Written and first recorded by Bob Dylan (1967).
Hit version by Robert Palmer with UB40 (UK #6/CAN #58/IRE #6/AUS #4/NZ #1/SUI #5/NETH #4 1990).
From the wiki: “‘I’ll Be Your Baby Tonight’ was written by Bob Dylan in 1967, and first released on the alb um John Wesley Harding. He first performed the song in concert at the Isle of Wight Festival with The Band on August 31, 1969. Since then, Dylan has included it in more than 400 live performances.
First recorded by The Equals (1966 |IRE #2/BEL #1/NETH #6/NOR #4/AUS #10 1967 |US #32/UK #1 1968).
Also recorded by Eddy Grant (1984).
Other hit version by Pato Banton & UB40 (UK #1/AUS #11/IRE #2/SCOT #1/NZ #1 1994).
From the wiki: “‘Baby, Come Back’ was written by Eddy Grant (‘Police On My Back‘, ‘Electric Avenue’), and originally performed and recorded by him and the rest of his band – The Equals – in 1966. The song was first released in 1966, a year after the band formed, but did not chart. However, after impressive sales in the rest of Europe (where it reached the Top 10 in Belgium and The Netherlands), the single was re-issued in the UK and reached #1 on the UK Singles Chart in July 1968.
“The song was covered by its writer, Eddy Grant, as a solo effort in 1984 without any chart success.
“In 1994, ‘Baby, Come Back’ was covered by Pato Banton who was joined by Robin and Ali Campbell of UB40 – Banton dubbing verses between the Campbells singing the original hook and chorus. Topping the UK Singles chart beginning in November 1994, Banton’s cover was the 4th biggest-selling UK single of 1994.”
Recorded as (“Plaisir d’Amour”) by Emilio De Gogorza (1902).
Also recorded (as “Plaisir d’Amour”) by Beniamino Gigli (1934), Joan Baez (1961).
Hit versions (in English) by Elvis Presley (US #2/MOR #1/UK #1 1961), Andy Williams (UK #3 1970), The Softones (R&B #53 1973), The Stylistics (R&B #52/UK #4 1976), UB40 (US #1/UK #1/IRE #1/AUS #1 1993).
Also recorded (as “I Want to Live”) by Aphrodite’s Child (NETH #1 1969).
[Note: The above recording is not by Emilio De Gogorza. It is a 1945 arrangement recorded by French cabaret tenor Emile-Jean Vanni-Marcoux.]
From the wiki: “‘(I Can’t Help) Falling in Love’ was written by Hugo Peretti, Luigi Creatore and George Weiss (‘The Lion Sleeps Tonight‘, ‘What a Wonderful World’) based on a popular romance melody by Jean Pierre Claris de Florian, ‘Plaisir d’Amour’, first performed in 1784 and first recorded in 1902 by Emilio De Gogorza.
“Beniamino Gigli, considered by some to be the greatest opera tenor of his generation, covered ‘Plaisir d’Amour’ in 1934. (Gigli rose to true international prominence after the death of the great Italian tenor Enrico Caruso in 1921. Such was Gigli’s popularity with audiences he was often called ‘Caruso Secondo’, though in great operatic ego tradition he much preferred to be known as ‘Gigli Primo’.)
“English-language lyrics were later written by George Weiss for an Elvis Presley feature movie, but who claimed that neither the movie producers nor Elvis’ associates liked the song demo. Nonetheless, Elvis insisted on recording the song for the movie Blue Hawaii.
First recorded by Roy Acuff & His Smoky Mountain Boys (1947).
Also recorded by Hank Williams (1951), Elvis Presley (1976), Eva Cassidy (2008).
Hit versions by Willie Nelson (US #21/C&W #1 1975), UB40 (ARU #1 2013).
From the wiki: “‘Blue Eyes Crying in the Rain’ is a song written by songwriter Fred Rose, and first recorded by Roy Acuff in 1947. The song was also recorded in 1951 by Hank Williams for the Mother’s Best Flour Hour radio program.
Written and first recorded by Neil Diamond (US #62 1966).
Other hit versions by Jimmy James & The Vagabonds (UK #46 1966), Tony Tribe (UK #46 1969), Roy Drusky (C&W #17/CAN #16 1972), UB40 (US #34/UK #1/NZ #1 1984 |US #1 1988).
From the wiki: “‘Red, Red Wine’ was written and originally recorded by Neil Diamond (‘September Morn‘,’I’m a Believer‘,’Until It’s Time for You to Go‘). It has been covered by Tony Tribe, and Jimmy James & the Vagabond (both charting in the UK in the late ’60s), American country singer Roy Drusky (who charted in 1972) and, most famously, by British reggae group UB40, whose version topped the UK and US singles charts – four years apart.
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