Originally recorded by Dee Dee Warwick (US #117 1963).
Hit versions by Betty Everett (US #51/R&B #5 1963), The Swinging Blue Jeans (US #93/UK #3 1964), Linda Ronstadt (US #1/CAN #2 1974).
Also recorded (as ‘Olet Paha!’) by Eddy and the Lightnings (1964).
From the wiki: “The original version of ‘You’re No Good’ was cut by Dee Dee Warwick for Jubilee Records in 1963 with production by Jerry Leiber and Mike Stoller (‘Hound Dog‘, ‘Stand By Me’, ‘There Goes My Baby’, ‘Jailhouse Rock’.)
“During the playback of Betty Everett’s November, 1963 recording her Vee-Jay label-mates The Dells ‘were sitting on the wooden platform where the string players would sit… just stomping their feet on this wooden platform to the beat of the song as it was playing back… [Producer Calvin Carter] told the engineer ‘Let’s do it again, and let’s mike those foot sounds, ’cause it really gave it a hell of a beat.’ So we did that, and boom, a hit.’
First recorded by Johnny Darrell (C&W #9/UK #2 1967).
Also recorded by The Statler Brothers (1967).
Hit version by Kenny Rogers & The First Edition (US #6/C&W #39/UK #1 1969).
See also: “Billy, I’ve Got to Go to Town” by Geraldine Stevens (1969).
From the wiki: “‘Ruby, Don’t Take Your Love to Town’ is a song written by Mel Tillis about a paralyzed veteran of a ‘crazy Asian war’ (given the time of its release, widely assumed but never explicitly stated to be the Vietnam War). ‘Ruby’ was originally recorded in 1967 by Johnny Darrell, who scored a #9 country hit with it that year. The song was made world-famous in 1969 by Kenny Rogers & The First Edition.
“In 1969, after Kenny Rogers and the First Edition’s success with the hits ‘Just Dropped In (To See What Condition My Condition Was In)‘ and ‘But You Know I Love You’, Rogers wanted to take his group more into a country music direction. They recorded their version of ‘Ruby’ (with Rogers singing the lead) in one take. The record was a major hit for them. It made #1 in the UK, staying in the UK Top 20 for 15 weeks. In the United States it reached #6 on the Hot 100 and #39 on the country chart. Worldwide, the single sold more than 7 million copies.
First recorded by The Everly Brothers (1962, released 1984).
Hit versions by The Cookies (US #17/R&B #7/UK #50 1962), The Beatles (1963).
From the wiki: “‘Chains’ was composed by the Brill Building husband-and-wife songwriting team Gerry Goffin and Carole King (‘Up on the Roof‘, ‘Crying in the Rain‘, ‘Oh No Not My Baby‘). It was first recorded by the Everly Brothers in 1962 but went unreleased until 1984.
“The same year, ‘Chains’ became a US Top 20 hit for Little Eva’s backing singers, The Cookies (with Earl-Jean McRae (‘I’m Into Something Good‘) singing lead), with an arrangement produced by co-writer Goffin.and later covered by The Beatles.
Co-written and originally recorded by Shorty Long (1964).
Hit version (as “Devil with the Blue Dress/Good Golly Miss Molly”) by Mitch Ryder & The Detroit Wheels (US #4 1966).
From the wiki: “‘Devil with the Blue Dress On’ (also known as ‘Devil with a Blue Dress On’) was a song written by Shorty Long and William ‘Mickey’ Stevenson, first performed by Long (as a slow jam) and released as Shorty Long’s debut single on Motown in 1964 but the single failed to chart. Two years later, Mitch Ryder & The Detroit Wheels covered the song as a medley with a cover of Little Richard’s ‘Good Golly Miss Molly’. The Wheels’ version was notably more up-tempo than Long’s more blues-influenced rendition. Reaching #4 on the Hot 100, the Wheels’ track would end up becoming the group’s most well-known and highest-charting hit in the United States.
First recorded by Helen Shapiro (February 1963).
Also recorded by The Crystals (unreleased 1963), The Paris Sisters (1966), Amy Winehouse (2010).
Hit version by Lesley Gore (US #1/R&B #1/UK #9/AUS #1 March 1963), Lill-Babs (SWE #5 1963).
From the wiki: “The first recording of the song was by Helen Shapiro for her Helen in Nashville album recorded in February 1963 with Shapiro’s regular producer Norrie Paramor, and Al Kasha. Shapiro would recall: ‘Right from the first time we heard the song on the rough demo back in London, we thought we were going to sock them between the eyes with that one’; however Shapiro’s version was not one of the cuts chosen as an advance single from the album … so, by the time of the album’s release in the UK that October (and the album’s first single, ‘Woe is Me’, in the US in May 1963), Shapiro’s ‘It’s My Party’ recording was perceived as a cover of Lesley Gore’s hit single even though Shapiro’s version was the first recorded.
Recorded (in English) by The Kingston Trio (1963).
Adapted from “Le Moribond” by Jacques Brel & Rod McKuen (1961).
Also recorded by Rod McKuen (1964), The Beach Boys (1973).
Hit version by Terry Jacks (US #1/UK #1/CAN #1 1974).
From the wiki: “‘Seasons in the Sun’ is the English-language adaptation of a 1961 song, ‘Le Moribond’, composed by Belgian singer-songwriter Jacques Brel with English lyrics by American singer-poet Rod McKuen (‘Jean‘). The original French-language song included sarcasm and references to the speaker’s wife’s infidelity.
“The Kingston Trio recording was the first cover version of McKuen’s translation in 1963. McKuen would include a performance of his own work on the 1964 album Rod McKuen Sings Jacques Brel.
“Terry Jacks had had considerable success in his native Canada as half of the duo The Poppy Family (‘Which Way You Goin’ Billy’, 1969) with his wife, Susan. He was friends with The Beach Boys, who asked him to produce a song for them – something Jacks was honored to do. Terry played them his arrangement of ‘Seasons in the Sun’ and suggested they record it, thinking it would sound great with Beach Boy harmonies and with Carl Wilson singing lead.
First recorded by Jimmy Clanton (1965).
Also recorded by Ruth Lewis (1966), The Walker Brothers (1966).
Hit versions by Chad Allan & The Expressions (CAN #19 1965), Ruby & The Romantics (US #113 1969), The Carpenters (US #2/MOR #1/CAN #2/AUS #4/NZ #7/JPN #56 1972).
From the wiki: “The earliest version of the song was recorded by Jimmy Clanton, the singer from New Orleans known as the ‘swamp pop R&B teenage idol’, in February 1965, produced by the song authors, Gary Geld and Peter Udell. He rode the crest of the popular teen music wave in the 1950s and 1960s. Seven of his records, including ‘Go, Jimmy, Go’, ‘Just a Dream’, and ‘Venus in Blue Jeans‘, charted in the U.S. Top 40.
“Chad Allan & The Expressions, from whom The Guess Who would later evolve (Randy Bachman, Jim Kale and Garry Peterson were original members; Burton Cummings replaced Allan in 1966), also recorded the song in 1965 on their Canadian LP Hey Ho (What You Do to Me) … teasingly subtited ‘Guess Who?’. Released as a single, ‘Hurting Each Other’ hit #19 on the Canadian charts in early 1966. In June 1966, a version by Ruth Lewis, produced again by the song’s writers, Geld and Udell, was released as a single by RCA Victor records without any apparent chart impact. A cover of ‘Hurting Each Other’ also appeared on The Walker Brothers’ second album, Portrait, which was released in November 1966 but their recording was not released as a single. However, ‘Hurting Each Other’ was the final single released by Ruby & The Romantics (‘Hey There, Lonely Girl‘) before the group’s break-up in 1969 and, even though it ‘Bubbled Under the Hot 100’, it was the first appearance of the song on a US music chart.
Originally recorded by Captain & Tennille (May 1975).
Hit versions by David Cassidy (UK #11 July 1975), Barry Manilow (US #1 Oct 1975).
Also recorded by Bruce Johnston, composer (1977).
No. Barry Manilow did not ‘write the songs’. ‘I Write the Songs’ was written by Bruce Johnston, of the The Beach Boys, in 1975.
From the wiki: “The original version was recorded by Captain & Tennille, both of whom worked with Johnston in the early 1970s with The Beach Boys. The song appears on their 1975 debut album, Love Will Keep Us Together, but was never released as a single. (Daryl ‘Captain’ Dragon is quoted as saying the pair wanted to release ‘I Write the Songs’ as their debut single but, instead, opted for ‘Love Will Keep Us Together‘.)
Written and originally recorded by Paul Pena (1973, released 2000).
Hit version by The Steve Miller Band (US #8/CAN #3/NZ #12 1977).
Paul Pena’s life could be summed up this way: When life gives you a lemon, you make lemonade.
Born with congenital glaucoma, Pena would become completely blind by age 20. By that time, though, the multi-instrumentalist had landed gigs opening for The Grateful Dead, and Frank Zappa, and playing sessions with B.B. King, Muddy Waters, John Lee Hooker, and Bonnie Raitt. Pena found some permanency, too, as a member of the T-Bone Walker Blues Band. And, it was while traveling to the Montreaux Jazz Festival in 1972, to perform with Walker, that Pena wrote ‘Jet Airliner’.
Written and first recorded by Tito Puente & His Orchestra (1963).
Inspired by “Chanchullo” by Israel “Cachao” Lopez (1937).
Hit version by Santana (US #13/MOR #11/R&B #32/CAN #7/MEX #9/AUS #13/GER #29 1971).
Also recorded by Natalie Cole (2013).
From the wiki: “‘Oye Como Va’ is a song written by Latin Jazz and Mambo musician Tito Puente in 1963. The fact that the phrase ‘Oye como va’ is the title of the song and is sung somewhat separately from the phrase ‘mi ritmo’ makes for its interpretation as ‘Hey, how’s it going?’ However, the first sentence is actually ‘Oye como va mi ritmo,’ meaning ‘Listen to how my rhythm goes.’ Israel ‘Cachao’ López’s 1937 recording, ‘Rareza de Melitón’ (later changed to ‘Chanchullo’), inspired Tito Puente’s signature tune. Puente had previously recorded ‘Chanchullo’ in 1959, for his album Mucho cha cha.
First recorded by Barney Bigard & His Jazzopaters (1936).
Hit versions by The Duke Ellington Orchestra (1937), Billy Eckstine (US #27/R&B #14 1949), Ralph Marterie (US #6 1953), Santo & Johnny (US #48 1959), Duane Eddy Al Casey (UK #42 1961).
Also recorded by The Mills Brothers (1941).
From the wiki: “‘Caravan’ is a jazz standard composed by Juan Tizol. The first version of the song was recorded in Hollywood in 1936, performed as an instrumental by Barney Bigard & His Jazzopators. The band members were: Cootie Williams (trumpet), Juan Tizol (trombone), Barney Bigard (clarinet), Harry Carney (baritone sax), Duke Ellington (piano), Billy Taylor (bass), Sonny Greer (drums).
“All the players on the original recording by the Jazzopaters were, in reality, members of the Duke Ellington Orchestra, which often split into smaller units to record small-band discs. Although Ellington performed in this recording, the session leader was Bigard under whose name the song was first released. The following year, the Duke Ellington Orchestra itself covered ‘Caravan’, the first of more than 350 recordings Ellington made of the song.
“In 1941, the Mills Brothers paid tribute to Ellington by recording an a capella version of ‘Caravan’, substituting their voices for instruments. A vocal cover, with lyrics by Irving Mills, was recorded in December 1948 by Billy Eckstine, with orchestration by Hugo Winterhalter, that charted Billboard Hit Parade Top-30 and Top-20 R&B in 1949, an accomplishment his friend, Ellington, is said to have been especially pleased.
“Ralph Materie charted even higher in 1953 with his cover. Santo & Johnny also charted with their ‘Caravan’ cover in 1959. In 1961, a version credited to Duane Eddy – but in reality future Wrecking Crew sessionman Al Casey – appeared on the label Gregmark Records. It did not chart in the US, but was issued (under Eddy’s name) on Parlophone in the UK where it peaked at #42.”
Written and first recorded by Ian Thomas (CAN #28 1981).
Other hit version by Santana (US #15/MOR #34/CAN #4/AUS #64/NZ #31/NETH #22 1982).
From the wiki: “‘Hold On’ is a song written and first recorded by the Canadian singer and songwriter Ian Thomas, on his 1981 album The Runner.
“Thomas was a successful Rock ‘n roll musician in Canada, at the height of his solo career during the 1970s, with his most memorable hit being 1973’s ‘Painted Ladies’ (US #34/CAN #4). Thomas has also done film scoring for about a dozen movies and television shows. Before breaking through with ‘Painted Ladies’, he was a producer at the CBC. Before that, he was part of the Folk music group Tranquility Base.
First released by Tiny Topsy (1959).
Hit versions by Roscoe Gordon (US #64/R&B #2 1959), Roy Head (US #39 1965).
From the wiki: “‘Just a Little Bit’ was developed when Rosco Gordon was touring with West Coast blues artist Jimmy McCracklin. According to Gordon, McCracklin started to write the song and agreed that Gordon could finish it with both of them sharing the credit. Gordon later presented a demo version to Ralph Bass at King Records, who was reportedly uninterested in the song. Gordon then approached Calvin Carter at Vee-Jay Records, who agreed to record it.
First recorded (instrumentally) by Grover Washington, Jr. (1980).
Hit vocal versions by Robert Flack (US #24 1982), co-writers Ralph MacDonald feat. Bill Withers (US #6 1984).
From the wiki: “‘In the Name of Love’ was written by Ralph MacDonald and William Salter (‘Where is the Love’, 1971), and Bill Withers (‘Ain’t No Sunshine’, 1971; ‘Lean on Me’, 1972), and was first recorded and released as an instrumental by saxophonist Grover Washington, Jr. in 1980 on his album Winelight.
“A vocal cover was recorded in 1982 by Roberta Flack (‘Killing Me Softly with His Song‘) for her album I’m the One, and, in 1984, by co-writers Ralph MacDonald and Bill Withers recorded ‘In the Name of Love’ for MacDonald’s album Universal Rhythm. Both singles charted in the Billboard Hot 100 in each of those respective years, with the MacDonald/Withers arrangement charting the highest.”
Written by Van Morrison and first recorded by Them (1964).
Hit versions by Them (US #93/UK #10 1965), The Shadows of Knight (US #10 1966), Van Morrison & John Lee Hooker (UK #31 1993).
http://youtu.be/FLvBpnaVHE8
From the wiki: “Van Morrison said that he wrote ‘Gloria’ while he performed with the Monarchs in Germany in the summer of 1963. He started to perform it at the Maritime Hotel when he returned to Belfast and joined up with The Gamblers to form the band Them. He would ad-lib lyrics as he performed, sometimes stretching the song to fifteen or twenty minutes. After signing a contract with Dick Rowe and Decca, Them went to London for a recording session at Decca Three Studios in West Hampstead on 5 July 1964.
First recorded by Smokey Robinson & the Miracles (1966, released 1968).
Hit versions by Gladys Knight & the Pips (US #2/R&B #1 1967), Marvin Gaye (US #1/R&B #1/CAN #8/UK #1/IRE #7 1968), Creedence Clearwater Revival (US #43/CAN #76 1976).
From the wiki: “First recorded by Smokey Robinson & the Miracles in 1966, ‘I Heard It Through the Grapevine’ was rejected for release by Motown owner Berry Gordy, who told Barrett Strong (co-writer) and Norman Whitfield (producer and co-writer) that the song was ‘too bluesy’ and that it lacked ‘hit potential’. Whitfield produced another version, with Marvin Gaye, in 1967 with Gordy also rejected (‘It sucks’, he is reported to have opined) for release. Even the Isley Brothers are said to have taken a crack at it (see below).
Written and first recorded by Chris Kenner (US #77 1962).
Also recorded by Danny & The Memories (1965).
Other hit versions by Cannibal & The Headhunters (US #30 1965), Wilson Pickett (US #6/R&B #1/UK #22 1966).
From the wiki: “Written and first recorded by Chris Kenner in 1962, ‘Land of 1000 Dances’ is famous for its ‘na na na na na’ hook added by Cannibal & The Headhunters in their 1965 version. (The ‘na na na na na’ hook happened by accident when Frankie ‘Cannibal’ Garcia, lead singer of Cannibal & The Headhunters, forgot the lyrics. The melody to that section of the song was also created spontaneously, as it is not on Kenner’s original recording.) The song’s best-known version was Wilson Pickett’s 1966 single release, from the album The Exciting Wilson Pickett, which became an R&B #1 and Billboard Top 10 hit, his highest-charting Pop song.
“Whitfield first produced the song – a blatant anti-Vietnam War protest – with The Temptations as the original vocalists. Whitfield re-recorded the song with Edwin Starr as the vocalist, when Motown decided to withhold The Temptations’ version from single release so as not to alienate their more conservative fans.
Written and first recorded by Dave Bartholomew (1952).
Also recorded by The Bees (as “Toy Bell” 1954), Chuck Berry (as “My Tambourine” 1968).
Hit version by Chuck Berry (US #1/&B #42/UK #1 1972).
From the wiki: “‘My Ding-a-Ling’ was originally recorded by Dave Bartholomew in 1952 for King Records. When Bartholomew moved to Imperial Records, he re-recorded the song under the new title, ‘Little Girl Sing Ding-a-Ling.’ (In 1954, The Bees also released a version on Imperial titled ‘Toy Bell.’) Bartholomew’s partnership with Fats Domino on Imperial Records produced some of his greatest successes. In the mid 1950s they co-wrote more than forty hits, including two songs that reached #1 on the Billboard R&B chart, ‘Goin’ Home’ and ‘Ain’t That a Shame’, along with ‘I’m Walkin”, ‘I Hear You Knocking‘ and ‘One Night‘. Bartholomew is a member of the Songwriters Hall of Fame, the Rock and Roll Hall of Fame, and The Louisiana Music Hall of Fame.
First recorded by The Ronettes (US #100 1966).
Hit version by The Beach Boys (US #24/UK #10/SWE #5 1969).
Also recorded by Larry Lurex (Freddie Mercury) (1973).
From the wiki: “‘I Can Hear Music’ is a song written by Jeff Barry, Ellie Greenwich and Phil Spector, originally performed by The Ronettes in 1966. Released as the last Ronettes’ single on Spector’s Philles record label, it barely charted – spending only one week on the Billboard Hot 100 at #100.
“The Beach Boys recorded ‘I Can Hear Music’ in 1969 for the album 20/20. This version peaked at #24 on the Billboard Hot 100 chart (and #20 on the Cash Box and Record World charts) in the US. Internationally, it reached #5 in Sweden, #6 in Holland and Malaysia, #7 in Poland, #10 in the UK, #13 in Germany and in Australia’s Go Set chart, and #15 in Ireland.
“In 1973, Larry Lurex (a pseudonym for Freddie Mercury) also recorded a cover version of ‘I Can Hear Music’. The recording is considered the Holy Grail among Queen collectors.”
Written and first recorded by Shuggie Otis (1971).
Hit version by The Brothers Johnson (US #5/R&B #1/CAN #8/UK #35 1977).
From the wiki: “Shuggie Otis, son of famed songwriter (‘Willie and the Hand Jive’), bandleader and disc jockey Johnny Otis, wrote the song for a girlfriend who used strawberry-scented paper when she wrote letters to him. Otis recorded it for his 1971 album Freedom Flight. George Johnson of the Brothers Johnson was dating one of Otis’ cousins at the time when he came across an early pressing of the album. The Johnsons recorded ‘Strawberry Letter 23’ for their 1977 album Right on Time, which was produced by Quincy Jones.
Written and first recorded by Labi Siffre (UK #14 1972).
Hit version by Madness (US #33/UK #4 1981 |UK #6 1992).
Also recorded by Paolo Nutini (2007).
From the wiki: “The original Labi Siffre recording was released as a single in 1971, and reached #14 in the UK singles chart. It also appeared on his 1972 album Crying Laughing Loving Lying. Madness’ version was originally issued as a standalone single in late-1981 and appeared on their UK #1 compilation album Complete Madness the following year, and on many other Madness compilations since. In 1983, it peaked on the Billboard Hot 100 at #33. Siffre made a cameo appearance in the Madness video as a violin player. Madness’ recording was reissued in 1992, and this time reached #6 in the UK charts.
“In 2007, Paolo Nutini also released a cover of the song for BBC Radio 1’s cover compilation album Radio 1 Established 1967.”
First recorded by Peggy Seeger (1957).
Also recorded by The Kingston Trio (1962), Joe & Eddie (1963), Peter, Paul & Mary (1965).
Hit version by Roberta Flack (recorded 1969, US #1/MOR #1/CAN #1/UK #14/AUS #1/NZ #17/SA #2 1972).
From the wiki: “‘The First Time Ever I Saw Your Face’ is a 1957 folk song written by British political singer/songwriter Ewan MacColl for Peggy Seeger (half-sister of folk singer Pete Seeger), who would later become his wife, to sing. At the time the couple were lovers, although MacColl was married to someone else. Seeger sang the song when the duo performed in folk clubs around Britain.
“During the 1960s, it was recorded by various folk singers before becoming a major international pop hit for Roberta Flack when re-released in 1972 (after its original album release, on First Take, in 1969) following the song’s inclusion in the 1971 movie Play Misty for Me.
