors from outer space. The message began with the words … ‘Calling occupants of interplanetary craft!”
“After its release, the Klaatu recording would open night transmissions of the pirate radio station Radio Caroline. Even more bizarre, the song got caught up in rumors that it presaged a Beatles reunion – that ‘Klaatu’ was just a pseudonym for the Fab Four’s return to the recording studio (and possible reunion concert).
First recorded by Henson Cargill (recorded 1973, C&W #29 1974).
Other hit version by co-writer Mac Davis (US #9/MOR #1/C&W #40/CAN #3 1974).
From the wiki: “‘Stop and Smell the Roses’ was written by songwriter Mac Davis (he wrote ‘In the Ghetto’ for Elvis Presley) and the noted bandleader-trumpeter Doc Severinsen. It was first recorded by Henson Cargill (best known for the socially controversial 1968 Country #1 hit ‘Skip a Rope’) in late 1973 on his album This Is Henson Cargill Country, and then released in May 1974 as something of a come-back single for the performer, peaking at #29 on the Country singles chart.
“Co-writer Davis released his arrangement in March 1974 as the title track for the album Stop and Smell the Roses. Promoted as a single beginning in August 1974, ‘Stop and Smell the Roses’ peaked at #40 on the Country singles chart but went Top-10 on the Billboard Hot 100 and Canadian RPM music charts and topped the MOR chart in the US.”
Co-written and first recorded by Willie Nelson (1972).
Hit versions by Waylon Jennings (C&W #3 1973), Waylon Jennings & Willie Nelson (US #25/MOR #16/C&W #1 1976).
Also recorded by Tina Turner (recorded 1974, released 1979).
From the wiki: “Waylon Jennings and Willie Nelson wrote ‘Good Hearted Woman’ in a room at the Fort Worther Motel in Forth Worth, TX, in 1969, inspired by an ad for an Ike & Tina Turner show saying: ‘Tina Turner singing songs about good-hearted women loving good-timing men.’ Jennings started writing the song and asked Nelson to help him finish it during a late-night poker game. By all accounts, Nelson’s contribution was minimal, with his third wife Connie recalling, ‘The only part Willie came up with was ‘Through teardrops and laughter they walk through this world hand in hand.’ Waylon said, ‘That’s it! That’s what’s missing’ and gave Willie half the song.’
“‘Good Hearted Woman’ was first recorded by Willie Nelson in 1972 for his album The Words Don’t Fit the Picture. Later the same year, Jennings recorded the song as the title track of his album Good Hearted Woman. Released as a single in 1973, Jenning’s recording peaked at #3 on Billboard magazine’s Hot Country Singles chart.
First released by Juice Newton (MEX #3 1977 |US #86 1978).
Other hit versions by Bonnie Tyler (US #3/UK #4/CAN #1/AUS #1 1978), Dave & Sugar (C&W #32 1981), Trick Pony (C&W #22 2005).
Also recorded by Rod Stewart (2006).
From the wiki: “‘It’s a Heartache’ was written by Ronnie Scott & Steve Wolfe. Scott was working with Wolfe as a songwriting and producing team when they spotted Bonnie Tyler in ‘The Townsman Club’ in Swansea, Wales in 1976, and they became Tyler’s managers, songwriters, and producers, writing and producing eight out of the ten songs on Tyler’s first album, The World Starts Tonight (1977). The album included Tyler’s first two UK Top-30 hits, ‘Lost in France’ and ‘More Than a Lover’.
“Tyler’s second album, Natural Force (released in the US as It’s a Heartache in 1978) included five Scott/Wolfe songs including the track ‘It’s a Heartache’ which reached #4 in the UK, and #3 on the Billboard Hot 100 in the United States. The song had already been recorded and first released by Juice Newton almost a year earlier, in 1977.
First recorded (as a demo) by George Jackson (1978).
Hit version by Bob Seger (US #28/CAN #31 1979 |US #48/AUS #53 1983 |AUS #3 1987 ).
From the wiki: “‘Old Time Rock and Roll’ was written by George Jackson (‘Victim of a Foolish Heart‘) and Thomas E. Jones III, and was first recorded as a demo by Jackson. The Muscle Shoals Rhythm Section, who often backed Seger in his studio recordings at the Muscle Shoals Sound Studio in Sheffield, Alabama, sent Seger a demo of Jackson’s song during the recording of Stranger in Town. Jackson recalls ‘Bob had pretty much finished his recording at Muscle Shoals [but] he asked them if they had any other songs he could listen to for the future.’
“The song was recorded by Seger at the Muscle Shoals studio and also at Sound Suite Studios in Detroit, Michigan. Originally, Seger’s Silver Bullet Band was displeased with its inclusion on Stranger in Town, claiming, according to Seger, that the song was not ‘Silver Bullet-y’ enough. However, upon hearing audience reactions to it during their tour in Europe, the band grew to like the song. Released as a single in 1979, the song became a Top-40 hit, peaking at #28 on the Billboard Hot 100.
Written and first recorded by Eric Carmen (DEN #7 1976).
Other hit version by Shaun Cassidy (US #3/CAN #1/AUS #2 1978).
From the wiki: “‘That’s Rock ‘n’ Roll’ was written and first recorded by Eric Carmen in 1976. It later became a US Top-10 hit for teen idol Shaun Cassidy.
“Carmen released his version of ‘That’s Rock ‘n’ Roll’ in some nations as the third single from his first eponymous self-titled debut album, Eric Carmen. The single’s limited release did not include the United States. The song charted at #7 in Denmark. Parts of the song are autobiographical.
“‘That’s Rock ‘n’ Roll’ was covered in 1977 by Shaun Cassidy on his first solo LP, Shaun Cassidy. The song was Cassidy’s second of three consecutive Top-10 hits in the US. Cassidy’s cover also topped the Canadian singles chart and nudged the top of the Australian singles chart.
“In 1988, ‘That’s Rock ‘n’ Roll’ was featured as the B-side of a subsequent major hit by Carmen, ‘Make Me Lose Control’.”
First recorded (as “The Last Thing I Needed (The First Thing This Morning)”) by Bill & Bonnie Hearne (1976).
Hit version by Willie Nelson (C&W #2/CAN #1 1982).
Also recorded by Lost Gonzo Band (1976), Gary P. Nunn (1984).
From the wiki: “‘Last Thing I Needed First Thing This Morning” was written by Gary P. Nunn (‘London Homesick Blues’ aka Austin City Limits theme song) and Donna Farar, and was first recorded in 1976 by then-Austin, TX, musicians Bill & Bonnie Hearne. Willie Nelson recorded the song in 1982 for his album Always On My Mind. ‘Last Thing I Needed …’ was released as the third single from the album, and peaked at #2 on the Billboard Hot Country Singles chart and #1 on the RPM Country Tracks chart in Canada.
First recorded (as a demo) by The Modern Lovers (recorded 1972, released 1976).
First released by John Cale (1975).
Also recorded by David Bowie (2003).
From the wiki: “‘Pablo Picasso’ was written by Jonathan Richman for his proto-punk group The Modern Lovers. The song was first recorded by the group in 1972, produced by former Velvet Underground member John Cale. However, the recording was not released until 1976, on The Modern Lovers’ self-titled debut album. In the meantime, Cale recorded a cover of ‘Pablo Picasso’ for his own album, Helen of Troy, released in 1975.
First recorded (as a demo) by Donald Fagen & Walter Becker with Flo & Eddie (1971).
Hit album version by Steely Dan (1975).
From the wiki: “This was the first song Steely Dan recorded, predating Steely Dan’s debut album Can’t Buy A Thrill. They first put it to tape in 1971 in a version with backing vocals by Flo and Eddie (Mark Volman and Howard Kaylan) of The Turtles.
“The song tells the story of a man who shows 8mm porn movies to young boys. With its lilting melody and catchy chorus, it’s easy to misinterpret the track as a playful kids’ song about going to the movies. At least one theater operator in the United States used the chorus of this song on the speakers prior to the coming attractions (without understanding the, uh, significance of the lyrics). ”
First recorded (as “Lonesome Fiddle Blues”) by The Nitty Gritty Dirt Band (1972).
Hit version by The Charlie Daniels Band (US #3/C&W #1 1979).
Also recorded by Old and in the The Way (recorded 1973, released 1975), Vassar Clements (1975).
From the wiki: “‘The Devil Went Down to Georgia’ was written by the Charlie Daniels Band but was based on a song bluegrass fiddler Vassar Clements originally wrote, an octave lower, titled ‘Lonesome Fiddle Blues’ that he first recorded in 1972 with The Nitty Gritty Dirt Band for the album Will The Circle Be Unbroken.
“In 1973, Clements joined and toured with the bluegrass supergroup Old and in the Way with Jerry Garcia, David Grisman, and Peter Rowan. The group recorded ‘Lonesome Fiddle Blues’ in 1973 but it would not be released until February 1975. Clements also recorded a version in 1975 for his self-titled solo album on which Charlie Daniels played guitar.”
First recorded (as a demo) by Jackson Browne & Glenn Frey (1972).
Hit version by The Eagles (US #12 1972).
Also recorded by Jackson Browne (1973).
From the wiki: “Jackson Browne originally began writing ‘Take It Easy’ in 1971 for his own eponymous debut album but was having difficulty finishing the song. His friend and then-neighbor Glenn Frey had heard an early version and later asked Browne about it. Browne then played the unfinished second verse that begins with ‘Well, I’m a-standin’ on a corner in Winslow, Arizona…’, and Frey finished the verse with ‘It’s a girl, my lord, in a flatbed Ford, slowin’ down to take a look at me.’ Browne was very happy with the result and suggested that they co-write the song.
First released (as a single) by Derek and the Dominos (1970).
Hit album version re-recorded by Derek and the Dominos (1970).
Also recorded by Bobby Whitlock (1972).
From the wiki: “‘Tell the Truth’ was composed primarily by keyboardist Bobby Whitlock, with guitarist Eric Clapton adding the last verse. As admirers of Sam and Dave, Clapton and Whitlock styled the song as a ‘call and response’ with the pair singing alternating verses.
“The original version of ‘Tell the Truth’ was recorded in London on 18 June 1970 during the sessions for George Harrison’s triple album All Things Must Pass. Four days before the session, Derek and the Dominos, with Dave Mason as second guitarist, had played ‘Tell the Truth’ at their debut concert, held at London’s Lyceum Ballroom.
First recorded (as a demo) by George Harrison (1971).
First commercial release by Jesse Ed Davis (1972).
Hit album version by George Harrison (1973).
From the wiki: “‘Sue Me, Sue You Blues’ was written by George Harrison. Harrison let American guitarist Jesse Ed Davis record it first for release, for the latter’s Ululu album (1972) in gratitude to Davis for his participation in the ‘Concert for Bangladesh’. Harrison had drawn inspiration for the song from the legal issues surrounding the Beatles break-up during the early months of 1971, particularly the lawsuit that Paul McCartney initiated in an effort to dissolve the band’s business partnership, Apple Corps.
“Harrison recorded a brief demo of ‘Sue Me, Sue You Blues’, in the Delta blues style, which became available in the 1990s on bootleg compilations such as Pirate Songs. Harrison biographer Simon Leng describes this 1971 recording as ‘astonishing’ and a ‘must’ for inclusion on any forthcoming George Harrison anthology, with Harrison sounding like ‘a lost bluesman, bootlegged in Chicago.’
First recorded by Ronnie Dyson (US #60/R&B #29 1973).
Other hit version by The Main Ingredient (US #10/R&B #8/CAN #7 1974).
From the wiki: “‘Just Don’t Want to Be Lonely’ was written by Bobby Eli, John Freeman and Vinnie Barrett and was first made popular in 1973 by Ronnie Dyson. The Main Ingredient’s version of the song, featuring Cuba Gooding, Sr., on lead vocal, was released in 1974, becoming a US and Canadian Top-10 pop and R&B hit.”
First recorded by David Frizzell (C&W 67 1970).
Other hit version by Susan Raye (US #54/C&W #9/CAN #26/NZ #1/AUS #2 1971)
Also recorded by Shirley Myers (2003).
From the wiki: “‘L.A. International Airport’ was written by Leanne Scott and was first recorded by David Frizzell in 1970. Buck Owens’ duet partner and protegé Susan Raye recorded her international hit cover in 1971. Raye’s arrangement, produced by Ken Nelson, enjoyed much greater success outside of America and was a major pop hit in many countries, including New Zealand and Australia.
“The song was rerecorded with updated lyrics in 2003 by Shirley Myers for the 75th Anniversary of LAX.”
Co-written and first recorded by Terry Stafford (C&W #31 1973).
Also recorded by Chris LeDoux (1975).
Other hit version by George Strait (C&W #4/CAN #1 1983).
From the wiki: “‘Amarillo by Morning’ was written by Terry Stafford (‘Suspicion‘) and Paul Fraser, and was first recorded by Stafford in 1973 on his album Say, Has Anybody Seen My Sweet Gypsy Rose. Stafford says he conceived the song after playing with his band at a rodeo in San Antonio, Texas, and then driving back to his home in Amarillo, TX. It was first covered in 1975 by bona fide rodeo champion Chris LeDoux, with no apparent chart success. ‘Amarillo by Morning’ was again covered, in 1983, by George Strait, for his 1982 album Strait from the Heart, his third Country Top-5 hit and topping the Canadian Country chart for the second time.”
Written and first recorded by J.J. Cale (NZ #1/SUI #2/AUT #3/SWE #10/AUS #45/GER #22 1976).
Other popular versions by Eric Clapton (B-side 1977), Eric Clapton (B-side live US #30/CAN #3 1980).
From the wiki: “‘Cocaine’ was written and first recorded in 1976 by singer-songwriter J. J. Cale, and released on his album Troubador. Released internationally as a promotional single, it charted Top-3 in Switzerland and Austria, and topped the New Zealand music chart.
“The song was further popularized by Eric Clapton (who has said the song is ‘quite cleverly anti-cocaine’) when released on his 1977 album Slowhand and as the B-side to the US Top-3 hit ‘Lay Down Sally’. In 1980, a live version of ‘Cocaine’, from the album Just One Night, was also released as a B-side – to the Top-30 his ‘Tulsa Time’.”
First recorded by “The Wiz” original cast (1975).
Hit versions by Consumer Rapport (US #42/R&B #19/Dance #1 1975), Diana Ross & Michael Jackson (US #41/R&B #17/UK #45 1978).
From the wiki: “‘Ease On Down the Road’ isthe 1975 Broadway musical The Wiz, an R&B re-interpretation of L. Frank Baum’s ‘The Wonderful Wizard of Oz’. The Charlie Smalls–composed tune is the show’s version of both ‘Follow the Yellow Brick Road’ and ‘We’re Off to See the Wizard’ from the 1939 movie version of The Wizard of Oz. In the song, performed three times during the show, Dorothy and her friends the Scarecrow, the Tin Man, and the Cowardly Lion dance their way down the Yellow Brick Road and give each other words of encouragement.
“‘Ease On Down the Road’ was performed in the original Broadway production by Stephanie Mills (Dorothy), Hinton Battle (Scarecrow), Tiger Haynes (Tin Man), and Ted Ross (Cowardly Lion), who also performed the song on the original 1975 cast album for The Wiz. Released as a single in 1975 by the studio group Consumer Rapport, the song became a #1 Disco hit for five non-consecutive weeks.
“A second cover of the song was recorded by Diana Ross and Michael Jackson, for the 1978 feature-film adaptation of The Wiz. It charted #41 on the Billboard Hot 100 and Top-20 on the R&B chart.”
Written and first recorded by The Bee Gees (1976).
Hit versions by Yvonne Elliman (US #20/UK #6/IRE #9/NZ #3 1976), Martine McCutcheon (UK #6 1999).
From the wiki: “‘Love Me’ was first recorded and released by the Bee Gees, released on the 1976 album Children of the World. It was written by Barry and Robin Gibb featuring Robin on lead with his falsetto (with Barry on the middle eight evidenced on the outro). This makes this song a curio among the group’s mid- to late-’70s tracks, as Barry sang most of the The Bee Gee’s lead vocals. Yvonne Elliman’s version was more successful than the Bee Gees’, reaching the Top-20 US chart, and Top-10 in the UK, Ireland and New Zealand. Martine McCutcheon remade ‘Love Me’ for her 1999 debut album You, Me & Us from which the track – serving as the BBC Children in Need single for 1999 – was issued as the third single.”
First recorded by Chairmen of the Board (1970).
Hit versions by Clarence Carter (US#4/R&B #2/UK #2 1970), Ray Griff (C&W #26 1970).
Also recorded by The Rudies (1970), George Jones & B.B. King (1994).
From the wiki: “‘Patches’ (sometimes known as ‘Patches (I’m Depending On You)’), a Country-Soul song, was written by General Johnson and Ron Dunbar. The song tells a story about how a boy born and raised in poverty in Alabama ‘on a farm way back up in the woods’ took over responsibility for his family from his dying father.
“‘Patches’ was included on Chairmen of the Board’s first album, The Chairmen of the Board (later reissued as Give Me Just a Little More Time), and was the B-side of the group’s July 1970 single, ‘Everything’s Tuesday’, their third chart hit. The best-known recording was the 1970 hit production by Clarence Carter. It won the 1971 Grammy Award for Best Rhythm & Blues Song.
Written and first recorded by Jesse Barish (1978).
Hit version by Jefferson Starship (US #8/MOR #15/CAN #9/NZ #24 1978).
Re-recorded by Marty Balin (1999).
From the wiki: “‘Count On Me’ was a 1978 song and single by Jefferson Starship for the album Earth, written and first recorded by songwriter Jesse Barish. The Jefferson Starship single gave Starship their second US Top-10 hit of the ‘Seventies, after their 1975 hit ‘Miracles’.
“Barish played flute with the seminal experimental band The Orkustra in San Francisco in the mid 60’s and also played flute with ‘Papa’ John Phillips on Phillip’s Wolf King of L.A. tour. In 1971 Jesse was signed to Shelter Records by Denny Cordell and released the album Jesse, Wolff and Whings with guitarist Billy Wolff and drummer Kevin Kelly. Landing in Marin County in the early ’70s, Jesse became friends with Marty Balin who would go on to record ‘Count On Me’ later in 1978 with Jefferson Starship (among other songs) and, in 1980, wrote ‘Hearts’ for Balin’s first solo album for EMI Records.
Written and first recorded by Mark James (1975).
Hit version by Elvis Presley (US #32/C&W #1 1976).
From the wiki: “‘Moody Blue’, made famous by Elvis Presley, was written and first recorded by Mark James who also penned Elvis’ ‘Suspicious Minds‘. ‘Moody Blue’ was Presley’s last #1 hit in his lifetime, topping the Billboard magazine Hot Country Singles chart in February 1977.
“Presley recorded his version in February 1976, in the Jungle Room of his Graceland home. The only time Elvis performed the song in its entirety was on February 21, 1977 at a concert in Charlotte, North Carolina. He had attempted to perform the song February 20 at the same venue but revealed to the crowd that he had completely forgotten the lyrics; he returned on February 21, lead sheet in hand, and performed the song with his eyes glued to the lyrics.”
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