Songs with Earlier Histories Than the Hit Version

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Tagged: Artie Shaw

Deep Purple

First recorded (as an instrumental) by Paul Whiteman & His Concert Orchestra (1934).
Hit vocal versions Larry Clinton & His Orchestra with Bea Wain (US #1 1939), Artie Shaw with Helen Forrest (US #17 1939), Billy Ward & His Dominoes (US #18/UK #30 1957), Nino Tempo & April Stevens (US #1/UK #17 1963), Donny & Marie Osmond (US #14/UK #25 1976).

From the wiki: “‘Deep Purple’ was the biggest hit written by pianist Peter DeRose, who broadcast from 1923 to 1939 with May Singhi as ‘The Sweethearts of the Air’ on the NBC radio network. ‘Deep Purple’ was first published in 1933 as a piano composition. The following year, Paul Whiteman had ‘Deep Purple’ scored for his suave orchestra that was ‘making a lady out of jazz’ and the song became so popular in sheet music sales that Mitchell Parish added lyrics in 1938.

Begin the Beguine

First performed by Charles Walters & June Knight from Jubilee (1935).
First commercial release by Xavier Cugat & His Waldorf-Astoria Orchestra (1935).
Hit version by The Artie Shaw Orchestra (US #3 1938).
Also recorded by Josephine Baker (1936), Eddie Heywood (1944)

From the wiki: “‘Begin the Beguine’ is a song written by Cole Porter, who first witnessed the beguine as a dance in Paris. He later composed the song during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. The song was first introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theatre in New York City in October 1935. Knight and Charles Walters would later release a recorded version for the Victor Records label.

Smoke Gets in Your Eyes

First recorded by Gertrude Niesen (1933).
Hit versions by Paul Whiteman & His Orchestra (US #1 1934), Artie Shaw & the Gramercy Five (US #24 1941), The Platters (US#1/R&B #3/UK #1/AUS #1/NETH #4 1958), Blue Haze (US #27/NETH #4 1973), Bryan Ferry (UK #17 1974).
Also recorded by Jerry Garcia (1990).

From the wiki: “‘Smoke Gets in Your Eyes’ is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for their 1933 musical Roberta. It was sung in the original show by Tamara Drasin and was first recorded by Gertrude Niesen on October 13, 1933. It was performed by Irene Dunne for the 1935 film adaptation, co-starring Fred Astaire and Ginger Roger.

“The song has been covered by numerous artists, beginning with Paul Whiteman & His Orchestra with Bob Lawrence on vocal, which went to the top of the charts in 193, and Artie Shaw’s Gramercy Five in 1941. The most famous version was recorded in 1958 by The Platters, which became a #1 hit on the U.S. Billboard Hot 100 — it reached #3 on the R&B charts – and topped both the UK and Australians singles charts.